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Odds and Ends

Namn Klass Datum

Walter Goodin, Odds and Ends (1938), Ferens Art Gallery. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Walter Goodin originaluniqueart.com/sv/artists/walter-goodin/
Konstnärens levnadsår
1907 – 1992
Målat
1938
Ursprunglig storlek
82 x 103 cm
Rörelse
Baroque Realism
Plats för utställning
Ferens Art Gallery originaluniqueart.com/sv/museums/ferens-art-gallery-hull_sv/

I sammanhanget

Odds and Ends — Walter Goodin

Vilken storlek har den?

Originalet mäter 82 × 103 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 85 vid dödsfallet.

Målat när konstnären var 31. Konstnären blev 85 år gammal. 0 av de 8 daterade verk av denna konstnär i vår katalog skapades tidigare.

Skuggat: Walter Goodin livstid (1907–1992) ▲ detta verk, 1938 varje daterad målning, decennium för decennium

Första verk: fram till 1938 Huvudsakliga verksamma år: 1938–1949 Senare verk: från 1949

Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/walter-goodin-odds-and-ends-AQUGY4-en/

Färger

Mätt från bilden

    Huvudfärg

    Black #111005

    Katalogiserad palett

    • #111005
    • #A59456
    • #634922
    • #36280F

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Black
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Subtle Color Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Walter Goodin under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 50,0%100 visits
    2. 2 Storbritannien 50,0%100 visits

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 3 mest visade verken av Walter Goodin

    1. 1 Odds and Ends, 1938 denna målning 33,3%100 visits
    2. 2 Bridlington Harbour, East Riding of Yorkshire, 1951 33,3%100 visits
    3. 3 Alderman Thomas B. Broadbent, 1949 33,3%100 visits

    Tillsammans utgör dessa verk 99,9% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 11 verk av denna konstnär, varav 3 har betraktats minst en gång. This painting ranks 1 of them, with 33,3% of that attention (100 visits). Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    Walter Goodin

    Walter Goodin: A Yorkshire Visionary of Light and Shadow

    Walter Goodin (1907-1992) wasn’t a name that immediately leaps to mind when discussing the titans of 20th-century British art. Yet, within the quiet landscapes of Yorkshire and the bustling streets of Hull, he cultivated a remarkably distinctive style—a blend of meticulous realism, atmospheric observation, and a subtle, almost melancholic beauty. His work, often overlooked in mainstream narratives, offers a poignant glimpse into a changing Britain, capturing both the enduring charm of its rural heritage and the gritty realities of industrial life.

    Born in Hull, Goodin’s early life was deeply rooted in the maritime traditions of his hometown. The docks, the ships, and the ever-present influence of the North Sea shaped his visual vocabulary from a young age. This connection to the coast would remain a constant throughout his career, informing his depictions of rugged cliffs, windswept beaches, and the moody skies above Yorkshire’s coastline. However, Goodin wasn't solely confined to coastal scenes; he possessed an equally keen eye for urban landscapes, particularly the industrial heartland of Hull, where he spent much of his working life as a clerk.

    Goodin’s artistic journey began modestly, largely self-taught. He initially focused on sketching and watercolor studies, honing his observational skills with painstaking detail. His early works demonstrate a remarkable ability to capture the nuances of light and shadow—a hallmark of his mature style. Influences are discernible in the work of artists like Albert Pinkham Ryder, whose atmospheric landscapes and use of color resonated with Goodin’s own approach. Furthermore, he was clearly influenced by the Realist movement, evident in his commitment to portraying subjects truthfully and without idealization. However, unlike many Realists, Goodin infused his scenes with a distinctly personal sensibility, imbuing them with an underlying mood of quiet contemplation.

    The Yorkshire Landscapes: A Study in Texture and Light

    Goodin’s most celebrated work revolves around the landscapes of Yorkshire – particularly the dramatic coastline near Bridlington. These paintings aren't simply representations of scenery; they are carefully constructed studies of texture, light, and atmosphere. He employed a layered technique, building up thin washes of color to create a sense of depth and luminosity. His brushstrokes are often subtle yet deliberate, guiding the viewer’s eye across the canvas and revealing the intricate details of the terrain – from the rough-hewn cliffs to the swaying grasses.

    “Bridlington from the West,” for example, exemplifies his approach perfectly. The painting captures a sweeping vista of rolling hills and chalk cliffs bathed in the golden light of late afternoon. The colors are muted yet vibrant, creating a sense of both serenity and drama. Goodin’s masterful use of perspective draws the viewer into the scene, inviting them to lose themselves in the beauty of the Yorkshire countryside. He wasn't interested in grand vistas or heroic landscapes; instead, he focused on capturing the quiet dignity of everyday scenes – a farmer tending his fields, a solitary figure walking along the beach, or a small village nestled amongst the hills.

