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Perceval

Namn Klass Datum

Sarah Lucas, Perceval (2006), Museum of London. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Sarah Lucas originaluniqueart.com/sv/artists/sarah-lucas/
Konstnärens levnadstid
1962 –
Målat
2006
Teknik
Bronze Molten metal poured into a mould made from the artist’s model, then finished and polished by hand.
Rörelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Epok
Contemporary
Visas på
Museum of London originaluniqueart.com/sv/museums/museum-of-london-london_sv/
Artistic style
Provocative realism
Influences
British Surrealism
Notable elements or techniques
Giant vegetable sculptures; Scale-up of traditional china ornament
Subject or theme
Englishness; Fertility symbolism

I sammanhanget

Perceval — Sarah Lucas

När målades detta?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Rad ovanför: åren. Rad nedanför: konstnärens ålder vid början och slutet av varje tidsperiod, där födelseår räknas som 0.

Målat när konstnären var 44. 8 av de 11 daterade verk av denna konstnär i vår katalog skapades tidigare.

▲ detta verk, 2006 varje daterad målning, decennium för decennium

Första verk: fram till 1996 Huvudsakliga verksamma år: 1996–2006 Senare verk: från 2006

Dessa tre intervall delar upp de verk som denna katalog har ett datum för i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan vara ett avbrott i dokumentationen snarare än en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Liknande verk

  • Perceval, 2006 originaluniqueart.com/sv/art/sarah-lucas-perceval-D7EC85-en/
  • Pauline Bunny originaluniqueart.com/sv/art/sarah-lucas-pauline-bunny-D3UBG4-en/
  • Chicken Knickers, 1997 originaluniqueart.com/sv/art/sarah-lucas-chicken-knickers-AS7UW9-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/sarah-lucas-perceval-D7ED5L-en/

Färger

Mätt från bilden

    Huvudfärg

    Phthalo Green #1f1d1c

    Sparad palett

    • #1F1D1C
    • #B8BABC
    • #7E8588
    • #52504D

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Huvudfärg
    Phthalo Green
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Balanced Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Sarah Lucas under de senaste tolv månaderna — 2 länder totalt. Varifrån dessa siffror kommer

    De tio ledande länderna

    1. 1 Kina 66,7%
    2. 2 Hong Kong 33,3%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar denna målning i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 5 mest visade verken av Sarah Lucas

    1. 1 Self Portrait with Fried Eggs, 1996 50,0%
    2. 2 Pauline Bunny 16,7%
    3. 3 Chicken Knickers, 1997 16,7%
    4. 4 Charlie (I Am Sorry), 2002 16,7%
    5. Perceval, 2006 denna målning 0,0%

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 12 verk av denna konstnär, varav 4 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    Perceval — Sarah Lucas

    A Monument to Pastoral Paradox

    In the realm of contemporary sculpture, few works command attention with such a unique blend of nostalgic charm and provocative depth as Sarah Lucas’s Perceval. At first glance, this life-size bronze masterpiece presents a scene of majestic stability; a powerful Clydesdale horse and its accompanying cart stand as a monumental tribute to the pastoral traditions of the British countryside. However, beneath its stately exterior lies a complex dialogue between the familiar and the subversive. Lucas, a prominent figure of the 1990s Young British Artists movement, masterfully utilizes the scale of this piece to transform what was once a humble china ornament—the kind found on mantelpieces decades ago—into an imposing public spectacle. The sculpture breathes life into the concept of "Englishness," offering a sense of stolid reliability that is simultaneously unthreatening and deeply layered with cultural meaning.

    The technical execution of Perceval is a study in deliberate material contrast, making it an extraordinary subject for those who appreciate the interplay of textures in fine art. The horse itself is cast in bronze, featuring a rich, meticulously worked patina that captures the light and suggests both the strength of the beast and the smooth finish of traditional decorative arts. This polished elegance is intentionally disrupted by the presence of the cart, which houses two large, cast concrete marrows. These giant vegetables, rendered in rugged cement, introduce a gritty, contingent quality to the work. The juxtaposition of the refined bronze against the coarse, heavy concrete creates a tactile tension that prevents the piece from slipping into mere kitsch, instead elevating it to a sophisticated exploration of form and substance.

