Porträtt av Anthonie Waldorp

De 35 mest kända målningarna av Anthonie Waldorp, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 37 verk av Anthonie Waldorp i vår katalog

Kortfattat

Av alla originalverk som Anthonie Waldorp lämnade efter sig är det mest kända View of Spaarnwoude in Stormy Weather (1839), i samlingen hos Amsterdam Museum, Amsterdam. Tätt efter följer A Pier Head in Calm Weather (1839) och Mill with sight of Delft (1836). Vår katalog innehåller 37 verk av Anthonie Waldorp; galleriet har bevarat de 35 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1802 – 1866, The Hague Flest verk: Amsterdam Museum

Anthonie Waldorps 10 främsta målningar: galleriets utvalda verk

Urvalet av Anthonie Waldorp fortsätter, 11 till 35

Motiven som fångade Anthonie Waldorps blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Anthonie Waldorps originalverk

De 6 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Anthonie Waldorp Målningar från denna lista
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 7 View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Church in Delft
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Mill with sight of Delft, Seascape with Ships
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Riviergezicht met een waltoren geïnspireerd op de Camperveerse toren te Veere, Antonie Waldorp, 1855, View Of A Bridge Seine In Paris By Moonlight
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Merwede River with the Flight of Hugo Grotius
Teylers Museum, HarenTeylers Museum Haren 1 The Meuse
Stedelijk Museum, AlkmaarStedelijk Museum Alkmaar 1 Cityscape

Anthonie Waldorp decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Anthonie Waldorps målningar

Vilket verk är Anthonie Waldorp mest känd för?Visa svaret

View of Spaarnwoude in Stormy Weather (1839), Amsterdam Museum, Amsterdam. A Pier Head in Calm Weather (1839) och Mill with sight of Delft (1836) följer efter.

Hur gammal var Anthonie Waldorp när View of Spaarnwoude in Stormy Weather skapades?Visa svaret

37 år gammal: View of Spaarnwoude in Stormy Weather är från 1839, och Anthonie Waldorp föddes 1802.

Vilka är de tio mest kända målningarna av Anthonie Waldorp?Visa svaret

View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Mill with sight of Delft, Church in Delft, Seascape with Ships, The Portrait of Nuijen, Interior of a church in Alkmaar, The Merwede River with the Flight of Hugo Grotius, Marine: Arrival of High-Ranking Figures in a 17th-Century Dutch Port och A Drawbridge over a City Canal. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Anthonie Waldorp efter sig?Visa svaret

Vår katalog innehåller 37 verk av Anthonie Waldorp, daterade från 1832 till 1862.

I vilka museer hänger Anthonie Waldorps mästerverk?Visa svaret

Främst i Amsterdam Museum (Amsterdam), Dordrechts Museum (Dordrecht) och Rijksmuseum (Amsterdam). Museitabellen ovan listar alla.

Under vilka år målade Anthonie Waldorp sina mest kända verk?Visa svaret

Under 1840s: 6 av de 35 verk som finns på denna sida skapades då, varav Seascape with Ships.

Vilka är de första och sista kända originalverken av Anthonie Waldorp?Visa svaret

På den här sidan är det tidigaste Church in Delft (1832) och det senaste Beurtschip Zaandam (1862).

Vilka motiv valde Anthonie Waldorp oftast?Visa svaret

Scenes (3), Rivers (3) och Coastal scene (2), fördelat på 35 verk på denna sida.

Vilka verk av Anthonie Waldorp finns utställda på Amsterdam Museum?Visa svaret

View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather och Church in Delft: Amsterdam Museum, Amsterdam har 7 av verken på denna sida.

Anthonie Waldorp: liv och verk

Early Life and Artistic Beginnings

Anthonie Waldorp, born Antoine de Saaijer Waldorp on March 28th, 1803, in The Hague, Netherlands, emerged from a family deeply intertwined with the burgeoning Dutch art world. His father, Abel de Saaijer Waldorp, served as keeper of the National Art Gallery—a position that placed young Anthonie directly within a sphere of artistic inspiration during a period when the nation was actively reorganizing its collections after the Napoleonic era. This early exposure to masterpieces undoubtedly sparked his initial fascination with visual expression. Though details regarding his immediate family’s direct involvement in art remain scarce, the household's connection to gallery operations provided invaluable access to both decorative and curatorial practices common within 19th-century artistic circles.

The Hague itself was a vibrant cultural hub during Waldorp’s formative years—the political seat of the Dutch monarchy and government attracted artists, collectors, and institutions that solidified its status as a center for Dutch creativity. Initially, Waldorp embarked on an apprenticeship with Joannes Breckenheimer Jr., a well-known stage scenery painter in The Hague. This foundational training instilled in him a keen understanding of composition, perspective, and the dramatic use of light—skills he would later translate into his fine art endeavors.

Transition to Landscape Painting & Early Influences

Shortly after reaching his twenty-third year, Waldorp committed himself fully to a career as a painter. He quickly distinguished himself as one of the precursors to the celebrated Hague School, a movement known for its realistic depictions of Dutch landscapes and seascapes. His early work reflected this transition, initially focusing on stage sceneries reminiscent of his grandfather’s profession before evolving towards domestic interiors and portraits—often depicting figures in 17th-century attire. However, it was his eventual specialization in landscapes, river scenes, and marine paintings that truly defined his artistic trajectory.

A pivotal moment in Waldorp's development came with a journey through France, Belgium, and Germany in 1833 alongside fellow artist Wijnand Nuyen. This expedition exposed him to diverse artistic styles and broadened his perspective on landscape painting. He began to blend romantic idealism with meticulous observational detail, creating compositions that resonated with contemporary audiences. During this period, Waldorp also took on the role of tutor, sharing his knowledge with aspiring artists such as C.P. 't Hoen, J.C. Hofman, C. Rochussen, and Jan Hendrik Weissenbruch—contributing to the growth of landscape painting within the Netherlands.

Mature Style & International Recognition

Waldorp’s mature style was characterized by serene seascapes and river views that captured the subtle nuances of light and atmosphere. His paintings often featured calm waters, billowing clouds, and meticulously rendered ships—evoking a sense of tranquility and harmony. He wasn't afraid to experiment with lithography as well, expanding his artistic reach beyond traditional oil painting.

His dedication to his craft yielded significant international recognition. Waldorp’s works found favor among the royal courts of Germany, the Netherlands, and France—a testament to their aesthetic appeal and technical skill. This acclaim solidified his position as a leading figure in Dutch landscape painting and paved the way for further artistic exploration.

Legacy & Historical Significance

In 1857, Waldorp relocated to Amsterdam, joining the prestigious Royal Academy and continuing to refine his technique. He received numerous accolades throughout his career, including appointments as a Knight of the Order of Leopold by the Belgian king in 1845, a Knight in the Order of the Dutch Lion in 1847, and a Knight in the Order of the Oak Crown in 1849. His contributions to the art world were further acknowledged through streets named in his honor within both The Hague and Amsterdam.

Anthonie Waldorp’s significance lies not only in the beauty of his paintings but also in his role as a bridge between neoclassical traditions and the emerging realism of the Hague School. He paved the way for future generations of Dutch landscape painters, inspiring them to embrace observational detail while maintaining a sense of romantic idealism. His serene seascapes and river views continue to captivate audiences today, offering a glimpse into the tranquil beauty of 19th-century Netherlands.