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Cattle on Dartmoor

Namn Klass Datum

William Widgery, Cattle on Dartmoor, Torre Abbey Historic House And Gardens. Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
William Widgery originaluniqueart.com/sv/artists/william-widgery/
Konstnärens levnadsår
1822 – 1893
Ursprunglig storlek
74 x 151 cm
Plats för utställning
Torre Abbey Historic House And Gardens originaluniqueart.com/sv/museums/torre-abbey-historic-house-and-gardens-torquay/

I sammanhanget

Cattle on Dartmoor — William Widgery

Vilken storlek har den?

Originalet mäter 74 × 151 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När kan detta ha målats?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 71 vid dödsfallet.

Skuggat: William Widgery livstid (1822–1893) varje daterad målning, decennium för decennium

Första verk: fram till 1859 Huvudsakliga verksamma år: 1859–1870 Senare verk: från 1870

Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/william-widgery-cattle-on-dartmoor-AQV5CR-en/

Färger

Mätt från bilden

    Huvudfärg

    Putty #d7dbd8

    Katalogiserad palett

    • #D7DBD8
    • #3B290E
    • #62583E
    • #9B9E9F

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Neutrals Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Putty
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Balanced Harmony Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Bright Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av William Widgery under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 81,8%900 visits
    2. 2 Storbritannien 18,2%200 visits

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 10 mest visade verken av William Widgery

    1. 1 Fingle Bridge, Devon, 1863 11,8%200 visits
    2. 2 Burdocks, Brambles and Furze, 1868 11,8%200 visits
    3. 3 Beechwood Scene, 1870 11,8%200 visits
    4. 4 Landscape with Figures by a Waterfall, 1858 11,8%200 visits
    5. 5 Cheddar Gorge, Somerset, 1860 11,8%200 visits
    6. 6 Cattle on Dartmoor denna målning 11,8%200 visits
    7. 7 River Scene 11,8%200 visits
    8. 8 On the Lyd, Devon, 1873 5,9%100 visits
    9. 9 Bowerman’s Nose, Dartmoor, Devon, 1870 5,9%100 visits
    10. 10 Edward Adams (1823–1892), of Crediton, 1856 5,9%100 visits

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 25 verk av denna konstnär, varav 10 har betraktats minst en gång. This painting ranks 6 of them, with 11,8% of that attention (200 visits). Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    William Widgery

    A Life Rooted in the British Landscape: William Widgery (1822-1893)

    William Widgery, born in 1822 in Uppercot, Northmolton, Devonshire, embodies a compelling narrative of self-taught artistic dedication blossoming amidst humble beginnings. His story isn’t one of privileged academies and early patronage, but rather a testament to the enduring power of observation and an innate connection to the natural world. Initially working as a mason, Widgery pursued painting in his spare time, driven by an internal compulsion that would ultimately redefine his life's path. The encouragement of friends proved pivotal, yet it was the guidance of Mr. Thomas Hex of St. Thomas who truly catalyzed his transformation, urging him to abandon his trade and wholeheartedly embrace his artistic calling. This leap of faith—a commitment to a future solely dependent on his creative abilities—speaks volumes about Widgery’s unwavering belief in his own potential.

    The Self-Made Aesthetic: Developing a Unique Vision

    Remarkably, Widgery received no formal art instruction. In an era where artistic training often dictated style and subject matter, he forged his own path, relying solely on Nature as his master. Exeter, at the time, lacked a significant art gallery to provide guidance; instead, Widgery ventured directly into the fields, meticulously studying light, color, and form. This direct engagement with the landscape fostered a distinctive aesthetic—one characterized by bold brushwork, atmospheric effects, and an acute sensitivity to the nuances of rural life. Early works often involved skillful reproductions of popular artists like Landseer, providing him with a foundation in technique while simultaneously allowing him to develop his own unique voice. Dr. W.R. Scott, a keen art critic, consistently praised Widgery’s exceptional eye for color—a quality that would become a hallmark of his mature style. He didn't adhere to any particular school or movement; rather, he created a style uniquely his own, inspiring a generation of painters in Exeter who sought to emulate his approach.

