Porträtt av Barent Avercamp

De 21 mest kända Barent Avercamp-målningarna, varje ett unikt konstverk

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 21 verk av Barent Avercamp i vår katalog

Kortfattat

Ice Fun, with a Fisherman and Spectators near an Ice Hole (1653) är den målning av Barent Avercamp som drar till sig flest blickar; originalet finns på Rijksmuseum Twenthe, Enschede. Därefter dras blicken till Scene with Ice Skating (1650) och Skating on a Frozen River (1650). Bland de 21 verk av Barent Avercamp i vår katalog är dessa 21 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1612 – 1679, Kampen Dutch golden age Flest verk: Rijksmuseum Twenthe

Topp 10 målningar av Barent Avercamp, ur galleriets perspektiv

1
Ice Fun, with a Fisherman and Spectators near an Ice Hole (1653) av Barent Avercamp

Ice Fun, with a Fisherman and Spectators near an Ice Hole

1653 · Oil On Panel · Rijksmuseum Twenthe, Enschede

The horizon sits high and pale, claiming more than half the canvas with a vast, overcast sky. Below this expanse, a frozen expanse of water stretches toward the distance, its surface a pale blue and soft grey. In the foreground, the stillness of the ice is broken by a single, dark hole. A fisherman, clad in a yellow jacket, leans into his task, pulling a net from the cold depths.…

2
Scene with Ice Skating (1650) av Barent Avercamp

Scene with Ice Skating

1650 · Oil On Panel

by Barent Avercamp is a 17th-century Dutch Golden Age landscape. Created about 1650, the work captures a lively winter scene on a frozen body of water. The composition utilizes a high horizon line to emphasize the activity occurring on the ice.

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Skating on a Frozen River (1650) av Barent Avercamp

Skating on a Frozen River

1650 · Oil On Panel · Museum of Fine Arts, Boston

The frost settles deeply upon the scene in Skating on a Frozen River, a work that captures a specific moment of winter life. This painting, created by Barent Avercamp, invites us into a world where the ice becomes a stage for communal activity. We find ourselves looking out across a landscape that feels both vast and intimate, as if we are standing on the edge of the very river depicted.

Barent Avercamps berömda målningar, nummer 11 till 21

Motiven som fångade Barent Avercamps blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Barent Avercamps originalverk

De 6 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Barent Avercamp Målningar från denna lista
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 2 Ice Fun, with a Fisherman and Spectators near an Ice Hole, Skating on the Ice near Kampen
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Skating on a Frozen River
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 1 Landscape with Frozen River
Kunsthandel P. de BoerKunsthandel P. de Boer 1 Winter landscapes
Kröller-Müller Museum, OtterloKröller-Müller Museum Otterlo 1 Ice scene
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Enjoying the Ice

Barent Avercamp genom decennierna: ett unikt original för varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Barent Avercamps målningar: frågor till galleriet

Vilket är Barent Avercamps mest kända verk?Visa svaret

Ice Fun, with a Fisherman and Spectators near an Ice Hole (1653), Rijksmuseum Twenthe, Enschede. Scene with Ice Skating (1650) och Skating on a Frozen River (1650) följer efter.

Vid vilken ålder skapade Barent Avercamp Ice Fun, with a Fisherman and Spectators near an Ice Hole?Visa svaret

41 år gammal: Ice Fun, with a Fisherman and Spectators near an Ice Hole är från 1653, och Barent Avercamp föddes 1612.

Vilka tio målningar av Barent Avercamp är de mest kända?Visa svaret

Ice Fun, with a Fisherman and Spectators near an Ice Hole, Scene with Ice Skating, Skating on a Frozen River, Ice Scene on the Schans at Kampen, The Frozen river IJssel out of Kampen, Winter Landscape with Skaters and Stone bridge, Winter Landscape with Skaters and Sledges, Winter landscape, Landscape with Frozen River och View of Kampen from Seveningen. Rankingen ovan visar varje verks årtal och museum.

Hur många verk av Barent Avercamp är kända?Visa svaret

Vår katalog innehåller 21 verk av Barent Avercamp, daterade från 1640 till 1679.

Var kan de mest kända originalen av Barent Avercamp ses?Visa svaret

Främst i Rijksmuseum Twenthe (Enschede), Museum of Fine Arts (Boston) och Staatliche Museen zu Berlin (Berlin). Museitabellen ovan listar alla.

Under vilken period skapade Barent Avercamp sina mest kända målningar?Visa svaret

Under 1650s: 5 av de 21 verk som finns på denna sida skapades då, varav Ice Fun, with a Fisherman and Spectators near an Ice Hole.