    Symbolism and the Subversion of Tradition

    To gaze upon Perceval is to engage with a series of visual puns and anatomical metaphors that are hallmarks of Lucas’s provocative style. While the title evokes the legendary Knight of King Arthur’s Round Table, suggesting themes of chivalry and mythic heroism, the sculpture’s content is far more grounded in the visceral realities of fertility and identity. The oversized marrows, positioned prominently within the cart, serve as potent, off-scale symbols of phallic fertility. Through this clever use of found-object aesthetics and sculptural exaggeration, Lucas deconstructs the boundaries between the domestic and the provocative. She invites the viewer to look past the "knick-knack" aesthetic to find a deeper commentary on gender, sexuality, and the way we memorialize the everyday.

    For the discerning collector or interior designer, Perceval offers an unparalleled opportunity to introduce a conversation piece that transcends simple decoration. It is a work that possesses a democratic spirit—accessible and familiar enough to feel at home in a grand setting, yet intellectually stimulating enough to challenge the gaze of any observer. Whether placed as a focal point in a contemporary gallery or used to anchor a sophisticated architectural space, this reproduction captures the essence of Lucas’s ability to merge high art with popular culture. It remains a profound testament to the power of sculpture to evoke emotion, blending the nostalgic warmth of a bygone era with the bold, unapologetic energy of the modern age.

    Konstnär och museum

    Konstnär

    Sarah Lucas

    Född i London, United Kingdom

    A Provocative Visionary: The World of Sarah Lucas

    Sarah Lucas emerged as a defining voice in British art during the dynamic 1990s, becoming synonymous with the era’s Young British Artists (YBAs). Born in London in 1962, her artistic journey was far from conventional. Leaving formal education at sixteen, she later pursued studies at The Working Men's College, London College of Printing, and Goldsmiths College – institutions that would prove pivotal in shaping her distinctive approach. It was at Goldsmiths, graduating with a Fine Art degree in 1987, that Lucas truly began to forge the path toward an artistic practice characterized by its unflinching honesty, provocative nature, and often unsettling humor. Her work doesn’t simply depict reality; it dissects it, reassembling fragments of everyday life into challenging and thought-provoking statements about identity, sexuality, and British culture itself.

    Deconstructing Norms: Themes and Techniques

    Lucas's artistic language is remarkably diverse, encompassing sculpture, photography, collage, and the appropriation of found objects. However, a recurring motif—and perhaps her most recognizable signature—is the use of furniture as surrogates for the human body. This isn’t merely about representation; it’s about subversion. By transforming mundane items like mattresses, buckets, and chairs into suggestive forms, often imbued with crude genital references, Lucas challenges conventional depictions of the body and forces viewers to confront their own preconceived notions about sexuality and gender. She doesn't shy away from the visceral or the uncomfortable, instead embracing a deliberately provocative aesthetic that demands attention. This willingness to engage with taboo subjects is further amplified by her integration of elements from tabloid culture and popular imagery, blurring the lines between high art and low culture in a way that feels both jarring and strangely compelling. Au Naturel (1994), for example, exemplifies this approach—an assemblage of everyday objects arranged to evoke bodily forms, simultaneously humorous and deeply unsettling. Her self-portraits, such as the starkly honest Human Toilet Revisited (1998), are equally impactful, exploring vulnerability and challenging societal norms with a disarming directness.

    Key Moments and Artistic Evolution

    Lucas’s ascent within the art world was marked by several key moments. Her inclusion in Freeze (1988)—the seminal group exhibition that launched the careers of many YBAs, including Damien Hirst and Gary Hume—signaled her arrival as a force to be reckoned with. This was followed by the co-organization of East Country Yard Show (1990) with Henry Bond, providing a platform for early explorations of her artistic vision. Her first solo exhibitions, The Whole Joke and Penis Nailed to a Board (both 1992), firmly established her provocative style, while later works like Bitch (1995) and The Fag Show (2000)—the latter utilizing cigarettes as both material and metaphor—further cemented her reputation for challenging artistic boundaries. A significant milestone came in 2013 with a comprehensive retrospective at the Whitechapel Gallery, offering a sweeping overview of her career to date. Perhaps her most prestigious achievement arrived in 2015 when she represented Britain at the 56th Venice Biennale with Scream Daddio, showcasing her continued relevance on the international stage.

