Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 34 verk av Ercole De' Roberti i vår katalog
Kortfattat
Av alla originalverk som Ercole De' Roberti lämnade efter sig är det mest kända Virgin and Child (1493), i samlingen hos Art Institute of Chicago, Chicago. Tätt efter följer Saint Jerome in the Wilderness (1470) och Saint Anthony Abbot (1472). Vår katalog innehåller 34 verk av Ercole De' Roberti; galleriet har bevarat de 34 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The painting presents a vertical portrait of the Virgin Mary holding the Christ Child against a solid, luminous cerulean blue background. The figures are positioned centrally, creating a sense of stability within the frame. The Virgin is draped in a dark garment featuring intricate detailing at the neckline, which is partially covered by a voluminous green mantle. This fabric falls in heavy, sculptural folds that suggest a thick, velvety texture.…
A somber, detailed tempera painting depicts Saint Jerome in a desolate, rocky landscape. The scene is dominated by a massive, crumbling stone structure resembling a ruined classical arch or grotto, which creates a sense of enclosure and decay. The color palette consists of earthy tones, including ochre, sienna, tan, and deep browns, set against a clear, pale blue sky. An elderly, bearded man sits in a contemplative pose, partially clothed…
The vertical composition of Saint Anthony Abbot by Ercole De' Roberti features a full-length figure positioned slightly off-center. The subject is situated within an arched niche, which creates a sense of shallow depth behind the form. A thin, golden halo is placed behind the head of the saint. The figure holds a book in a crimson hue, providing a sharp contrast to the surrounding tones. This work, created about 1472,…
Griffoni Polyptych: Predella (detail) is a work by Ercole De' Roberti, executed in 1473. The artist, born in Ferrara, Italy, in 1450, was a significant figure of the Ferrarese school. This specific section provides a detailed view of the narrative scenes originally composed for the base of the larger polyptych.
This Renaissance-style portrait, presented in an oval format, features a close-up bust view of a youthful figure, likely the Archangel Michael. The composition focuses on the face and upper shoulders, capturing a single, idealized human head with a calm, contemplative gaze. The subject is rendered with a serene and solemn expression, characterized by soft, rounded shapes in the jawline and eyes.
The Virgin and Child is a work by Ercole De' Roberti, executed about 1493. This composition centers on the intimate relationship between a woman and an infant, capturing themes of maternal love and divine innocence. The figures are presented with a focus on their physical and spiritual connection.
In the quiet, commanding presence of Ercole de' Roberti’s Ginevra Bentivoglio, we encounter more than just a portrait; we step into the refined atmosphere of the Italian Renaissance. Painted around 1477, this masterpiece captures a noblewoman in profile, her gaze directed toward a distant, hazy horizon as if lost in a moment of profound contemplation. The subject, draped in the opulence of Ferrarese fashion, serves as a breathtaking testament to…
To stand before this portrait is to step directly across the threshold of the Italian Renaissance, to breathe the rarefied air of 15th-century courtly life. Ercole De' Roberti’s depiction of Giovanni II Bentivoglio is far more than a mere likeness; it is a meticulously preserved moment in time, an eloquent testament to status, power, and artistic mastery. The subject himself, adorned in garments rich with intricate patterns, commands attention. His…
Griffoni Polyptych: Predella (left view) is a tempera on wood painting executed by the Italian artist Ercole De' Roberti. Created in 1473, the work originated during the Renaissance period. The piece is part of a larger polyptych structure and represents the artist's early mature period, a time when he was working in Bologna alongside Francesco del Cossa.
We are looking at Battle, a work by Ercole De' Roberti. This piece dates to about 1490, a period when the artist was active in the Ferrarese school. It is a significant example of his hand, reflecting the specific stylistic developments of the late fifteenth century.
