Porträtt av August Pezold

August Pezolds målningar: De 6 mest kända, ur ett galleris perspektiv

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 6 verk av August Pezold i vår katalog

Kortfattat

Ur galleriets perspektiv är August Pezolds mest kända målning Ludwig van Beethoven (1818), vars original hänger på Beethoven-Haus Bonn i Bonn. Portrait of a Lady before Landscape (1824) och Self-Portrait (1855) fullbordar trion som alla känner igen. Av de 6 verk av August Pezold i vår katalog presenterar galleriet nedan de 6 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.

1794 – 1859, Rakvere Flest verk: Berlinische Galerie

Galleriets 10 främsta målningar av August Pezold

1
Ludwig van Beethoven (1818) av August Pezold

Ludwig van Beethoven

1818 · Drawing · Beethoven-Haus Bonn, Bonn

This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy hair, mustache, and beard, as he gazes directly at the viewer with an intense expression. The composition utilizes chiaroscuro, employing dramatic contrasts between light and shadow to sculpt his form and create a palpable sense of presence. In the background, two additional…

2
Portrait of a Lady before Landscape (1824) av August Pezold

Portrait of a Lady before Landscape

1824 · Oil On Canvas · Berlinische Galerie, Berlin

A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that fall from a center part, cascading around a face illuminated by soft, even light. Her dark, low-cut dress features subtle textures along the bodice and sleeves, while her hands rest quietly in her lap. Behind her, the landscape opens into a vista…

3
Self-Portrait (1855) av August Pezold

Self-Portrait

1855 · Pastel

In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with piercing blue eyes that seem to hold a lifetime of thought. His expression is one of serious introspection, a stillness that suggests a mind constantly at work. The lighting, descending softly from the upper left, carves out the contours of his face,…

4
Arm Study (1840) av August Pezold

Arm Study

1840 · Watercolor · Berlinische Galerie, Berlin

In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and hand in a tight, vertical arrangement. The limb rests horizontally at the base of the frame, a heavy presence of bone and muscle. It is a singular moment of observation, stripped of any surrounding narrative or distraction.

5
Sketch for a Triumph Procession (1860) av August Pezold

Sketch for a Triumph Procession

1860 · Oil · Berlinische Galerie, Berlin

The scene unfolds within Sketch for a Triumph Procession, a work that captures a fleeting moment of movement and energy. August Pezold, the hand behind this expressive study, breathes life into the composition through a rapid and gestural approach. This piece emerges from around 1860, a period that finds the artist's hand working with a sense of immediacy and purpose. The sketch exists as a window into a world of…

6
Ludwig van Beethoven (1818) av August Pezold

Ludwig van Beethoven

1818 · Akryl på duk · Beethoven-Haus Bonn, Bonn

Carl Friedrich August von Klöber var en konstnär vars verk präglades av både den romantiska estetiken från Paris och den konservativa traditionen från Berlin. Han föddes 1793 i Breslau och utvecklade sig till en betydande porträttist under Napoleonskrigens turbulenta tid, vilket är särskilt tydligt i hans ikoniska målning av Ludwig van Beethoven.

Motiven som fångade August Pezolds blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar August Pezolds originalverk

De 2 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av August Pezold Målningar från denna lista
Berlinische Galerie, BerlinBerlinische Galerie Berlin 3 Portrait of a Lady before Landscape, Arm Study, Sketch for a Triumph Procession
Beethoven-Haus Bonn, BonnBeethoven-Haus Bonn Bonn 2 Ludwig van Beethoven, Ludwig van Beethoven

August Pezold, ett signaturverk per decennium

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

August Pezolds målningar: galleriets svar

Vilken av August Pezolds målningar är den mest kända av alla?Visa svaret

Ludwig van Beethoven (1818), Beethoven-Haus Bonn, Bonn. Portrait of a Lady before Landscape (1824) och Self-Portrait (1855) följer efter.

Hur gammal var August Pezold när Ludwig van Beethoven färdigställdes?Visa svaret

24 år gammal: Ludwig van Beethoven är från 1818, och August Pezold föddes 1794.

Hur många verk skapade August Pezold?Visa svaret

Vår katalog innehåller 6 verk av August Pezold, daterade från 1818 till 1855.

Var hänger August Pezolds mest kända original?Visa svaret

Främst i Berlinische Galerie (Berlin) och Beethoven-Haus Bonn (Bonn). Museitabellen ovan listar alla.

