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Ur galleriets perspektiv är Copley Fieldings mest kända målning Richmond hill, (1830). Ambelside, (1829) och Lake Nemi with Pontine Marshes in the Background (1837) fullbordar trion som alla känner igen. Av de 105 verk av Copley Fielding i vår katalog presenterar galleriet nedan de 89 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
Galleriets 10 främsta målningar av Copley Fielding
Copley Fieldings målningar, rankade 11 till 89
Motiven som fångade Copley Fieldings blick
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
Beach 11 verk
Landscape 9 verk
Animals 8 verk
Museerna som förvarar Copley Fieldings originalverk
De 4 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Copley Fielding | Målningar från denna lista |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, ett signaturverk per decennium
Copley Fieldings målningar: galleriets svar
Vilken av Copley Fieldings målningar är den mest kända av alla?Visa svaret
Richmond hill, (1830). Därefter följer Ambelside, (1829) och Lake Nemi with Pontine Marshes in the Background (1837).
Hur gammal var Copley Fielding när Richmond hill, färdigställdes?Visa svaret
43 år gammal: Richmond hill, är från 1830, och Copley Fielding föddes 1787.
Vilka är Copley Fieldings 10 främsta målningar?Visa svaret
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide och Unloading the catch, whitby. Rankingen ovan visar varje verks årtal och museum.
Hur många verk skapade Copley Fielding?Visa svaret
Vår katalog innehåller 105 verk av Copley Fielding, daterade från 1829 till 1851.
Var hänger Copley Fieldings mest kända original?Visa svaret
Främst i Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) och Yale Center for British Art (New Haven). Museitabellen ovan listar alla.
När skapade Copley Fielding sina mest kända målningar?Visa svaret
Under 1830s: 4 av de 89 verk som finns på denna sida skapades då, varav Richmond hill,.
Vilka är Copley Fieldings tidigaste och senaste kända verk?Visa svaret
På den här sidan är det tidigaste Ambelside, (1829) och det senaste Byland Abbey, (1851).
Vilka motiv återkom Copley Fielding till mest?Visa svaret
Beach (11), Landscape (9) och Animals (8), fördelat på 89 verk på denna sida.
Vilken konstinriktning förknippas Copley Fielding med?Visa svaret
Romanticism, om man dömer efter originalen på denna sida.
Vilka original av Copley Fielding finns i Birmingham Museum and Art Gallerys samlingar?Visa svaret
Lake Nemi with Pontine Marshes in the Background och Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham har 2 av verken på denna sida.
Copley Fielding: konstnären
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








