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Guide till studentkonst

The Gambler

Namn Klass Datum

William Carter, The Gambler (1990), The Kinsey African American Art - History Collection. Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
William Carter originaluniqueart.com/sv/artists/william-carter/
Konstnärens levnadsår
1843 – 1864
Målat
1990
Plats för utställning
The Kinsey African American Art - History Collection originaluniqueart.com/sv/museums/the-kinsey-african-american-art-history-collection-los-angeles/

I sammanhanget

The Gambler — William Carter

När målades detta?

  1. 1840
  2. 1860
  3. 1880
  4. 1900
  5. 1920
  6. 1940
  7. 1960
  8. 1980

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 21 vid dödsfallet.

Skuggat: William Carter livstid (1843–1864) ▲ detta verk, 1990 varje daterad målning, decennium för decennium

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/william-carter-the-gambler-D4N8ZM-en/

Färger

Mätt från bilden

    Huvudfärg

    Phthalo Green #282a2f

    Katalogiserad palett

    • #282A2F
    • #BBB7AF
    • #856343
    • #54392F

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Phthalo Green
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av William Carter under de senaste tolv månaderna — 3 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 77,8%1 400 visits
    2. 2 Amerikas förenta stater 16,7%300 visits
    3. 3 Canada 5,6%100 visits

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 14 mest visade verken av William Carter

    1. 1 James Hughes (1817–1895), Alderman, Mayor (1864, 1869, 1883, 1884, 1886 1889), 1889 10,5%200 visits
    2. 2 Lieutenant Maurice James Dease, VC, 1915 10,5%200 visits
    3. 3 Henry William Cripps, Esq. (1815–1899), QC, JP 10,5%200 visits
    4. 4 Mrs Patrick Forbes, 1906 10,5%200 visits
    5. 5 Henry Carter, 1926 10,5%200 visits
    6. 6 The Gambler, 1990 denna målning 5,3%100 visits
    7. 7 Edward Joseph Halsey, 1908 5,3%100 visits
    8. 8 The Right Honourable St John Broderick, 9th Viscount Midleton, 1908 5,3%100 visits
    9. 9 Thomas Weeding Weeding (1847–1929), 1928 5,3%100 visits
    10. 10 William Sheppard Hoare (1835–1911) 5,3%100 visits
    11. 11 Mrs John Webster, 1888 5,3%100 visits
    12. 12 John Richard Magrath (1839–1930), Provost (1878–1930) 5,3%100 visits
    13. 13 George Barclay, Esq 5,3%100 visits
    14. 14 George Charles Brodrick, Warden 5,3%100 visits

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 50 verk av denna konstnär, varav 14 har betraktats minst en gång. This painting ranks 6 of them, with 5,3% of that attention (100 visits). Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    The Gambler — William Carter

    Born in St. Louis, Missouri, William Carter (1909-1996) moved to Chicago in 1930, situating him in the midst of the Depression-era migration of African-Americans from the American South. He studied at the Art Institute of Chicago and the University of Illinois and was part of the WPA

    Konstnär och museum

    Konstnär

    William Carter

    William Carter: Echoes of Victorian Faith and Landscape

    Born around 1843 in the heart of London’s Bedford Square, William Carter was a painter whose brief, luminous life captured the very essence of a transitioning England. As a British landscape artist, his work serves as a poignant window into the Victorian era—a period defined by a profound reverence for the natural world and an burgeoning fascination with scientific precision. Though his career was tragically truncated by his death at the young age of twenty-one, Carter managed to weave a distinctive thread into the tapestry of 19t-century art, creating a synthesis of Romantic idealism and the emerging realist tendencies that would come to define the age.

    The foundations of Carter’s artistic journey were laid by his privileged upbringing. The son of John Thornton Carter, a prominent coal and iron baron, William was raised amidst the symbols of Britain's industrial ascendancy. This background provided him with the means to pursue an elite education, blending classical scholarship with rigorous artistic training. His development was shaped by the mentorship of two vastly different masters: the Symbolist George Frederic Watts, who instilled in him a sense of spiritual depth and thematic complexity, and John Goss, whose commitment to realism influenced Carter’s meticulous observational skills. This duality—the tension between the ethereal and the tangible—became the hallmark of his creative vision.

