Porträtt av E. Phillips Fox

De 40 mest kända E. Phillips Fox-målningarna, varje ett unikt konstverk

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 44 verk av E. Phillips Fox i vår katalog

Kortfattat

Autumn showers (1900) är den målning av E. Phillips Fox som drar till sig flest blickar; originalet finns på Art Gallery of New South Wales, Sydney. Därefter dras blicken till Portrait of My Cousin (1893) och Untitled (AQZBK4) (1910). Bland de 44 verk av E. Phillips Fox i vår katalog är dessa 40 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1865 – 1915, Fitzroy Impressionism Flest verk: Art Gallery of New South Wales

Topp 10 målningar av E. Phillips Fox, ur galleriets perspektiv

1
Autumn showers (1900) av E. Phillips Fox

Autumn showers

1900 · Oil On Canvas · Art Gallery of New South Wales, Sydney

The painting Autumn showers is a work by E. Phillips Fox, completed in 1900. It emerged from a specific period in the artist's life, specifically during his 1899 residency at Charterisville, a homestead situated near Eaglemont in Victoria. This setting provided the backdrop for the creation of this oil on canvas piece.

6
English Landing of Captain Cook at Botany Bay, 1770 (1902) av E. Phillips Fox

English Landing of Captain Cook at Botany Bay, 1770

1902 · Acrylic On Canvas · The Ian Potter Centre - Ngv Australia, Melbourne

A Window into Colonial Australia: Emanuel Phillips Fox’s “English Landing of Captain Cook at Botany Bay” Emanuel Phillips Fox's "English Landing of Captain Cook at Botany Bay," completed in 1902, transcends mere depiction; it embodies a pivotal moment in Australian history and artistic innovation. More than just a picturesque landscape, this painting serves as a tangible reminder of the dawn of European settlement and the burgeoning Impressionist movement’s fascination with…

E. Phillips Foxs berömda målningar, nummer 11 till 40

Motiven som fångade E. Phillips Foxs blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar E. Phillips Foxs originalverk

De 7 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av E. Phillips Fox Målningar från denna lista
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Autumn showers, Heidelberg, Art Students
The Ian Potter Centre - Ngv Australia, MelbourneThe Ian Potter Centre - Ngv Australia Melbourne 3 Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, English The Arbour
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 2 Untitled (AQZBJJ), Untitled (AQZBJQ)
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 English After the bath Français Après le bain, Al Fresco
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of My Cousin
Kerry Stokes Collection, PerthKerry Stokes Collection Perth 1 Français Etude de nu
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 1 Ina Gregory

E. Phillips Fox genom decennierna: ett unikt original för varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

E. Phillips Foxs målningar: frågor till galleriet

Vilket är E. Phillips Foxs mest kända verk?Visa svaret

Autumn showers (1900), Art Gallery of New South Wales, Sydney. Portrait of My Cousin (1893) och Untitled (AQZBK4) (1910) följer efter.

Vid vilken ålder skapade E. Phillips Fox Autumn showers?Visa svaret

35 år gammal: Autumn showers är från 1900, och E. Phillips Fox föddes 1865.

Vilka tio målningar av E. Phillips Fox är de mest kända?Visa svaret

Autumn showers, Portrait of My Cousin, Untitled (AQZBK4), Untitled (AQZBK8), Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, The Cabbage Patch, English The Setting Sun, Untitled (AQZBJU) och Untitled (AQZBJJ). Rankingen ovan visar varje verks årtal och museum.

Hur många verk av E. Phillips Fox är kända?Visa svaret

Vår katalog innehåller 44 verk av E. Phillips Fox, daterade från 1889 till 1913.

Var kan de mest kända originalen av E. Phillips Fox ses?Visa svaret

Främst i Art Gallery of New South Wales (Sydney), The Ian Potter Centre - Ngv Australia (Melbourne) och National Gallery of Australia (Canberra). Museitabellen ovan listar alla.

Under vilken period skapade E. Phillips Fox sina mest kända målningar?Visa svaret

Under 1910s: 12 av de 40 verk som finns på denna sida skapades då, varav Untitled (AQZBK4).

Vilket av de kända verken av E. Phillips Fox är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste The Cabbage Patch (1889) och det senaste Untitled (AQZBKU) (1913).

Vilka motiv föredrog E. Phillips Fox?Visa svaret

Landscape (3), Leisure (3) och Reading (3), fördelat på 40 verk på denna sida.

Vilken konstinriktning tillhör E. Phillips Foxs verk?Visa svaret

Impressionism, om man dömer efter originalen på denna sida.

Vilka original av E. Phillips Fox kan jag se på Art Gallery of New South Wales?Visa svaret

Autumn showers, Heidelberg och Art Students: Art Gallery of New South Wales, Sydney har 6 av verken på denna sida.

E. Phillips Fox: ett porträtt av konstnären

A Vision of Light and Leisure

Emanuel Phillips Fox stands as a luminous figure in the history of Australian art, a painter whose brush captured the ephemeral beauty of light and the quiet elegance of modern life. Born in Melbourne, Victoria, his artistic journey was one of profound movement, bridging the landscapes of Australia and the vibrant studios of Europe. As an Impressionist, Fox possessed a rare ability to translate the atmosphere of a moment onto canvas, creating scenes that feel less like static images and even more like breathing memories. His work often centers on the serene, capturing figures immersed in nature or the gentle rhythms of daily leisure, rendered with a mastery of color and light that evokes a sense of profound tranquility.

The development of his style was deeply influenced by his time spent abroad. After studying at the National Gallery of Victoria Art School, Fox traveled to Paris in 1886, where he remained in Europe for several years. This period of immersion in the heart of the Impressionist movement allowed him to absorb the techniques of light and shadow that would become hallmarks of his oeuvre. Upon returning to Melbourne, he became a pivotal figure in the second phase of the Heidelberg School, bringing a sophisticated, European sensibility to the Australian Impressionist tradition. His ability to blend the structural elements of composition with the fluid, atmospheric qualities of light allowed him to lead a new era of artistic expression in his homeland.

Mastery of the Impressionist Spirit

The essence of Fox’s artistry lies in his capacity to find the extraordinary within the ordinary. His paintings frequently feature women in contemplative or relaxed poses, often set against lush, sun-drenched backgrounds. Whether it is a figure reading a book beneath the shade of a tree or people gathered near the water's edge, there is an unmistakable sense of harmony and balance in his work. He utilized oil on canvas to build textures that mimic the natural world, from the delicate petals of flowers to the shimmering surface of a river.

His technical achievements are characterized by several key elements:

  • Luminous Landscapes: A profound ability to capture the specific quality of light, creating depth and dimensionality through subtle shifts in tone.
  • Atmospheric Composition: The use of nature—such as climbing vines, trees, and water—to frame subjects and create a sense of immersive environment.
  • Capturing the Moment: A focus on scenes of relaxation and leisure that convey a peaceful, almost dreamlike atmosphere.

Through his dedication to the Impressionist style, Emanuel Phillips Fox left an indelible mark on the Australian art canon. His legacy is not merely found in the beauty of his individual works, but in his role as a bridge between continents, bringing the light of Paris to the landscapes of Victoria and forever altering the trajectory of Australian painting.