    Dartmoor and Beyond: Subjects and Style

    Widgery’s artistic focus centered on the beauty of the British countryside, particularly the dramatic landscapes of Dartmoor. He captured the wildness and untamed spirit of the moor with a remarkable ability to convey both its grandeur and its intimate details. While Dartmoor remained his primary muse, he also explored coastal scenes in Devon and Cornwall, skillfully depicting rugged iron-bound coasts battered by crashing waves. His paintings are not merely representations of places; they are evocative experiences—imbued with atmosphere, light, and a palpable sense of place. He was equally adept at portraying animals, integrating them seamlessly into his landscapes to create harmonious compositions. His work is characterized by its directness and lack of excessive finish, prioritizing the emotional impact of the scene over meticulous detail. Over three thousand paintings were produced during his lifetime, each one eagerly sought after even before it left his easel—a testament to his growing reputation and the enduring appeal of his vision.

    Legacy and Influence: A Family Tradition

    William Widgery’s influence extended beyond his own prolific output; he also profoundly impacted his son, Frederick John Widgery (1861-1942). While William was largely self-taught, Frederick received formal training at Exeter Cathedral School, the Royal Albert Memorial Museum, and academies in London and Antwerp. This difference in education led to a more precise draughtsmanship in Frederick’s work, particularly suited for smaller-scale paintings and illustrations. Both father and son shared a deep connection to Dartmoor, but their individual styles reflect distinct approaches to capturing its essence. The family's artistic legacy is further cemented by the numerous works they left behind, now cherished collections within institutions like the Royal Albert Memorial Museum (RAMM) in Exeter. William Widgery’s story serves as an inspiring example of how passion, dedication, and a profound connection to nature can overcome adversity and create a lasting artistic impact. His paintings continue to resonate with audiences today, offering a glimpse into the beauty of 19th-century Britain and the enduring power of landscape art.

    Museum

    Torre Abbey Historic House And Gardens

    Utställd på Torquay, United Kingdom

    A Tapestry of Time: The Living Legacy of Torre Abbey

    Nestled on the sun-kissed shores of Torquay, within the heart of the English Riviera, stands

    Torre Abbey

    —a place where centuries whisper from ancient stone walls and artistic visions bloom amidst tranquil gardens. More than just a historic landmark, it is a living narrative woven through medieval foundations, Georgian elegance, and contemporary dialogues. Founded by Premonstratensian canons seeking solace and spiritual pursuit, the Abbey began as a beacon of monastic life, its rhythms dictated by prayer and contemplation. Today, it remains the best-preserved medieval monastery in Devon and Cornwall, a testament to enduring faith and architectural resilience. The very stones seem to hum with echoes of the past, inviting visitors into a world far removed from our own, yet profoundly connected to the present through its breathtaking art and storied halls.

    The architecture of Torre Abbey offers a captivating journey through the evolution of English design. Visitors can wander through remarkably intact medieval ruins, where the Chapel Nave showcases the intricate stonework and masterful achievements of Norman architecture. Yet, as one moves through the estate, the austere monastic atmosphere gives

    gradually

    to the refined splendor of the Georgian era. Around 1740, a transformative period saw the Abbey reborn as a stately residence under the patronage of Sir Richard Boyle, introducing a deliberate contrast of neoclassical design and opulent drawing rooms. This architectural duality—the rugged strength of the medieval period meeting the sophisticated grace of the Georgian age—creates a unique atmosphere that is both grounding and uplifting.

