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Humanity The Rest

Namn Klass Datum

Sir Robin Philipson, Humanity The Rest, Heriot-watt University. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Sir Robin Philipson originaluniqueart.com/sv/artists/sir-robin-philipson/
Konstnärens levnadsår
1916 – 1992
Ursprunglig storlek
75 x 75 cm
Plats för utställning
Heriot-watt University originaluniqueart.com/sv/museums/heriot-watt-university-edinburgh/

I sammanhanget

Humanity The Rest — Sir Robin Philipson

Vilken storlek har den?

Originalet mäter 75 × 75 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När kan detta ha målats?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 76 vid dödsfallet.

Skuggat: Sir Robin Philipson livstid (1916–1992) varje daterad målning, decennium för decennium

Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?

Jämför med

  • Blue Cathedral originaluniqueart.com/sv/art/sir-robin-philipson-blue-cathedral-AQVGCK-en/
  • Byzantine Interior originaluniqueart.com/sv/art/sir-robin-philipson-byzantine-interior-AQVGE3-en/
  • Dusk originaluniqueart.com/sv/art/sir-robin-philipson-dusk-AQVGDV-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/sir-robin-philipson-humanity-the-rest-AQVGDM-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #57515c

    Katalogiserad palett

    • #57515C
    • #9D8D9C
    • #342825
    • #BEB9B8

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Namn på huvudfärg
    Espresso
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Bold I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Balanced Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Sir Robin Philipson under de senaste tolv månaderna — 3 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 62,5%
    2. 2 Amerikas förenta stater 25,0%
    3. 3 Storbritannien 12,5%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 9 mest visade verken av Sir Robin Philipson

    1. 1 Woman in Ecstasy, 1955 22,2%
    2. 2 A Family Dispute, 1948 11,1%
    3. 3 Church Interior with Chandeliers 11,1%
    4. 4 Waiting 11,1%
    5. 5 Human Kind XVII 11,1%
    6. 6 Cockfight Blue 11,1%
    7. 7 Mexican Retable 11,1%
    8. 8 Crowing Cock 11,1%
    9. — Humanity The Rest denna målning 0,0%

    Tillsammans utgör dessa verk 99,9% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 32 verk av denna konstnär, varav 8 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    Sir Robin Philipson

    Sir Robin Philipson: A Visionary of Scottish Colour and Dramatic Intensity

    Born Robert James Philipson in Broughton-in-Furness, Lancashire, in 1916, Sir Robin Philipson’s artistic journey led him from the industrial landscapes of his childhood to become one of Scotland's most distinctive and enduring figures in 20th-century art. His career, spanning over seven decades, was marked by a restless exploration of subject matter – from intimate domestic scenes and evocative portraits to monumental depictions of cockfights and the grandeur of cathedral interiors – all rendered with a bold palette, dynamic brushwork, and a distinctive impasto technique that imbued his canvases with palpable energy.

    Philipson’s early artistic education began at Dumfries Academy before he enrolled at Edinburgh College of Art in 1936. This formative period exposed him to the influences of the Edinburgh School, a group of Scottish artists who sought to capture the spirit and character of their homeland through vibrant colour and expressive brushwork. Key figures within this movement included William Gillies and John Maxwell, whose work profoundly shaped Philipson’s approach to composition, colour theory, and the depiction of landscape.

    The Rise of a Distinctive Style

    Following World War II, during which he served with the King's Own Scottish Borderers in Burma, Philipson returned to Edinburgh and began to develop his own unique artistic voice. He initially focused on landscapes and still lifes, but it was his fascination with cockfights – a deeply ingrained part of Scottish culture – that truly propelled him to international recognition. Beginning in the early 1950s, he created a series of powerful paintings depicting these brutal yet captivating spectacles, capturing not just the physical action but also the raw emotion and underlying drama of the event. These works were characterized by their intense colours, dynamic compositions, and a willingness to confront uncomfortable truths about human behaviour.

    Beyond cockfights, Philipson’s artistic interests expanded to encompass a wide range of subjects, including portraits, religious scenes (particularly crucifixions), and architectural interiors – notably the magnificent cathedral at Amiens in France. His depictions of these spaces were not merely observational; they sought to convey a sense of awe and spiritual intensity through the manipulation of light, colour, and perspective. The influence of Impressionist masters like Monet is evident in his treatment of light and atmosphere, particularly in his studies of cathedrals.

    Technique and Innovation

    Philipson’s artistic technique was as distinctive as his subject matter. He employed a liberal use of impasto – applying paint thickly to the canvas – creating a textured surface that seemed to vibrate with energy. His colour palette was bold and often unconventional, utilizing vibrant hues alongside darker tones to create dramatic contrasts and heighten emotional impact. He frequently worked in oil on canvas, but also experimented with other media, including watercolour and gouache. He was known for his willingness to break from traditional artistic conventions, embracing a more expressive and gestural approach to painting.

