Kortfattat
Ur galleriets perspektiv är Charles Errards mest kända målning Renaud abandonnant Armide (1640), vars original hänger på Musée du Pays de Hanau i Bouxwiller. Av de 1 verk av Charles Errard i vår katalog presenterar galleriet nedan de 1 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
Galleriets 10 främsta målningar av Charles Errard
Museerna som förvarar Charles Errards originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Charles Errard | Målningar från denna lista |
|---|---|---|---|
| Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, årets signaturmålningar
Varje daterat original av Charles Errard på denna sida är skapat år 1640: här är de, med de mest kända först.
Charles Errards målningar: galleriets svar
Vilken av Charles Errards målningar är den mest kända av alla?Visa svaret
Renaud abandonnant Armide (1640)
Hur gammal var Charles Errard när Renaud abandonnant Armide färdigställdes?Visa svaret
34 år gammal: Renaud abandonnant Armide är från 1640, och Charles Errard föddes 1606.
Hur många verk skapade Charles Errard?Visa svaret
Vår katalog innehåller 1 verk av Charles Errard.
Var hänger Charles Errards mest kända original?Visa svaret
Främst i Musée du Pays de Hanau (Bouxwiller). Museitabellen ovan listar alla.
Charles Errard: konstnären
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.