Vilket av de kända verken av Barent Avercamp är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste Ice Scene on the Schans at Kampen (1640) och det senaste Enjoying the Ice (1679).

Vilka motiv föredrog Barent Avercamp?Visa svaret

Frozen river (5), Winter scene (4) och Ice skating (4), fördelat på 21 verk på denna sida.

Vilka material använde Barent Avercamp mest av när hen målade?Visa svaret

Oil On Panel, för 3 av de 21 verk som finns på denna sida.

Vilken konstinriktning tillhör Barent Avercamps verk?Visa svaret

Dutch golden age, om man dömer efter originalen på denna sida.

Vilka original av Barent Avercamp kan jag se på Rijksmuseum Twenthe?Visa svaret

Ice Fun, with a Fisherman and Spectators near an Ice Hole och Skating on the Ice near Kampen: Rijksmuseum Twenthe, Enschede har 2 av verken på denna sida.

Barent Avercamp: ett porträtt av konstnären

The Master of Winter’s Embrace

In the heart of the Dutch Golden Age, a period defined by unprecedented mercantile prosperity and a profound fascination with the tangible world, Barend Avercamp emerged as a painter capable of freezing time itself. Born around 1612 in the historic city of Kampen, Netherlands, Avercamp did not merely observe the changing seasons; he captured the very soul of the Dutch winter. His oeuvre, characterized by sprawling, panoramic vistas of frozen rivers and bustling ice scenes, offers a poignant window into the social fabric of the seventeenth century, transforming the biting chill of a northern landscape into a stage for human connection and communal joy.

The foundations of his artistry were laid through a lineage of talent and rigorous training. While much of his early life remains shrouded in the mists of history, it is known that he was the nephew and pupil of the esteemed Hendrick Avercamp. This familial bond provided him with an essential apprenticeship, likely under the guidance of Hendrick Jacobsz. van Balen I in Haarlem. Through this lineage, Avercamp absorbed the sophisticated nuances of Mannerism and the burgeoning Early Baroque styles. His early career in Haarlem saw him establishing himself as a versatile portraitist, yet it was his burgeoning fascination with the atmospheric complexities of the landscape that would eventually define his historical legacy.

A Symphony of Ice and Light

As Avercamp moved toward Amsterdam around 1648, his artistic vision underwent a profound expansion. This period of his life was marked by a prolific creative energy, as he navigated the vibrant cultural epicenter of the Dutch Republic. His technique became a masterclass in subtle observation; he possessed an uncanny ability to layer oil paints to achieve delicate gradations of tone, creating a sense of luminous depth that made the frozen surfaces of his rivers appear almost tactile. To gaze upon an Avercamp landscape is to experience the interplay of light on frost and the hazy, atmospheric perspective that suggests an infinite horizon.

What truly distinguishes his work, however, is the vibrant life he breathed into these frigid environments. His canvases are rarely desolate; instead, they are teeming with a miniature universe of activity. Within his sweeping compositions, one finds:

  • The Social Tapestry: Skaters gliding in rhythmic patterns, villagers engaged in spirited games, and small groups huddled in conversation, all reflecting the communal spirit of the era.
  • Genre Detail: Meticulous depictions of everyday objects and clothing that ground the fantastical winter scenes in a recognizable, earthly reality.
  • Atmospheric Depth: The use of soft, northern light to convey the biting cold of a winter afternoon while simultaneously evoking a sense of warmth through human interaction.

His work suggests a profound connection to the broader movements of his time, absorbing the tonal subtleties and groundbreaking realism seen in the approaches of contemporaries like Johannes Vermeer and Frans Hals. While he maintained his unique focus on the winter landscape, the influence of this era's commitment to capturing the essence of the commonplace is evident in every meticulously rendered figure.

Legacy of a Golden Age Visionary

Barend Avercamp passed away in 1679, leaving behind a body of work that serves as a vital historical document. He did not merely paint landscapes; he painted the cultural identity of a nation. His ability to elevate the "genre" scene—the depiction of ordinary people engaged in common activities—into something monumental and evocative allowed him to bridge the gap between the mundane and the magnificent. Through his eyes, the frozen canals of the Netherlands became more than just frozen waterways; they became symbols of resilience, community, and the enduring beauty found within the cycles of nature.

Today, Avercamp’s legacy continues to resonate with collectors and art historians alike. His paintings remain iconic touchstones of the Dutch Golden Age, celebrated for their technical mastery and their ability to transport the viewer to a bygone era. He remains a pivotal figure whose work captures the ephemeral beauty of a single moment, preserved forever in the crystalline stillness of his legendary winter embraces.