    Recognition and Legacy

    Throughout his career, Philipson received numerous accolades recognizing his contributions to Scottish art. He was elected to the Royal Scottish Academy in 1962, President of the Royal Scottish Academy from 1973 to 1983, and a Fellow of the Royal Society of Edinburgh in 1978. He also held positions on various committees and commissions, including the British Council’s Scottish Advisory Committee. His work has been exhibited extensively throughout Scotland and internationally, and is now housed in major public collections across the UK and beyond. Sir Robin Philipson died in Edinburgh in 1992, leaving behind a rich and influential body of work that continues to captivate viewers with its dramatic intensity, vibrant colours, and profound insights into the human condition.

    Key Works

    Crowing Cock (1954) – A seminal example of his cockfight series, capturing the frenetic energy and primal drama of the event.

    Cathedral (1960) – An evocative depiction of Amiens Cathedral, showcasing Philipson’s masterful use of light and colour to convey a sense of grandeur and spiritual awe.

    A Family Dispute (1948) - A powerful expressionist painting capturing raw emotion and drama.

    Museum

    Heriot-watt University

    Utställd på Edinburgh, United Kingdom

    A Legacy Woven in Stone: The Heriot-Watt University Museum

    Nestled within the venerable heart of Heriot-Watt University in Edinburgh, a place where innovation has always been etched into the very fabric of Scottish identity, lies a museum far more than just a repository of artifacts. It’s a living chronicle—a meticulously curated journey through centuries of ingenuity, a testament to the spirit of invention that birthed both groundbreaking scientific advancements and a profound commitment to accessible knowledge. The building itself, a harmonious blend of robust Scottish stonework and modern architectural grace, immediately establishes an atmosphere of thoughtful contemplation; its walls seem to whisper tales of James Watt, George Heriot, and generations of thinkers who shaped the world from this very spot. Stepping inside is akin to entering a carefully constructed dialogue between past and present, where the tangible echoes of early mechanics’ institutes resonate alongside displays showcasing cutting-edge research – a deliberate and powerful statement about the university's enduring legacy. The museum isn’t simply about innovation; it embodies the spirit of it, mirroring the university’s own evolution from its origins as a revolutionary educational experiment to the globally recognized research institution it is today.

    The Mechanics’ Roots:

    The museum’s foundation rests firmly on Heriot-Watt's origins as the world’s first mechanics’ institute in 1821, conceived by Leonard Horner with the ambitious goal of democratizing scientific and technological education. Early exhibits showcase remarkably preserved instruments – intricate slide rules, early gauges, and meticulously crafted models of steam engines – offering a tangible connection to the pioneering spirit that defined the institution's inception. These aren’t simply relics behind glass; they are direct links to the breakthroughs that fundamentally altered our understanding of the world.

    Heriot’s Philanthropic Vision:

    Central to the museum’s narrative is the story of George Heriot, whose extraordinary philanthropic bequest provided the financial bedrock for the institute's growth and established a tradition of supporting practical learning. Displays dedicated to Heriot’s life and legacy highlight his commitment to both inventive genius and a deep-seated belief in the power of education – a duality that continues to inform the museum’s mission today.

    A Convergence of Disciplines:

    The collection isn't confined to engineering; it deliberately spans a remarkable breadth of disciplines, reflecting the university’s evolution over the centuries. You’ll discover early examples of textile machinery alongside architectural models, showcasing the interconnectedness of innovation across various fields. This holistic approach underscores Heriot-Watt’s commitment to fostering interdisciplinary thinking and problem-solving.

    Architectural Echoes: The Building as a Work of Art

    The museum's physical space is an integral part of its story, seamlessly blending historical significance with contemporary design. Constructed within the walls of the original Mechanics’ Institute building – a structure itself steeped in history – and expanded upon over time, the museum reflects Edinburgh’s architectural evolution. The imposing stone façade, reminiscent of Scotland’s ancient castles, speaks to the enduring strength and resilience of the institution. Inside, the layout deliberately guides visitors through a chronological journey, utilizing natural light to highlight key exhibits and creating intimate spaces for contemplation. Notably, the building's original features – including intricate plasterwork, soaring ceilings, and carefully restored windows – are preserved alongside modern additions, demonstrating a profound respect for the past while embracing the future. The careful integration of these elements creates an atmosphere that is both stimulating and serene—a space designed to inspire curiosity and foster a deeper appreciation for the power of human ingenuity.

    The Original Mechanics’ Institute:

    The museum retains significant portions of the original 1821 building, including the grand hall where early lectures were delivered. These spaces are meticulously preserved, offering visitors a tangible sense of stepping back in time and experiencing the atmosphere of the institute's formative years.

    Expansion and Adaptation:

    Over the decades, the museum has undergone several expansions to accommodate its growing collection and evolving exhibits. The modern additions seamlessly integrate with the original structure, creating a harmonious blend of historical authenticity and contemporary design.

