Papper

Guide till studentkonst

Midday

Namn Klass Datum

Raymond James Coxon, Midday (1927), Courtauld-samlingen. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
Raymond James Coxon originaluniqueart.com/sv/artists/raymond-james-coxon_sv/
Konstnärens levnadstid
1896 – 1997
Målat
1927
Teknik
Oil On Canvas
Ursprunglig storlek
69 x 92 cm
Rörelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Epok
Modern
Visas på
Courtauld-samlingen originaluniqueart.com/sv/museums/courtauld-samlingen-london_sv/
Artistic style
Abstract Expressionism
Influences
Masaccio
Notable elements or techniques
Bold figures & War Art
Subject or theme
Rural Life

In context

Midday — Raymond James Coxon

How big is it?

The original measures 69 × 92 cm (height × width), drawn here beside an adult of average height.

När målades detta?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Skuggat: Raymond James Coxon livstid (1896–1997) ▲ detta verk, 1927

Liknande verk

  • Playing Marbles, 1928 originaluniqueart.com/sv/art/raymond-james-coxon-playing-marbles-AQSE2Z-en/
  • Dewpond, Surrey, 1929 originaluniqueart.com/sv/art/raymond-james-coxon-dewpond-surrey-AQSE35-sv/
  • Tremadoc, 1938 originaluniqueart.com/sv/art/raymond-james-coxon-tremadoc-AQSE3H-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/raymond-james-coxon-midday-AQSE37-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #495131

    Sparad palett

    • #495131
    • #2A321F
    • #BCB484
    • #73784B
    Huvudfärg
    Espresso
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Balanced I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Om detta konstverk

    Midday — Raymond James Coxon

    Raymond James Coxon: A Legacy of Rural Landscapes and Bold Portraits

    Raymond James Coxon (August 18, 1896 – January 31, 1997) was an English artist whose prolific career spanned nearly a century, leaving an indelible mark on the landscape and portrait painting traditions of his time. Born in Hanley, Staffordshire, he embarked on a journey that began with military service during World War I and culminated in a distinguished artistic life characterized by unwavering dedication to craft and exploration of diverse stylistic approaches. Coxon’s formative years instilled within him a profound appreciation for observation and detail—qualities that would permeate his subsequent artistic endeavors.

    Early Life and Artistic Training

    Coxon's upbringing fostered an early interest in art, propelling him towards formal education at Leek High School followed by enrollment at Leeds School of Art and subsequently the Royal College of Art. His formative years were particularly enriched by a friendship with Henry Moore, forging connections that would influence their artistic trajectories. The RCA’s curriculum under Sir William Rothenstein instilled in Coxon a rigorous approach to composition and color theory—elements he skillfully incorporated into his mature works. He honed his skills through intensive studio practice and embraced experimentation with various mediums, establishing himself as a versatile artist capable of capturing both grandeur and intimacy.

    Midday: A Moment Frozen in Time

    Midday,” painted circa 1927, exemplifies Coxon’s signature style—a masterful blend of realism and expressive brushwork that conveys a palpable sense of tranquility and connection between humans and animals within the serene backdrop of Surrey countryside. Executed on canvas measuring 69 x 92 cm, this oil painting resides at The Courtauld Gallery in London, United Kingdom, safeguarding its artistic heritage for future generations. Coxon’s deliberate use of warm hues—particularly ochre and amber—creates an atmosphere of warmth and luminosity, mirroring the golden light filtering through the trees during midday hours.

    The Composition Speaks Volumes

    The painting depicts a man standing beside a horse, while another person sits on the ground near a cow. A third figure is seen walking towards them, adding a subtle dynamism to the scene without disrupting the overall stillness. Coxon’s meticulous attention to detail—evident in the textured brushstrokes capturing the contours of the horse’s musculature and the gentle folds of the cow’s hide—demonstrates his commitment to portraying subjects with accuracy and sensitivity. Furthermore, the inclusion of two horses and a cow underscores the significance of livestock within rural life—a theme recurrent throughout Coxon's oeuvre.

    Exploring Similar Works and Artistic Influences

    For those interested in delving deeper into Coxon’s artistic vision, “Dewpond,” completed shortly after Midday, offers another compelling glimpse into his ability to capture the evocative beauty of Surrey landscapes. Similarly, works by artists such as Anthony Vandyke Copley Fielding and John Wilson Carmichael showcase diverse stylistic approaches—ranging from Impressionistic brushstrokes to meticulous realism—reflecting the broader artistic currents of the early 20th century. Examining these comparative pieces illuminates Coxon’s evolution as an artist and underscores his enduring contribution to British art history.

