Porträtt av Claudius Jacquand

De 31 mest kända Claudius Jacquand-målningarna, varje ett unikt konstverk

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 31 verk av Claudius Jacquand i vår katalog

Kortfattat

The night of Bartholomew 1572 (1837) är den målning av Claudius Jacquand som drar till sig flest blickar; originalet finns på Nationalmuseum, Stockholm. Därefter dras blicken till Laurence attendant Jocelyn (1836) och The Bubble Blowers (1844). Bland de 31 verk av Claudius Jacquand i vår katalog är dessa 31 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1803 – 1878, Lyon Flest verk: Petit Palais

Topp 10 målningar av Claudius Jacquand, ur galleriets perspektiv

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The night of Bartholomew 1572 (1837) av Claudius Jacquand

The night of Bartholomew 1572

1837 · Oil On Canvas · Nationalmuseum, Stockholm

In The night of Bartholomew 1572, Claudius Jacquand captures a moment of profound tension. Painted about 1837, this work by the French artist Claudius Jacquand focuses on a specific, violent confrontation during the St. Bartholomew's Day massacre. The scene is set within a dark, enclosed architectural space, where the weight of history is felt through the immediate presence of conflict.

Claudius Jacquands berömda målningar, nummer 11 till 31

Motiven som fångade Claudius Jacquands blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Claudius Jacquands originalverk

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Claudius Jacquand Målningar från denna lista
Petit Palais, ParisPetit Palais Paris 3 Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin"
Musée des Beaux-Arts de Lyon, LyonMusée des Beaux-Arts de Lyon Lyon 2 Les Adieux de Cinq-Mars à Marie d'Entraigues or le Baiser du départ, Thomas More, Lord High Chancellor of England
Nationalmuseum, StockholmNationalmuseum Stockholm 1 The night of Bartholomew 1572
Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 1 Laurence attendant Jocelyn
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 1 The Bubble Blowers
Musée des Beaux-Arts de Dijon, DijonMusée des Beaux-Arts de Dijon Dijon 1 Perugino Painting for Monks in Perugia
Musée de Picardie, AmiensMusée de Picardie Amiens 1 Galilée avant son abjuration
Musée National du Château de Compiègne, CompiègneMusée National du Château de Compiègne Compiègne 1 The Bachelor Samson Carasio Defeated by Don Quixote

Claudius Jacquand genom decennierna: ett unikt original för varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Claudius Jacquands målningar: frågor till galleriet

Vilket är Claudius Jacquands mest kända verk?Visa svaret

The night of Bartholomew 1572 (1837), Nationalmuseum, Stockholm. Laurence attendant Jocelyn (1836) och The Bubble Blowers (1844) följer efter.

Vid vilken ålder skapade Claudius Jacquand The night of Bartholomew 1572?Visa svaret

34 år gammal: The night of Bartholomew 1572 är från 1837, och Claudius Jacquand föddes 1803.

Vilka tio målningar av Claudius Jacquand är de mest kända?Visa svaret

The night of Bartholomew 1572, Laurence attendant Jocelyn, The Bubble Blowers, The Honorable Apology in a Convent of the Brother Knights, Hermits of Saint Maurice, Perugino Painting for Monks in Perugia, Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Galilée avant son abjuration, Jacques Molay Prend Jérusalem och Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin". Rankingen ovan visar varje verks årtal och museum.

Hur många verk av Claudius Jacquand är kända?Visa svaret

Vår katalog innehåller 31 verk av Claudius Jacquand, daterade från 1828 till 1867.

Var kan de mest kända originalen av Claudius Jacquand ses?Visa svaret

Främst i Petit Palais (Paris), Musée des Beaux-Arts de Lyon (Lyon) och Nationalmuseum (Stockholm). Museitabellen ovan listar alla.

Under vilken period skapade Claudius Jacquand sina mest kända målningar?Visa svaret

Under 1830s: 7 av de 31 verk som finns på denna sida skapades då, varav The night of Bartholomew 1572.