    Spatial Narrative:

    The museum’s layout is carefully designed to guide visitors through a chronological narrative, highlighting key milestones in Heriot-Watt's history and showcasing the evolution of its collection.

    Notable Exhibitions & Ongoing Dialogue

    The Heriot-Watt University Museum isn’t static; it actively engages with contemporary issues through thoughtfully curated exhibitions that explore the intersection of technology, society, and culture. Recent highlights have included “The Future of Energy,” a dynamic display examining sustainable energy solutions and their potential impact on the planet, and "Engineering for Social Good," which showcased innovative engineering projects addressing global challenges such as water scarcity and disaster relief. Beyond these temporary exhibitions, the museum maintains permanent displays that delve into specific areas of Heriot-Watt’s research history, including advancements in textile technology, mechanical engineering, and architectural design. The museum also hosts regular public lectures, workshops, and family activities, fostering a vibrant community of learners and enthusiasts. Notably, interactive elements are increasingly incorporated into exhibits, allowing visitors to engage directly with scientific principles and engineering concepts – a deliberate nod to the institution’s original mission of providing practical knowledge.

    “The Future of Energy” (2023):

    This exhibition explored innovative approaches to renewable energy generation and storage, highlighting Heriot-Watt's research in this critical field.

    "Engineering for Social Good" (2022):

    Showcased engineering projects designed to address pressing global challenges, demonstrating the practical application of scientific knowledge.

    Permanent Displays:

    Offer a detailed overview of Heriot-Watt’s historical contributions to various fields, including textiles, mechanics, and architecture.

    A Unique Hub of Innovation & Community

    What truly distinguishes the Heriot-Watt University Museum is its deep integration with the university's academic programs. It isn’t merely a public attraction; it’s an active learning environment, offering educational tours and workshops designed to inspire curiosity and foster understanding for students, researchers, and the wider community. The museum serves as a vital link between the past and present, demonstrating how Heriot-Watt’s pioneering spirit continues to shape the future of innovation. The museum's global outlook is another defining characteristic; it highlights the far-reaching impact of Heriot-Watt University's research and innovation, showcasing projects that address pressing worldwide challenges – from sustainable energy solutions to advancements in healthcare technology. Whether you are a seasoned history buff, a passionate technology enthusiast, or simply someone seeking a more immersive learning experience, the Heriot-Watt University Museum offers an enlightening and inspiring journey into the heart of Scottish ingenuity. It stands as a powerful reminder that innovation is not merely about technological advancement; it’s about fostering a spirit of curiosity, collaboration, and a commitment to making a positive impact on the world.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Humanity The Rest

    originaluniqueart.com/sv/art/download/sir-robin-philipson-humanity-the-rest-AQVGDM-en/

    Källhänvisning för detta konstverk

    MLA
    Philipson, Sir Robin. Humanity The Rest. n.d., Heriot-watt University. https://originaluniqueart.com/sv/art/sir-robin-philipson-humanity-the-rest-AQVGDM-en/
    APA
    Philipson, Sir Robin (n.d.). Humanity The Rest [Painting]. Heriot-watt University. https://originaluniqueart.com/sv/art/sir-robin-philipson-humanity-the-rest-AQVGDM-en/
    Chicago
    Sir Robin Philipson. Humanity The Rest. n.d. Heriot-watt University. https://originaluniqueart.com/sv/art/sir-robin-philipson-humanity-the-rest-AQVGDM-en/
    Harvard
    Philipson, Sir Robin (n.d.) Humanity The Rest. Heriot-watt University. Available at: https://originaluniqueart.com/sv/art/sir-robin-philipson-humanity-the-rest-AQVGDM-en/

    Titta närmare

    Humanity The Rest — Sir Robin Philipson

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Titta tillbaka på Blue Cathedral, tidigare i denna guide. Nämn två saker som den har gemensamt med detta verk, och en sak som är annorlunda.
    4. Vad kan konstnären ha velat att du ska känna?
    5. Om du fick ställa en fråga till konstnären om detta verk, vad skulle det vara?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Kan jag se "Humanity The Rest" som ett bildspel i helskärm?

    Se diaporamat för "Humanity The Rest" på konstverkets sida Bildspel.

    Var kan jag köpa ett tryck av "Humanity The Rest" av Sir Robin Philipson?

    För att beställa ett tryck av "Humanity The Rest" av Sir Robin Philipson, gå helt enkelt till dess sida för Konsttryck i hög kvalitet: ett konsttryck på bomullscanvas eller arkivbeständigt canvaspapper.

    Hur kan jag få en digital fil av "Humanity The Rest" av Sir Robin Philipson?

    För att få en digital fil av "Humanity The Rest" av Sir Robin Philipson, beställ en högupplöst digital bildnedladdning på dess Digital bild i hög upplösning-sida.