    Hull and Industrial Realism

    While Yorkshire provided the backdrop for much of Goodin’s work, Hull held a special place in his heart. He spent decades documenting the city's industrial landscape – its docks, factories, warehouses, and bustling streets. Unlike romanticized depictions of industry, Goodin presented a realistic portrayal of life in a working-class port town. His paintings often featured scenes of laborers at work, their faces etched with weariness and determination. These works offer a poignant commentary on the social and economic realities of the time.

    “Holy Trinity Church in Hull Market Place” is a prime example of this approach. The painting captures the imposing presence of the church against the backdrop of the city’s industrial sprawl. Goodin's attention to detail—the weathered stonework, the intricate carvings, and the bustling activity around the market square—creates a vivid sense of place. He didn’t shy away from depicting the grime and grit of urban life, but he also managed to find beauty in its everyday details.

    Technique and Style: A Master of Detail

    Goodin's artistic style is characterized by an extraordinary level of detail and a meticulous approach to his craft. He was known for spending hours—sometimes days—working on a single painting, carefully rendering every element with painstaking precision. His use of watercolor, particularly in his early works, allowed him to achieve remarkable effects of light and shadow. Later in his career, he increasingly favored oil paint, which enabled him to build up layers of color and texture.

    A key aspect of Goodin’s style is his masterful control of chiaroscuro—the dramatic contrast between light and dark. He used this technique to create a sense of depth and atmosphere, drawing the viewer's eye to specific areas of interest. His paintings are often described as “atmospheric,” reflecting his ability to capture the mood and feeling of a particular place or moment. His work is not merely about depicting what he saw; it’s about conveying an emotional response to the world around him.

    Legacy and Recognition

    Despite his talent and dedication, Walter Goodin remained largely unknown during his lifetime. His paintings were primarily exhibited in local galleries and private collections, and he never achieved widespread recognition as a major artist. However, in recent years, there has been a growing appreciation for his work—a testament to the enduring power of his vision. His paintings are now featured in prominent collections, including those at The Walters Art Museum in Baltimore, and are increasingly recognized for their unique beauty and historical significance.

    Walter Goodin’s legacy lies not only in his artistic achievements but also in his ability to capture the spirit of a bygone era. His paintings offer a valuable window into the lives and landscapes of Yorkshire and Hull—a reminder of the quiet dignity and enduring charm of these communities. He was, in essence, a chronicler of ordinary life, transforming everyday scenes into works of art that continue to resonate with viewers today.

    Museum

    Ferens Art Gallery

    Utställd på Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Odds and Ends

    originaluniqueart.com/sv/art/download/walter-goodin-odds-and-ends-AQUGY4-en/

    Källhänvisning för detta konstverk

    MLA
    Goodin, Walter. Odds and Ends. 1938, Ferens Art Gallery. https://originaluniqueart.com/sv/art/walter-goodin-odds-and-ends-AQUGY4-en/
    APA
    Goodin, Walter (1938). Odds and Ends [Painting]. Ferens Art Gallery. https://originaluniqueart.com/sv/art/walter-goodin-odds-and-ends-AQUGY4-en/
    Chicago
    Walter Goodin. Odds and Ends. 1938. Ferens Art Gallery. https://originaluniqueart.com/sv/art/walter-goodin-odds-and-ends-AQUGY4-en/
    Harvard
    Goodin, Walter (1938) Odds and Ends. Ferens Art Gallery. Available at: https://originaluniqueart.com/sv/art/walter-goodin-odds-and-ends-AQUGY4-en/

    Titta närmare

    Odds and Ends — Walter Goodin

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: still life, dutch art, chiaroscuro. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Alderman Thomas B. Broadbent (1949) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Walter Goodin var ungefär 31 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Vem är konstnären bakom "Odds and Ends"?

    Konstnären bakom "Odds and Ends" är Walter Goodin. Verket är katalogiserat under Walter Goodins namn.

    Finns det ett bildspel för "Odds and Ends" av Walter Goodin?

    "Odds and Ends" av Walter Goodin kan visas som ett bildspel på verkets Bildspel-sida.

    Vad föreställer "Odds and Ends" av Walter Goodin?

    Teman som återfinns i "Odds and Ends" av Walter Goodin inkluderar still life, dutch art, chiaroscuro, everyday objects, baroque style, vintage painting, domestic scene, rich colors. Tillsammans sammanfattar de verkets motiv.