    A Vision of Quietude and Detail

    While many of his contemporaries sought to capture the sweeping, tempestuous grandeur of the sublime in the tradition of Turner, Carter found his voice in the intimate and the serene. His canvases often eschewed the dramatic storm for the quiet dignity of the English countryside. One might find himself wandering through rolling hillsides dotted with grazing sheep or standing before a still, reflective lake that mirrored the soft light of a summer afternoon. These were not merely topographical studies; they were atmospheric meditations designed to evoke a sense of peace and contemplative depth.

    Carter’s technique was characterized by an extraordinary attention to detail and a mastery of subtle tonal harmonies. He possessed a keen ability to render textures with such conviction that the viewer could almost feel the coarseness of wool or the dampness of earth. His use of light and shadow was never merely decorative; it served to create volume and a sense of lived-in reality, grounding his more poetic landscapes in a palpable, physical world. Through this careful application of oil on canvas, he bridged the gap between the dreamlike qualities of Romanticism and the grounded truth of Realism.

    Legacy and Historical Significance

    The historical significance of William Carter lies in his ability to capture a specific cultural moment: the intersection of Victorian faith and the dawn of modern observation. His work reflects a society that was simultaneously looking backward toward pastoral innocence and forward toward an era of empirical discovery. Even though his total output remains modest due to his untimely passing in 1864, the impact of his aesthetic remains visible in the way he treated the landscape as both a spiritual sanctuary and a subject of scientific interest.

    Today, Carter’s paintings are cherished not only for their technical merit but as historical artifacts that preserve the atmosphere of a lost era. His ability to imbue quiet scenes with profound emotional weight ensures that his name remains etched in the annals of British art history. To view a Carter landscape is to experience a moment of stillness, a brief respite from the industrial roar of the 19th century, inviting the modern observer to rediscover the beauty found in the subtle and the overlooked.

    Museum

    The Kinsey African American Art - History Collection

    Utställd på Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för The Gambler

    originaluniqueart.com/sv/art/download/william-carter-the-gambler-D4N8ZM-en/

    Källhänvisning för detta konstverk

    MLA
    Carter, William. The Gambler. 1990, The Kinsey African American Art - History Collection. https://originaluniqueart.com/sv/art/william-carter-the-gambler-D4N8ZM-en/
    APA
    Carter, William (1990). The Gambler [Painting]. The Kinsey African American Art - History Collection. https://originaluniqueart.com/sv/art/william-carter-the-gambler-D4N8ZM-en/
    Chicago
    William Carter. The Gambler. 1990. The Kinsey African American Art - History Collection. https://originaluniqueart.com/sv/art/william-carter-the-gambler-D4N8ZM-en/
    Harvard
    Carter, William (1990) The Gambler. The Kinsey African American Art - History Collection. Available at: https://originaluniqueart.com/sv/art/william-carter-the-gambler-D4N8ZM-en/

    Titta närmare

    The Gambler — William Carter

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på Henry Yool, Esq (1895) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Vad kan konstnären ha velat att du ska känna?
    5. Om du fick ställa en fråga till konstnären om detta verk, vad skulle det vara?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Kan jag undersöka "The Gambler" mer i detalj?

    "The Gambler" kan utforskas lager för lager på verkets Röntgenanalys-sida, en interaktiv vy inspirerad av en konservators ljusbord med elva optiska lager av bilden.

    Vilken är den dominerande nyansen i "The Gambler" av William Carter?

    "The Gambler" lutar åt en Amber to Saffron ton.

    Vilken är den dominerande färgen i "The Gambler" av William Carter?

    Phthalo Green (#282a2f) är den dominerande färgen i "The Gambler" av William Carter.