    Influences and Legacy

    Lucas’s artistic lineage is complex, drawing inspiration from a diverse range of sources. The readymades of Marcel Duchamp are clearly evident in her appropriation of everyday objects, while feminist artists like Judy Chicago, Hannah Wilke, Cindy Sherman, and Rachel Whiteread have undoubtedly influenced her exploration of the female body and societal expectations. However, Lucas actively resists easy categorization, preferring to challenge conventions and disrupt established power dynamics rather than align herself with any single movement or ideology. Her fearless gaze and appropriation of masculine symbols contribute to a unique artistic language that questions norms and celebrates the absurdities of everyday life.

    Her work often explores themes of sexuality, gender, and Englishness.

    She frequently uses humor and irony to address sensitive subjects.

    Lucas’s legacy lies in her ability to provoke thought and challenge perceptions.

    Sarah Lucas remains a significant figure in contemporary British art, continuing to push boundaries and inspire new generations of artists with her uncompromising vision and unwavering commitment to artistic freedom. Her impact extends beyond the confines of the art world, sparking conversations about identity, representation, and the very nature of contemporary culture.

    Museum

    Museum of London

    Utställd på London, Storbritannien

    A Chronicle Etched in Stone and Spirit: Unveiling the Museum of London

    The Museum of London isn’t merely a repository of artifacts; it's a vibrant, breathing testament to the ceaseless evolution of one of the world’s most storied cities. From the whispers of Roman settlements beneath its pavements to the pulsating rhythms of contemporary London, the museum offers an unparalleled journey through time—a meticulously curated exploration of human experience woven into the very fabric of this metropolis. Its recent relocation to the historic Smithfield Market building marks a pivotal moment, promising expanded horizons and deeper engagement with the city’s complex narrative. The move itself is significant, not just as a change of address but as an embrace of place—a recognition that London's story isn’t confined to grand monuments or carefully preserved relics, but resides in the everyday lives lived across millennia.

    The museum’s collection is a breathtaking mosaic of eras and disciplines. The Roman treasures, unearthed from the very foundations of Londinium, are particularly compelling – shimmering mosaics hinting at imperial grandeur, sculpted figures offering intimate glimpses into the lives of those who walked these streets nearly two thousand years ago. Imagine the bustling marketplaces, the legions marching through the city gates, the echoes of a civilization that laid the groundwork for all that followed. Beyond this ancient core, the Cheapside Hoard, a dazzling collection of Elizabethan and Jacobean jewelry, speaks volumes about wealth, fashion, and social status during a period of burgeoning prosperity. These aren’t just glittering trinkets; they are miniature portraits of ambition, desire, and the intricate dance between power and beauty. Consider the delicate enamel work, the vibrant gemstones – each piece a testament to the skill and artistry of its maker, reflecting the aspirations of London's elite. Nearby, the evocative remains of the London Mithraeum transport visitors to the shadowy world of Roman religious practice – a subterranean sanctuary dedicated to the god Mithras, offering a tangible connection to beliefs long past. The cool stone walls, the flickering torchlight, and the ritualistic symbols create an atmosphere of mystery and intrigue, inviting contemplation on the diverse spiritual landscape of ancient London. More recently, the museum has embraced contemporary social commentary, showcasing objects like the infamous Whitechapel fatberg—a grotesque yet strangely fascinating testament to modern urban life—and the Trump baby blimp, a potent symbol of political dissent. These aren’t simply exhibits; they are cultural touchstones, prompting reflection on who we are and where we come from – a mirror held up to the ever-changing face of our city.