    Masterpieces and Sculptural Splendor

    For the discerning art lover and collector, the Abbey’s collection is nothing short of extraordinary. The galleries shine brightest with masterpieces by

    William Blake

    and

    Edward Burne-Jones

    , offering a profound exploration of symbolism and the human spirit. Burne-Jones' “The Planets” series of cartoons stands as a breathtaking display of luminous color and Pre-Raphaelite aesthetic, capturing the imagination with its ethereal beauty. Complementing these are Blake’s paintings, which delve into deep spiritual themes, challenging viewers to contemplate the relationship between humanity and the divine.

    Beyond the canvas, the Abbey holds a magnificent legacy in three dimensions. It possesses the largest surviving collection of Victorian sculpture in the United Kingdom, a treasure trove bequeathed by the studio contents of

    Frederick Thrupp

    . These sculptures, exemplifying the Romantic spirit and meticulous detail, provide a sculptural dialogue that breathes life into the historic rooms. This rich assemblage of works is further enriched by:

    The 800 Years Gallery:

    A space utilizing state-of-the-art technology to tell the abbey’s fascinating story through videos and talking portraits.

    Contemporary Dialogues:

    Ongoing exhibitions that feature artists from across the globe, exploring the intersections of art, science, and culture.

    Local Talent:

    A commitment to hosting creative work from the cream of local talent alongside world-class installations.

    A Sanctuary of Nature and Contemporary Expression

    Beyond the grandeur of its interior collections, Torre Abbey serves as a vibrant sanctuary for natural beauty. When one seeks respite from the historical intensity of the galleries, the formal gardens of

    Abbey Park and Meadows

    offer a lush, verdant escape. Meticulously landscaped spaces filled with fragrant blooms and tranquil greenery, these gardens provide the perfect contemplative end to an artistic pilgrimage, completing an experience that nourishes both the intellect and the soul.

    This unique intersection of a scheduled monument and a center for creativity ensures that the Abbey remains a relevant and breathing institution. Whether exploring the medieval ruins or admiring the neoclassical elegance of the drawing rooms, every corner of this estate offers a new layer of discovery for those who appreciate the profound beauty of history and art intertwined.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Cattle on Dartmoor

    originaluniqueart.com/sv/art/download/william-widgery-cattle-on-dartmoor-AQV5CR-en/

    Källhänvisning för detta konstverk

    MLA
    Widgery, William. Cattle on Dartmoor. n.d., Torre Abbey Historic House And Gardens. https://originaluniqueart.com/sv/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    APA
    Widgery, William (n.d.). Cattle on Dartmoor [Painting]. Torre Abbey Historic House And Gardens. https://originaluniqueart.com/sv/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    Chicago
    William Widgery. Cattle on Dartmoor. n.d. Torre Abbey Historic House And Gardens. https://originaluniqueart.com/sv/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    Harvard
    Widgery, William (n.d.) Cattle on Dartmoor. Torre Abbey Historic House And Gardens. Available at: https://originaluniqueart.com/sv/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/

    Titta närmare

    Cattle on Dartmoor — William Widgery

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på Rustic Courtship (1859) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Vad kan konstnären ha velat att du ska känna?
    5. Om du fick ställa en fråga till konstnären om detta verk, vad skulle det vara?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Kan jag beställa en oljereproduktion av "Cattle on Dartmoor"?

    Handmålade kopior av "Cattle on Dartmoor" av William Widgery finns att köpa på denna webbplats: en handmålad oljereproduktion på linneväv, via deras sida för Handmålad reproduktion.

    Vilka är reproduktionsrättigheterna för "Cattle on Dartmoor" på Torre Abbey Historic House And Gardens?

    Upphovsrättsläget för "Cattle on Dartmoor" av William Widgery är tydligt: verket är allmän egendom – upphovsrätten har löpt ut. Dess närvaro på Torre Abbey Historic House And Gardens ändrar inte den statusen.

    Är färgerna i "Cattle on Dartmoor" av William Widgery klara eller dämpade?

    Färgen i "Cattle on Dartmoor" har en mättnad på Muted och en intensitet på Monochromatic.