Kortfattat
Anno 1648. The Peace of Munster (1850) är den målning av Barend Wijnveld som drar till sig flest blickar; originalet finns på Amsterdam Museum, Amsterdam. Därefter dras blicken till Anno 1584. The Murder of Willem van Oranje (1850) och Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Bland de 56 verk av Barend Wijnveld i vår katalog är dessa 56 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
Topp 10 målningar av Barend Wijnveld, ur galleriets perspektiv
Barend Wijnvelds berömda målningar, nummer 11 till 56
Museerna som förvarar Barend Wijnvelds originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Barend Wijnveld | Målningar från denna lista |
|---|---|---|---|
| Amsterdam | 55 | Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten |
Barend Wijnveld genom decennierna: ett unikt original för varje era
Verk per decennium
Välj ett decennium för att se originalverket som definierar det.
Count Jan II grants the first Privilege to Amsterdam, 1300
Barend Wijnvelds målningar: frågor till galleriet
Vilket är Barend Wijnvelds mest kända verk?Visa svaret
Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Anno 1584. The Murder of Willem van Oranje (1850) och Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850) följer efter.
Vid vilken ålder skapade Barend Wijnveld Anno 1648. The Peace of Munster?Visa svaret
30 år gammal: Anno 1648. The Peace of Munster är från 1850, och Barend Wijnveld föddes 1820.
Vilka tio målningar av Barend Wijnveld är de mest kända?Visa svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people och Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. Rankingen ovan visar varje verks årtal och museum.
Hur många verk av Barend Wijnveld är kända?Visa svaret
Vår katalog innehåller 56 verk av Barend Wijnveld, daterade från 1850 till 1885.
Var kan de mest kända originalen av Barend Wijnveld ses?Visa svaret
Främst i Amsterdam Museum (Amsterdam). Museitabellen ovan listar alla.
Under vilken period skapade Barend Wijnveld sina mest kända målningar?Visa svaret
Under 1860s: 44 av de 56 verk som finns på denna sida skapades då, varav Count Jan II grants the first Privilege to Amsterdam, 1300.
Vilket av de kända verken av Barend Wijnveld är det tidigaste respektive det senaste?Visa svaret
På den här sidan är det tidigaste Anno 1648. The Peace of Munster (1850) och det senaste Anno 1573. The Battle on the Zuiderzee (1885).
Vilka original av Barend Wijnveld kan jag se på Amsterdam Museum?Visa svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje och Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: Amsterdam Museum, Amsterdam har 55 av verken på denna sida.
Barend Wijnveld: ett porträtt av konstnären
The Life of a Dutch Painter
Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.
His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.
A Legacy of Instruction and Residence
Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:
- Professor at the Rijksakademie van Beeldende Kunsten
- Member of the society Arti et Amicitiae
- Artist-in-residence at Natura Artis Magistra
His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.
The Final Years in Haarlem
As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.








