Porträtt av Charles de Steuben

De 19 mest kända målningarna av Charles de Steuben, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 19 verk av Charles de Steuben i vår katalog

Kortfattat

Av alla originalverk som Charles de Steuben lämnade efter sig är det mest kända Portrait of Anna Benardaki (1844), i samlingen hos Ermitaget, Sankt Petersburg. Tätt efter följer Portrait of Baron Alexander Stieglitz (1844) och Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Vår katalog innehåller 19 verk av Charles de Steuben; galleriet har bevarat de 19 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1788 – 1856, Bauerbach Romanticism Flest verk: Ermitaget

Charles de Steubens 10 främsta målningar: galleriets utvalda verk

1
Portrait of Anna Benardaki (1844) av Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Ermitaget, Sankt Petersburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) av Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Ermitaget, Sankt Petersburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) av Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Ermitaget, Sankt Petersburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) av Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Ermitaget, Sankt Petersburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) av Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Ermitaget, Sankt Petersburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) av Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Ermitaget, Sankt Petersburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Urvalet av Charles de Steuben fortsätter, 11 till 19

Motiven som fångade Charles de Steubens blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Charles de Steubens originalverk

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Charles de Steuben Målningar från denna lista
Ermitaget, Sankt PetersburgErmitaget Sankt Petersburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Musée Carnavalet, ParisMusée Carnavalet Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Charles de Steubens målningar

Vilket verk är Charles de Steuben mest känd för?Visa svaret

Portrait of Anna Benardaki (1844), Ermitaget, Sankt Petersburg. Portrait of Baron Alexander Stieglitz (1844) och Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) följer efter.

Hur gammal var Charles de Steuben när Portrait of Anna Benardaki skapades?Visa svaret

56 år gammal: Portrait of Anna Benardaki är från 1844, och Charles de Steuben föddes 1788.

Vilka är de tio mest kända målningarna av Charles de Steuben?Visa svaret

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" och Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Charles de Steuben efter sig?Visa svaret

Vår katalog innehåller 19 verk av Charles de Steuben, daterade från 1800 till 1850.

I vilka museer hänger Charles de Steubens mästerverk?Visa svaret

Främst i Ermitaget (Sankt Petersburg), Palais des Beaux-Arts de Lille (Lille) och Musée Carnavalet (Paris). Museitabellen ovan listar alla.

Under vilka år målade Charles de Steuben sina mest kända verk?Visa svaret

Under 1830s: 9 av de 19 verk som finns på denna sida skapades då, varav Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Vilka är de första och sista kända originalverken av Charles de Steuben?Visa svaret

På den här sidan är det tidigaste The Death of Napoleon (1800) och det senaste Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Vilka motiv valde Charles de Steuben oftast?Visa svaret

Woman (3), Man (3) och Lace (2), fördelat på 19 verk på denna sida.

Vilken teknik använde Charles de Steuben mest?Visa svaret

Oil On Canvas, för 5 av de 19 verk som finns på denna sida.

Vilken konstinriktning tillhör Charles de Steuben?Visa svaret

Romanticism, om man dömer efter originalen på denna sida.

Vilka verk av Charles de Steuben finns utställda på Ermitaget?Visa svaret

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz och Portrait of Alexander P. von Benckendorff (1819 – 1851): Ermitaget, Sankt Petersburg har 7 av verken på denna sida.

Charles de Steuben: liv och verk

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.