Vilket av de kända verken av Claudius Jacquand är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste Thomas More, Lord High Chancellor of England (1828) och det senaste Galilée avant son abjuration (1867).

Vilka original av Claudius Jacquand kan jag se på Petit Palais?Visa svaret

Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register) och Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin": Petit Palais, Paris har 3 av verken på denna sida.

Claudius Jacquand: ett porträtt av konstnären

The Artisan's Legacy: The Life and Art of Claude Jacquand

Born into a world of meticulous craftsmanship in Lyon, France, on December 11, 1803, Claude Jacquand—often referred to as Claudius Jacquand—carried the precision of his lineage into the grand halls of French art. The son of a comb-maker, Jacquand’s early years were steeped in an appreciation for fine detail and manual dexterity, qualities that would later define his brushwork. His journey began at the École nationale des beaux-arts de Lyon under the guidance of Fleury François Richard, where he mastered the foundational rigors of academic painting. This period of intense training instilled in him a profound respect for anatomical accuracy and tonal modulation, preparing him for the dramatic shifts that would characterize his later career.

The trajectory of Jacquand’s life took a transformative turn following the death of his mother in 1836. Drawn by the magnetic pull of the art capital, he moved to Paris, a transition that served as the catalyst for his professional ascent. It was in this vibrant, often turbulent era of French history that Jacquand began to carve out a reputation for excellence. His talent did not go unnoticed by the prestigious institutions of his time; by 1839, he had been knighted in the Legion d'Honneur, and within a year, he was receiving international acclaim, including a Gold Medal at an exposition in Brussels and the Order of Leopold following another triumph in The Hague. These accolades placed him among the respected figures of the Romantic era, even as he navigated the complexities of a changing social landscape.

A Tapestry of History and Emotion

Jacquand’s oeuvre is a captivating exploration of historical narratives, religious devotion, and the intimate nuances of genre scenes. He possessed a rare ability to breathe life into the past, transforming static historical tableaus into breathing, emotional experiences. His works often functioned as windows into bygone eras, utilizing chiaroscuro lighting and rich, textured palettes to evoke the atmosphere of the Renaissance and the Baroque periods. Whether depicting the intellectual gravity of an 18th-century gathering or the dramatic tension of a royal encounter, Jacquand’s compositions were marked by a profound sense of storytelling.

His thematic range was remarkably broad, encompassing:

  • Historical Tableaus: Grand narratives such as Louis XI of France Surprising the Queen, which utilized dramatic lighting to capture moments of intense political and personal intrigue.
  • Religious Subjects: Devotional works that showcased his ability to handle sacred themes with both reverence and technical mastery.
  • Genre Scenes: Intimate glimpses into daily life, such as the Guard Room Scene, which offered viewers a sense of camaraderie and historical authenticity.
  • Intellectual Portraits: Capturing the essence of Enlightenment figures like Voltaire, where he focused on the psychological depth and contemplative nature of his subjects.

Evolution and Enduring Influence

As the art world shifted from the strictures of Classicism toward the emotional volatility of Romanticism and eventually the light-drenched experiments of Impressionism, Jacquand demonstrated a remarkable stylistic fluidity. While his roots remained firmly planted in the academic tradition—characterized by smooth surfaces and balanced compositions—his later works began to embrace more subtle color harmonies and atmospheric effects. This evolution reflects an artist who was not merely a chronicler of the past, but a participant in the living, breathing progression of French art history.

Despite the financial hardships that shadowed his later years following the French Revolution of 1848, Jacquand’s commitment to his craft never wavered. He lived through a period of immense social upheaval, yet he continued to exhibit regularly, maintaining a standard of excellence that earned him the respect of critics like Charles Baudelaire. Though history sometimes remembers his contemporaries more vividly, the legacy of Claude Jacquand remains etched in the meticulous detail and emotional resonance of his canvases. His life stands as a testament to the power of craftsmanship, representing a bridge between the disciplined traditions of the old masters and the expressive freedom of the modern age.