Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 18 verk av Aurèle Robert i vår katalog
Kortfattat
Ur galleriets perspektiv är Aurèle Roberts mest kända målning The pifferari in front of the Madonna (1829). The Origin of Music (1845) och The Triumph of Music (1845) fullbordar trion som alla känner igen. Av de 18 verk av Aurèle Robert i vår katalog presenterar galleriet nedan de 17 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss och Dramatikens Konst Robert William Buss var en produkt av sin tid – en engagerad konstnär som navigerade i viktorianskt konstliv och ambitioner. Hans livshistoria är vävd med trådar av konstnärligt engagemang, familjsupport och ett lätt slag av hjärtsorg. Han var inte bara målare; han var etcher, porträttist och historisk scenläggare, vilket återspeglar viktoriansk världsbild och värderingar. Buss föddes 1804 i Londons pulserande hjärta och utvecklades till…
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Aurèle Robert | Målningar från denna lista |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
Bath | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 University of Bristol |
Bristol | 1 | John Cooper som Kapten Munn i 'Bryggan' |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
London | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 Walker Art Gallery |
Liverpool | 1 | Scene from 'Don Juan' |
Välj ett decennium för att se originalverket som definierar det.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829). Därefter följer The Origin of Music (1845) och The Triumph of Music (1845).
24 år gammal: The pifferari in front of the Madonna är från 1829, och Aurèle Robert föddes 1805.
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper som Kapten Munn i 'Bryggan', J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 och A Funeral Bearer. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 18 verk av Aurèle Robert, daterade från 1829 till 1847.
Främst i Wimpole Hall, Theatre Royal (Bath) och University of Bristol (Bristol). Museitabellen ovan listar alla.
Under 1840s: 7 av de 17 verk som finns på denna sida skapades då, varav The Origin of Music.
På den här sidan är det tidigaste The pifferari in front of the Madonna (1829) och det senaste The Crowd (1847).
Victorian era (3), Stage performance (3) och Sky (2), fördelat på 17 verk på denna sida.
Oil On Canvas, för 4 av de 17 verk som finns på denna sida.
The Origin of Music och The Triumph of Music: Wimpole Hall har 2 av verken på denna sida.