    A Building Reflecting Change: Past, Present & Future

    The Museum's physical evolution mirrors its expanding scope. For decades, the Barbican complex served as a fitting home—a modernist structure reflecting the post-war ambition to rebuild and reimagine London. However, the impending move to Smithfield Market represents more than just a change of address; it’s an opportunity for expansion and enhanced accessibility. The new space will allow a far greater proportion of the museum's astonishing six million objects to be displayed, offering visitors a richer, more immersive experience. This deliberate choice signifies a renewed commitment to engaging with the public and ensuring that London’s story is told in its entirety. The architectural grandeur of Smithfield Market itself—a Victorian masterpiece—provides a stunning backdrop for this next chapter, seamlessly blending historical context with modern museum design. The building's original purpose as a bustling marketplace – a hub of trade, social interaction, and everyday life – resonates deeply with the museum’s mission to document London’s social history. The vast open spaces, the soaring ceilings, and the exposed brickwork evoke the energy and vitality of a bygone era, creating a space that is both grand and inviting.

    The World Within a City: A Unique Perspective

    What truly distinguishes the Museum of London is its singular focus—a concentrated dedication to the story of one city. It isn't attempting to encompass global art or universal history; instead, it dedicates itself entirely to the evolution of London – a city that has served as a microcosm for broader historical trends and societal shifts. This focused approach allows for an unparalleled depth of understanding, revealing the intricate connections between people, places, and events over centuries. The museum’s collection is not static; it's a living archive, constantly evolving to reflect the city’s ongoing story. It stands apart from other institutions by prioritizing the specific experiences and transformations within London itself, offering a unique lens through which to examine the broader currents of human history. Consider the stories embedded in each object – the merchant who traded silks here, the artisan who crafted pottery, the immigrant who built a new life amidst the city’s ever-changing landscape.

    A Tapestry of Time: Notable Exhibitions & Ongoing Exploration

    The Museum of London regularly hosts exhibitions that delve into specific facets of the city’s past. Currently, “London: Aftermath” explores the impact of World War II on London's social and cultural landscape, a poignant reminder of resilience and recovery. Future exhibits promise to illuminate themes ranging from Victorian innovation – showcasing the groundbreaking inventions and technological advancements that transformed the city – to the rise of multiculturalism – celebrating the diverse communities that have shaped London’s identity over centuries. The museum also maintains a robust program of temporary displays featuring loans from other institutions and private collections, ensuring that visitors are continually exposed to new perspectives and discoveries. Beyond these curated exhibitions, the permanent galleries offer an ongoing exploration of London’s history—a chance to wander through recreated Victorian streets, examine ancient Roman artifacts, or contemplate the city's role in shaping global events. The museum actively encourages community engagement, hosting workshops, lectures, and family activities that foster a deeper appreciation for London’s rich heritage – inviting visitors to become active participants in the ongoing story of their city.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Perceval

    originaluniqueart.com/sv/art/download/sarah-lucas-perceval-D7ED5L-en/

    Källhänvisning för detta konstverk

    MLA
    Lucas, Sarah. Perceval. 2006, Museum of London. https://originaluniqueart.com/sv/art/sarah-lucas-perceval-D7ED5L-en/
    APA
    Lucas, Sarah (2006). Perceval [Painting]. Museum of London. https://originaluniqueart.com/sv/art/sarah-lucas-perceval-D7ED5L-en/
    Chicago
    Sarah Lucas. Perceval. 2006. Museum of London. https://originaluniqueart.com/sv/art/sarah-lucas-perceval-D7ED5L-en/
    Harvard
    Lucas, Sarah (2006) Perceval. Museum of London. Available at: https://originaluniqueart.com/sv/art/sarah-lucas-perceval-D7ED5L-en/

    Granska detaljerna

    Perceval — Sarah Lucas

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: sculpture, horse, cart. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Perceval (2006) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Vad är årtalet och stilen för "Perceval" av Sarah Lucas?

    "Perceval" av Sarah Lucas är daterat till 2006 och tillhör Contemporary Realism.

    Vilken är den upplevda ljusstyrkan i "Perceval" av Sarah Lucas?

    Sammantaget har "Perceval" registrerats som balanced. Upplevd ljusstyrka beskriver hur ljust eller mörkt verket framstår.

    Vilken placering passar formatet för "Perceval" av Sarah Lucas?

    Formatet Landscape för "Perceval" av Sarah Lucas rekommenderas för ett Living Room. Format och rymd samverkar för att vägleda placeringen av en reproduktion.