Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 10 verk av Anthon van Rappard i vår katalog
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Ur galleriets perspektiv är Anthon van Rappards mest kända målning Weaver (1884), vars original hänger på Van Gogh-museet i Amsterdam. Portrait of a Girl (1884) och Woman at the Spinning Wheel (1891) fullbordar trion som alla känner igen. Av de 10 verk av Anthon van Rappard i vår katalog presenterar galleriet nedan de 10 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Anthon van Rappard | Målningar från denna lista |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh-museet |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Några tio år, från 1882 till 1891, räckte för Anthon van Rappard: galleriet går igenom dem år för år, ett berömt original efter det andra.
Välj ett år för att se originalen.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Mer från 1884
Weaver (1884), Van Gogh-museet, Amsterdam. Portrait of a Girl (1884) och Woman at the Spinning Wheel (1891) följer efter.
26 år gammal: Weaver är från 1884, och Anthon van Rappard föddes 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine och Washing strands of Cotton. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 10 verk av Anthon van Rappard, daterade från 1882 till 1891.
Främst i Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) och Van Gogh-museet (Amsterdam). Museitabellen ovan listar alla.
Under 1884: 3 av de 10 verk som finns på denna sida skapades då, varav Weaver.
På den här sidan är det tidigaste Tile Painters (1882) och det senaste Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel och Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam har 5 av verken på denna sida.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