The Israelites gathering MannaNational Gallery
12
Pietà1486 · Walker Art Gallery
13
Griffoni Polyptych: St George1470 · Collezione Vittorio Cini
14
Griffoni Polyptych: St Michael1470 · Louvre
15
Predella of Stories of Christ: 1. Prayer in the Garden and Capture1482 · Gemäldegalerie
16
Portrait of Ginevra Bentivoglio1480 · National Gallery of Art
17
Griffoni Polyptych: St Apollonia1470 · Louvre
18
St John the Baptist1478 · Staatliche Museen zu Berlin
19
Griffoni Polyptych: St Jerome1470 · Collezione Vittorio Cini
20
Griffoni Polyptych: Predella (right view)1473 · Vatikanens Pinakotek
21
Griffoni Polyptych: St Catherine of Alexandria1470 · Collezione Vittorio Cini
22
3. Road to Calvary
23
St Catherine of Alexandria
24
Predella (detail)
25
Predella (detail)2
26
The Institution of the EucharistNational Gallery
27
The dead christNational Gallery
28
The Adoration of the ShepherdsNational Gallery
29
Madonna with Child and Saints1480 · Pinacoteca di Brera
30
The Wife of Hasdrubal and Her Children1490 · National Gallery of Art
31
The Argo1490 · Civic Museums of Padua
32
Portia and Brutus1486 · Kimbell Art Museum
33
Archangel Michael1470 · Pinacoteca Nazionale di Bologna
34
Predella of Stories of Christ: 2. Pietà1482 · Walker Art Gallery
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Ercole De' Roberti | Målningar från denna lista |
|---|---|---|---|
 National Gallery of Art |
Washington | 4 | Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio, Portrait of Ginevra Bentivoglio |
 National Gallery |
London | 4 | The Israelites gathering Manna, The Institution of the Eucharist, The dead christ |
 Vatikanens Pinakotek |
Vatikanstaten | 3 | Griffoni Polyptych: Predella (detail), Griffoni Polyptych: Predella (left view), Griffoni Polyptych: Predella (right view) |
 Collezione Vittorio Cini |
Venedig | 3 | Griffoni Polyptych: St George, Griffoni Polyptych: St Jerome, Griffoni Polyptych: St Catherine of Alexandria |
 Walker Art Gallery |
Liverpool | 2 | Pietà, Predella of Stories of Christ: 2. Pietà |
 Louvre |
Paris | 2 | Griffoni Polyptych: St Michael, Griffoni Polyptych: St Apollonia |
 Art Institute of Chicago |
Chicago | 1 | Virgin and Child |
 J. Paul Getty Museum |
Los Angeles | 1 | Saint Jerome in the Wilderness |
Välj ett decennium för att se originalverket som definierar det.
A somber, detailed tempera painting depicts Saint Jerome in a desolate, rocky landscape. The scene is dominated by a massive, crumbling stone structure resembling a ruined classical arch or grotto, which creates a sense of enclosure and decay. The color palette consists of earthy tones, including ochre, sienna, tan, and deep browns, set against a clear, pale blue sky. An elderly, bearded man sits in a contemplative pose, partially clothed…
To stand before this portrait is to step directly across the threshold of the Italian Renaissance, to breathe the rarefied air of 15th-century courtly life. Ercole De' Roberti’s depiction of Giovanni II Bentivoglio is far more than a mere likeness; it is a meticulously preserved moment in time, an eloquent testament to status, power, and artistic mastery. The subject himself, adorned in garments rich with intricate patterns, commands attention. His…
The painting presents a vertical portrait of the Virgin Mary holding the Christ Child against a solid, luminous cerulean blue background. The figures are positioned centrally, creating a sense of stability within the frame. The Virgin is draped in a dark garment featuring intricate detailing at the neckline, which is partially covered by a voluminous green mantle. This fabric falls in heavy, sculptural folds that suggest a thick, velvety texture.…
Virgin and Child (1493), Art Institute of Chicago, Chicago. Saint Jerome in the Wilderness (1470) och Saint Anthony Abbot (1472) följer efter.
43 år gammal: Virgin and Child är från 1493, och Ercole De' Roberti föddes 1450.
Virgin and Child, Saint Jerome in the Wilderness, Saint Anthony Abbot, Griffoni Polyptych: Predella (detail), Head of Archangel Michael, The Virgin and Child, Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio, Griffoni Polyptych: Predella (left view) och Battle. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 34 verk av Ercole De' Roberti, daterade från 1470 till 1494.
Främst i National Gallery of Art (Washington), National Gallery (London) och Vatikanens Pinakotek (Vatikanstaten). Museitabellen ovan listar alla.
Under 1470s: 13 av de 34 verk som finns på denna sida skapades då, varav Saint Jerome in the Wilderness.
På den här sidan är det tidigaste Saint Jerome in the Wilderness (1470) och det senaste Head of Archangel Michael (1494).
Man (5), Woman (4) och Saints (4), fördelat på 34 verk på denna sida.
Tempera On Panel, för 11 av de 34 verk som finns på denna sida.
Renaissance och Early renaissance, om man dömer efter originalen på denna sida.
Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio och Portrait of Ginevra Bentivoglio: National Gallery of Art, Washington har 4 av verken på denna sida.
