Kortfattat
At the Foot of the Mountain. Study from Lofoten (1905) är den målning av Anna Boberg som drar till sig flest blickar; originalet finns på Nationalmuseum, Stockholm. Därefter dras blicken till Vaagakallen. Study from Lofoten (1901) och In the Harbour, Svolvaer. Study from Lofoten (1905). Bland de 54 verk av Anna Boberg i vår katalog är dessa 54 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
Topp 10 målningar av Anna Boberg, ur galleriets perspektiv
Anna Bobergs berömda målningar, nummer 11 till 54
Museerna som förvarar Anna Bobergs originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Anna Boberg | Målningar från denna lista |
|---|---|---|---|
| Stockholm | 53 | At the Foot of the Mountain. Study from Lofoten, Vaagakallen. Study from Lofoten, In the Harbour, Svolvaer. Study from Lofoten |
Anna Boberg genom decennierna: ett unikt original för varje era
Verk per decennium
Välj ett decennium för att se originalverket som definierar det.
Anna Bobergs målningar: frågor till galleriet
Vilket är Anna Bobergs mest kända verk?Visa svaret
At the Foot of the Mountain. Study from Lofoten (1905), Nationalmuseum, Stockholm. Vaagakallen. Study from Lofoten (1901) och In the Harbour, Svolvaer. Study from Lofoten (1905) följer efter.
Vid vilken ålder skapade Anna Boberg At the Foot of the Mountain. Study from Lofoten?Visa svaret
41 år gammal: At the Foot of the Mountain. Study from Lofoten är från 1905, och Anna Boberg föddes 1864.
Vilka tio målningar av Anna Boberg är de mest kända?Visa svaret
At the Foot of the Mountain. Study from Lofoten, Vaagakallen. Study from Lofoten, In the Harbour, Svolvaer. Study from Lofoten, Scene from Lofoten, From Svolvaer Harbour. Study from Lofoten, A Spring Night during the Fishing Season. Study from Lofoten, Boats between the Mountains. Study from Lofoten, Fog Rising from the Sea. Study from Lofoten, Lofoten in the Evening Light. Study och The Village at the Foot of the Mountain. Study from Lofoten. Rankingen ovan visar varje verks årtal och museum.
Hur många verk av Anna Boberg är kända?Visa svaret
Vår katalog innehåller 54 verk av Anna Boberg, daterade från 1901 till 1934.
Var kan de mest kända originalen av Anna Boberg ses?Visa svaret
Främst i Nationalmuseum (Stockholm). Museitabellen ovan listar alla.
Under vilken period skapade Anna Boberg sina mest kända målningar?Visa svaret
Under 1920s: 11 av de 54 verk som finns på denna sida skapades då, varav View of Jerusalen. Study.
Vilket av de kända verken av Anna Boberg är det tidigaste respektive det senaste?Visa svaret
På den här sidan är det tidigaste Vaagakallen. Study from Lofoten (1901) och det senaste Svolvaer Harbour at the Height of the Fishing Season.Study from Lofoten (1934).
Vilka original av Anna Boberg kan jag se på Nationalmuseum?Visa svaret
At the Foot of the Mountain. Study from Lofoten, Vaagakallen. Study from Lofoten och In the Harbour, Svolvaer. Study from Lofoten: Nationalmuseum, Stockholm har 53 av verken på denna sida.
Anna Boberg: ett porträtt av konstnären
An Artistic Life of Diverse Pursuits
Anna Boberg was a Swedish artist and an autodidact who engaged in a wide variety of creative endeavors. Born Anna Scholander, she was the daughter of architect Fredrik Wilhelm Scholander and the granddaughter of Axel Nyström. While she was briefly enrolled at the Académie Julian in Paris, she did not receive formal training. Her artistic journey began in earnest in 1887, primarily through her work with watercolours.
Her talents extended far beyond the canvas; she was a person of many artistic pursuits, including work with ceramics, textiles, set design, and writing. Notably, she designed the Peacock Vase for Rörstrand in 1897 and created glass for Reijmyre glassworks. In the 1890s, she produced "tapestries," which were oil paintings on rough canvas used as wall decorations. She also contributed textiles for the 1900 World Fair in Paris and served as the writer and set designer for Wilhelm Stenhammar's opera Tirfing in 1898.
The Landscapes of Lofoten
Following a trip in 1901, the grandiose scenery of northern Norway became Boberg's main focus. She was particularly mesmerized by the Lofoten islands, a subject she would return to for the next 33 years. She often traveled to this region alone, staying in a small house on the Fyrön island by Svolvær that her husband, the architect Ferdinand Boberg, had designed for her in 1904.
Her depictions of the Lofoten landscapes and people, often captured during the wintertime, met with mixed reactions in Stockholm in 1903, but achieved significant success and positive feedback in Paris, where she exhibited in 1905. Her career in France was prolific, with her final exhibition taking place in 1927. In her later years, she accompanied her husband on journeys through Sweden to document cultural heritage, and the couple eventually resided in Paris before returning to Stockholm, where she passed away in 1935.







