Kortfattat
An Evening in the City, April 1941 (1941) är den målning av Bernard Hailstone som drar till sig flest blickar. Därefter dras blicken till Captain Augustus Banning (b.c.1894), DSO, Merchant Navy (1945) och A Merchantman at Catania (1943). Bland de 53 verk av Bernard Hailstone i vår katalog är dessa 53 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
Topp 10 målningar av Bernard Hailstone, ur galleriets perspektiv
Bernard Hailstones berömda målningar, nummer 11 till 53
Motiven som fångade Bernard Hailstones blick
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
Wwii 5 verk
1940s 3 verk
Maritime 3 verk
Museerna som förvarar Bernard Hailstones originalverk
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Bernard Hailstone | Målningar från denna lista |
|---|---|---|---|
| London | 12 | Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania, War Equipment on Algiers Quayside | |
| London | 6 | Frank E Mattocks, Chief Engineer (1889-1965), W. M. Ladbrooke (active 1939–1945), Able Seaman, Merchant Navy, Big Ben the Bargee | |
| London | 1 | Mulgrave Place School, after Bombing, Woolwich | |
| London | 1 | Gunnar Nilsson | |
| London | 1 | Merchant Ships at Anchor, Grand Harbour, Malta | |
| Grimsby | 1 | Councillor C. H. Wilkinson, MBE, JP | |
| Greater Manchester | 1 | Loading Aeroplane Parts for Overseas | |
| London | 1 | Damaged Tanks Being Lowered into the Hold of a Merchant Ship |
Bernard Hailstone genom åren: de unika originalen från varje verk
En lång karriär på 26 år, från 1940 till 1965: Bernard Hailstones mest kända original, visade år för år.
Verk per år
Välj ett år för att se originalen.
Air Chief Marshal Sir Keith Park (1892–1975), KCB, KBE, MC, DFC
Mer från 1946
Bernard Hailstones målningar: frågor till galleriet
Vilket är Bernard Hailstones mest kända verk?Visa svaret
An Evening in the City, April 1941 (1941). Därefter följer Captain Augustus Banning (b.c.1894), DSO, Merchant Navy (1945) och A Merchantman at Catania (1943).
Vid vilken ålder skapade Bernard Hailstone An Evening in the City, April 1941?Visa svaret
31 år gammal: An Evening in the City, April 1941 är från 1941, och Bernard Hailstone föddes 1910.
Vilka tio målningar av Bernard Hailstone är de mest kända?Visa svaret
An Evening in the City, April 1941, Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania, Lawrence Gammon, Warrant Officer, Calypso, Barbara Mary Rendell, BEM, Auxiliary Fire Service, War Equipment on Algiers Quayside, Activity at a Hull Dock, Mulgrave Place School, after Bombing, Woolwich, Frank E Mattocks, Chief Engineer (1889-1965) och Brigadier C. P. Jones, CBE, MC, Malaya Command. Rankingen ovan visar varje verks årtal och museum.
Hur många verk av Bernard Hailstone är kända?Visa svaret
Vår katalog innehåller 53 verk av Bernard Hailstone, daterade från 1940 till 1965.
Var kan de mest kända originalen av Bernard Hailstone ses?Visa svaret
Främst i Government Art Collection (London), National Maritime Museum (London) och Greenwich Heritage Centre (London). Museitabellen ovan listar alla.
Under vilken period skapade Bernard Hailstone sina mest kända målningar?Visa svaret
Under 1943: 15 av de 53 verk som finns på denna sida skapades då, varav A Merchantman at Catania.
Vilket av de kända verken av Bernard Hailstone är det tidigaste respektive det senaste?Visa svaret
På den här sidan är det tidigaste Lawrence Gammon, Warrant Officer, Calypso (1940) och det senaste John Walker (1965).
Vilka motiv föredrog Bernard Hailstone?Visa svaret
Wwii (5), 1940s (3) och Maritime (3), fördelat på 53 verk på denna sida.
Vilken konstinriktning tillhör Bernard Hailstones verk?Visa svaret
Contemporary realism, om man dömer efter originalen på denna sida.
Vilka original av Bernard Hailstone kan jag se på Government Art Collection?Visa svaret
Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania och War Equipment on Algiers Quayside: Government Art Collection, London har 12 av verken på denna sida.
Bernard Hailstone: ett porträtt av konstnären
The Chronicler of Conflict and Character
In the turbulent landscape of the twentieth century, few artists captured the raw, human pulse of wartime Britain with as much intimacy and grit as Bernard Hailstone. Born in 1910, Hailstone emerged not merely as a painter of scenes, but as a visual historian of the ordinary and extraordinary lives caught in the gears of global upheaval. His artistic journey, rooted in the rigorous traditions of the Royal Academy Schools under the guidance of masters like Walter Westley Russell, was profoundly shaped by the very conflict he sought to document. Unlike those who observed war from a distance, Hailstone lived it; his service in the Auxiliary Fire Service during the London Blitz provided him with a front-row seat to the destruction and resilience of the city, an experience that would infuse his brushwork with a unique, visceral empathy.
The early years of his career were defined by a remarkable duality. While he possessed the technical finesse required for formal portraiture, his heart was often drawn to the industrial and maritime rhythms of a nation at war. As an official war artist commissioned by the War Artists' Advisory Committee (WAAC), Hailstone turned his gaze toward the unsung heroes of the era: the transport workers, the civil defence volunteers, and the brave mariners of the Merchant Navy. His paintings from this period, such as his evocative depictions of Algiers Quayside or the tranquil yet heavy atmosphere of Merchant Ships at Anchor in Malta, transcend mere reportage. Through a blend of realism and impressionistic texture, he captured the weight of duty and the quiet moments of endurance amidst the chaos of the Mediterranean and European theaters.
From the Front Lines to the Royal Court
As the smoke of World War II cleared, Hailstone’s artistic trajectory underwent a fascinating evolution. The man who had once painted the soot-stained faces of firemen and the rugged features of Able Seamen transitioned into the refined world of post-war portraiture. This period saw him applying his mastery of character to some of the most prominent figures of British society. His ability to capture a likeness was not merely about anatomical accuracy, but about conveying the psychological depth of his subjects. From the commanding presence of Sir Winston Churchill to the elegant dignity of members of the Royal Family, such as Princess Anne and Prince Andrew, Hailstone’s work bridged the gap between the gritty reality of the trenches and the polished splendor of the court.
His later repertoire expanded to include the cultural luminaries of his time, capturing musicians like conductor Sir John Barbirolli and various stage and film actors. This versatility speaks to a profound technical range; whether navigating the vibrant, textured oils of a bustling dockyard or the subtle, nuanced light required for a royal commission, Hailstone remained a painter of people. His legacy is found in this remarkable breadth—a career that began in the embers of the Blitz and culminated in the halls of institutional greatness, always anchored by a deep respect for the human spirit.
The enduring significance of Bernard Hailstone’s oeuvre lies in its role as a bridge between eras. His work serves as a vital archive of:
- The Civilian Experience: Documenting the bravery of the Auxiliary Fire Service and the resilience of Londoners during the Blitz.
- Maritime History: Preserving the atmosphere of the Merchant Navy and the strategic importance of Mediterranean ports.
- Social Evolution: Tracing the shift from the collective struggle of wartime Britain to the individual prominence of the post-war era.
- Technical Mastery: Demonstrating a seamless transition between the rugged realism of war reportage and the sophisticated elegance of formal portraiture.




