Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 7 verk av Ferdinand Oldewelt i vår katalog
Kortfattat
A Gypsy Girl in a Church (1917) är den målning av Ferdinand Oldewelt som drar till sig flest blickar; originalet finns på Museum Boijmans Van Beuningen, Rotterdam. Därefter dras blicken till Woman with spinning wheel (1886) och Gypsy girl (1905). Bland de 7 verk av Ferdinand Oldewelt i vår katalog är dessa 7 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
De 4 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Ferdinand Oldewelt | Målningar från denna lista |
|---|---|---|---|
 Amsterdam Museum |
Amsterdam | 4 | Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?), Portrait of an angora cat |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | A Gypsy Girl in a Church |
 Dordrechts Museum |
Dordrecht | 1 | Gypsy girl |
 Groninger Museum |
Groningen | 1 | Varkensmarkt on the Grote Markt, Groningen, |
Välj ett decennium för att se originalverket som definierar det.
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
A Gypsy Girl in a Church (1917), Museum Boijmans Van Beuningen, Rotterdam. Woman with spinning wheel (1886) och Gypsy girl (1905) följer efter.
60 år gammal: A Gypsy Girl in a Church är från 1917, och Ferdinand Oldewelt föddes 1857.
Vår katalog innehåller 7 verk av Ferdinand Oldewelt, daterade från 1886 till 1925.
Främst i Amsterdam Museum (Amsterdam), Museum Boijmans Van Beuningen (Rotterdam) och Dordrechts Museum (Dordrecht). Museitabellen ovan listar alla.
Under 1880s: 3 av de 7 verk som finns på denna sida skapades då, varav Woman with spinning wheel.
På den här sidan är det tidigaste Woman with spinning wheel (1886) och det senaste Mr. Willem Frederik Hendrik Oldewelt (1895-?) (1925).
Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?) och Portrait of an angora cat: Amsterdam Museum, Amsterdam har 4 av verken på denna sida.
Ferdinand Oldewelt lived a life shaped by the steady rhythm of the studio and the classroom. Born in Amsterdam, he spent his early years absorbing the technical rigor required of a professional artist. His training took him from the Rijksakademie van beeldende kunsten, where he studied under August Allebé and Barend Wijnveld, to the Koninklijke Academie voor Schone Kunsten in Antwerp. It was here, under the guidance of Charles Verlat, that his hand found its specific way of seeing. He was not merely a painter but a man of many tools, working as a printmaker, watercolorist, and etcher. His hands were as comfortable with the sharp bite of an etching needle as they were with the soft spread of a watercolor wash.
His career was defined by a commitment to the instruction of others. He moved through various roles of leadership and teaching, shaping the hands of many students. His influence stretched across several institutions, leaving a mark on the way art was taught in the Netherlands during his lifetime.
By 1890, Oldewelt was among the first to settle near the village of Laren, a place that would become a gathering point for many painters. While he did not officially make Laren his permanent home until 1922, his presence in the area was felt long before. He became part of the Larense School, a group of artists drawn to the rural landscape and the quietude of interior scenes. His work often focused on these intimate subjects, such as a woman with a spinning wheel, capturing the stillness of a moment. He was a man of his community, holding memberships in groups like Arti et Amicitiae and Pulchri Studio.
His technical skill was evident in the way he handled light and form, whether in a formal drawing or a finished painting. He taught many notable figures, including Pieter den Besten and Gesina Boevé, passing down the discipline he had acquired in his own youth. He remained active in his craft and his teaching until his death in Laren in 1935.
