Kortfattat
Still Life with Dead Rooster and Dove on Chest (1871) är den målning av Bartus Korteling som drar till sig flest blickar; originalet finns på Museum De Waag, Deventer. Därefter dras blicken till Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) och Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890). Bland de 10 verk av Bartus Korteling i vår katalog är dessa 10 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
Topp 10 målningar av Bartus Korteling, ur galleriets perspektiv
Museerna som förvarar Bartus Kortelings originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Bartus Korteling | Målningar från denna lista |
|---|---|---|---|
| Deventer | 10 | Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan |
Bartus Korteling genom decennierna: ett unikt original för varje era
Verk per decennium
Välj ett decennium för att se originalverket som definierar det.
Small Street in 'De Hoven' with Two Characteristic Garden Houses
Bartus Kortelings målningar: frågor till galleriet
Vilket är Bartus Kortelings mest kända verk?Visa svaret
Still Life with Dead Rooster and Dove on Chest (1871), Museum De Waag, Deventer. Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) och Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890) följer efter.
Vid vilken ålder skapade Bartus Korteling Still Life with Dead Rooster and Dove on Chest?Visa svaret
18 år gammal: Still Life with Dead Rooster and Dove on Chest är från 1871, och Bartus Korteling föddes 1853.
Vilka tio målningar av Bartus Korteling är de mest kända?Visa svaret
Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan, Still Life with Copper Pan, Onions and Cauliflower, Painting with Boats at Oude Turfhaven, Still Life with Copper Pan, Sunflowers, Raalterkanaal near Zandbeltermolen, Flooded Park, Worpplantsoen och Small Piece of Land near the Steenenkamer, Deventer. Rankingen ovan visar varje verks årtal och museum.
Hur många verk av Bartus Korteling är kända?Visa svaret
Vår katalog innehåller 10 verk av Bartus Korteling, daterade från 1871 till 1912.
Var kan de mest kända originalen av Bartus Korteling ses?Visa svaret
Främst i Museum De Waag (Deventer). Museitabellen ovan listar alla.
Under vilken period skapade Bartus Korteling sina mest kända målningar?Visa svaret
Under 1900s: 5 av de 10 verk som finns på denna sida skapades då, varav Still Life with Copper Pan, Onions and Cauliflower.
Vilket av de kända verken av Bartus Korteling är det tidigaste respektive det senaste?Visa svaret
På den här sidan är det tidigaste Still Life with Dead Rooster and Dove on Chest (1871) och det senaste Small Piece of Land near the Steenenkamer, Deventer (1912).
Vilka original av Bartus Korteling kan jag se på Museum De Waag?Visa svaret
Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses och Ships in the Turfhaven, now Mr. H.F. de Boerlaan: Museum De Waag, Deventer har 10 av verken på denna sida.
Bartus Korteling: ett porträtt av konstnären
The Legacy of the Smedenstraat
In the narrow streets of Deventer, where the scent of pigment and oil once lingered in the air, the Korteling name was woven into the very fabric of the city's creative life. Born in 1853, Bartus Korteling emerged from a lineage of craftsmen who understood the alchemy of color. His family had established a foundation in the Smedenstraat, where his forefather, Gerhard, spent his days preparing paints by hand and preserving the ancient methods of the trade. This upbringing meant that for Bartus, art was not a distant pursuit but a tangible, daily reality shaped by the textures of raw materials and the discipline of the workshop.
He did not merely inherit a trade; he inherited a way of seeing. While his ancestors focused on the production of the medium itself, Bartus sought to master the application of it. His life was deeply rooted in the local community, a man of the city who moved through its cultural circles with a quiet, steady purpose. He became a figure of influence, not through loud proclamations, but through the steady guidance he offered to those seeking to master the line and the shadow.
A Teacher and a Practitioner
Bartus found his calling in the delicate balance between instruction and creation. He became a teacher of drawing in Deventer, a role that allowed him to shape the hands and eyes of many young talents. His influence was felt in the studios and academies where he imparted the technical rigors of his craft. He possessed a deep understanding of form, a skill honed by a lifetime spent surrounded by the tools of the painter.
His personal work reflected the shifting tides of the era, finding its place within the stylistic echoes of the Hague School. He worked with a precision that spoke of his lineage, yet his hand was his own. His output was characterized by:
- A mastery of draftsmanship that informed his teaching.
- A commitment to the high standards of the Dutch tradition.
- A technical proficiency rooted in the family's history of pigment making.
The Quiet Influence of a Family Line
The significance of Bartus lies in the continuity he provided for the generations that followed. He was a bridge between the old world of the artisan-painter and the modern era of the professional artist. His son, Willem, would eventually take the family's artistic ambitions even further, becoming the first to pursue the life of a full-time artist. This progression was built upon the technical foundations and the local respect earned by Bartus during his long life in the Netherlands.
When he passed away in 1930, he left behind more than just sketches and canvases; he left a legacy of craftsmanship that had been refined over decades. His life was a testament to the idea that art is often a matter of lineage, a slow accumulation of skill passed from father to son, from the workshop to the academy, and from the hand to the heart of a city.





