The mocking of Christ
The light fades into the dark.
Kortfattat
The mocking of Christ (1699) är den målning av Anthoni Schoonjans som drar till sig flest blickar; originalet finns på Kunsthistorisches Museum, Wien. Därefter dras blicken till The Apple of Eris (1690) och Portrait of an unknown lady (1690). Bland de 15 verk av Anthoni Schoonjans i vår katalog är dessa 15 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Anthoni Schoonjans | Målningar från denna lista |
|---|---|---|---|
| München | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Wien | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Välj ett decennium för att se originalverket som definierar det.
The light fades into the dark.
The mocking of Christ (1699), Kunsthistorisches Museum, Wien. The Apple of Eris (1690) och Portrait of an unknown lady (1690) följer efter.
44 år gammal: The mocking of Christ är från 1699, och Anthoni Schoonjans föddes 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew och Elector Johann Wilhelm on Horseback. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 15 verk av Anthoni Schoonjans, daterade från 1690 till 1716.
Främst i Bavarian State Painting Collections (München), Kunsthistorisches Museum (Wien) och Charlottenburgs slott (Berlin). Museitabellen ovan listar alla.
Under 1690s: 10 av de 15 verk som finns på denna sida skapades då, varav The mocking of Christ.
På den här sidan är det tidigaste The Apple of Eris (1690) och det senaste Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, för 2 av de 15 verk som finns på denna sida.
The Apple of Eris, Portrait of an unknown lady och Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarian State Painting Collections, München har 11 av verken på denna sida.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.