När skapade August Pezold sina mest kända målningar?Visa svaret

Under 1810s: 2 av de 6 verk som finns på denna sida skapades då, varav Ludwig van Beethoven.

Vilka är August Pezolds tidigaste och senaste kända verk?Visa svaret

På den här sidan är det tidigaste Ludwig van Beethoven (1818) och det senaste Self-Portrait (1855).

Vilka motiv återkom August Pezold till mest?Visa svaret

Romantic era (2), Sienna (2) och Umber (2), fördelat på 6 verk på denna sida.

Vilka original av August Pezold finns i Berlinische Galeries samlingar?Visa svaret

Portrait of a Lady before Landscape, Arm Study och Sketch for a Triumph Procession: Berlinische Galerie, Berlin har 3 av verken på denna sida.

August Pezold: konstnären

Carl Friedrich August von Klöber: A Portraitist Bridging Parisian Elegance and Prussian Tradition

Carl Friedrich August von Klöber, born in Breslau (modern-day Wrocław), Germany, in 1793, was a pivotal figure in 19th-century German art. His life’s journey—a tapestry woven with military service, artistic study across Europe, and ultimately, the creation of compelling portraits – reflects the dynamic social and cultural shifts of his era. Klöber's career unfolded against the backdrop of Napoleonic wars, burgeoning Romanticism, and the rise of urban centers as hubs for artistic innovation. He died in Berlin in 1864, leaving behind a legacy marked by both technical skill and an ability to capture the essence of his subjects, particularly through his celebrated portraiture.

Early Life and Artistic Foundations

Klöber’s early years were shaped by military service; he enlisted as a volunteer in the wars of liberation against Napoleon in 1813-14, participating in battles at Groß-Görschen, Bautzen, and even briefly stationed near Paris. This experience instilled discipline and broadened his perspective beyond the confines of Breslau. Following his military service, he pursued formal artistic training, initially at the Berlin Cadet School and later at the *Bauschule* (School of Design) in Breslau. Crucially, he then enrolled at the *Königlich Preussischen Akademie der Künste* (Royal Prussian Academy of Arts) in Berlin, where he honed his skills under the tutelage of established masters. His studies there were further enriched by a period of intensive study in Paris and Vienna – cities renowned for their artistic ferment during this time. These experiences exposed him to diverse movements, including Neoclassicism and nascent Romanticism, profoundly influencing his stylistic development.

Parisian Influence and Viennese Refinement

Klöber’s sojourn in Paris proved particularly formative. He immersed himself in the vibrant artistic scene, absorbing the techniques of established portraitists and engaging with the prevailing trends of the era. The influence of Parisian art is readily apparent in his later works – a refined elegance, an attention to detail, and a sophisticated understanding of light and shadow all contribute to this effect. Subsequently, he spent four years in Vienna, where he continued his artistic education and developed a distinct style characterized by a balance between German realism and the more expressive tendencies of Austrian painting. This period solidified his ability to capture not just physical likeness but also the character and personality of his subjects.

Notable Portraits and Artistic Style

Klöber’s most enduring contribution lies in his portraiture. He was particularly celebrated for his depictions of prominent figures, including Ludwig van Beethoven – a painting that is now considered a significant work in German art history. He also produced numerous portraits of members of the Grillparzer family, capturing their individual personalities with remarkable sensitivity. His artistic style can be described as characterized by meticulous observation, skillful rendering of fabrics and textures, and an ability to convey a sense of inner life within his subjects. He wasn’t merely replicating appearances; he was striving to reveal something deeper about the individuals he portrayed. His use of light and shadow created depth and drama, while his compositions were often balanced and harmonious.

Legacy and Continued Recognition

Carl Friedrich August von Klöber's legacy continues to be celebrated today. His works are showcased in various museums and galleries across Germany, testament to their enduring artistic value. The *Akademie der bildenden Künste Wien* (Academy of Fine Arts Vienna), where he once studied, actively promotes fine arts education and research, ensuring that his contributions are remembered and appreciated by future generations. Resources like OriginalUniqueArt.com provide valuable insights into his oeuvre, while the Kunstsammlungen der Akademie der bildenden Künste W Wien offer a comprehensive collection of artworks from various periods and styles, including those of other notable artists such as Wilhelm Trübner and Jörg the elder Breu. Furthermore, research conducted by sites like Artprice.com reveals valuable information about the market value and historical significance of his paintings, particularly his portraits. His work stands as a bridge between the formal training of the Prussian Academy and the artistic innovations emerging from Paris and Vienna – a testament to the interconnectedness of European art in the 19th century.