    A Timeless Reflection on Rural Harmony

    Midday” transcends mere visual representation; it embodies a profound appreciation for the natural world and the harmonious coexistence between humans and animals—themes that resonate powerfully with viewers today. Raymond James Coxon's legacy continues to inspire artists and collectors alike, securing his place as one of England’s most respected landscape painters. Its quiet grandeur serves as a poignant reminder of simpler times and the enduring beauty found in observing the rhythms of rural life.

    Konstnär och museum

    Konstnär

    Raymond James Coxon

    Born in Hanley, Storbritannien

    Ett sekel av vision: Raymond James Coxons liv och arv

    Den brittiska konsten under det tjugonde århundradet skildras ofta genom linsen av plötsliga rörelser och radikala skiften, men få liv förkroppsligar den konstnärliga evolutionens uthålliga anda så djupt som Raymond James Coxon. Coxon föddes i Hanley, Staffordshire, år 1896, och hans resa var en av anmärkningsvärd livslängd och stilistisk bredd, som sträckte sig över nästan ett helt sekel av kreativt utforskande. Hans liv formades av historiens tumulterande tidvatten, från de hjärtskärande erfarenheterna under det stora kriget till de tysta, kontemplativa ögonblicken under efterkrigstidens återuppbyggnad. Denna enorma temporala duk tillät honom att bevittna – och delta i – transformationen av det brittiska estetiska landskapet, en rörelse från ungdomens stränga klassiska grunder mot en mer nyanserad och experimentell modernism.

    Coxons konstnärliga identitet smiddes i de prestigefyllda salarna på Leeds School of Art och Royal College of Art. Det var under dessa formativa år som han utvecklade en djupt rotad respekt för teknisk mästerskap, en egenskap som vårdades under ledning av inflytelserika gestalter som Sir William Rothenstein. Hans tidiga akademiska prestationer var inget mindre än ambitiösa; hans examensarbete, en monumental väggmålning inspirerad av Masaccios Utstötningen ur paradiset, uppenbarade en ung konstnär kapabel att brottas med storslagna, klassiska narrativ och komplexa mänskliga känslor. Denna period präglades också av betydelsefulla sociala kontakter, främst vänskapen med den legendariska skulptören Henry Moore, vilket placerade Coxon inom en levande krets av konstnärer som skulle komma att omdefiniera gränserna för brittisk skulptur och måleri.

    Från slagfältet till duken

    Coxons karriärs bana förändrades oåterkalleligt av hans tjänstgöring i Machine Gun Corps under första världskriget. Även om konflikten förde med sig enormt lidande, gav den också ett unikt och visceralt perspektiv som för alltid skulle prägala hans observationsförmåga. Genom sin tjänst inom kavallerisektionen använde Coxon akvarellminiatyrer för att dokumentera de flyktiga och ofta brutala realiteterna vid frontlinjen. Dessa småskaliga verk fungerade som intima fönster mot en värld i kaos, och krävde en precision och en förmåga att fånga atmosfär som senare skulle bli kännetecken för hans bredare repertoar. Denna dokumentationsperiod ingöt i honom en djup känsla för betydelsen av "ögonblicket" – förmågan att frysa tiden med penselns spets.

    Allt eftersom decennierna fortskred, började Coxons arbete spegla ett fascinerande avsteg från rent representativa former. Även om han förblev djupt rotad i traditionerna inom landskap och porträtt, fanns det en oundviklig dragning mot abstraktion. Hans landskap, såsom det stämningsfulla Dewpond, Surrey, uppvisar en mästerlig kontroll över ljus och topografi, men de antyder också en djupare, mer strukturell förståelse av den naturliga världen. På samma sätt visar hans porträtt, exemplifierade av det eleganta Model Resting, en sofistikerad användning av ton och form för att förmedla karaktär och närvaro, där han förenar den klassiska disciplinen från sin utbildning med en modern känsla för textur och rymd.

    Ett bestående konstnärligt intryck

    Betydelsen av Raymond James Coxon ligger inte bara i hans motivvalts bredd, utan i hans förmåga att förbli relevant genom skiftande konstnärliga epoker. Hans samlade verk fungerar som en bro mellan de traditionalistiska värdena från den sena viktorianska eran och den experimentella anden under mitten av det tjugonde århundradet. Oavsett om han fångade den karga skönheten i Tremadoc eller utforskade den mänskliga figurens komplexitet, förblir Coxons arbete förankrat i en uppriktig hängivenhet till måleriet som hantverk.

    Att reflektera över hans liv är att spåra den brittiska konstens egen evolution:

    Teknisk mästerskap: En grund byggd på klassiska principer och rigorisk akademisk träning.

    Historiskt vittne: En konstnär vars vision skärptes av den direkta erfarenheten av global konflikt.

    Stilistisk mångsidighet: En sömlös övergång från detaljerade akvarellminiatyrer till djärva, abstrakta utforskningar.

    Bestående inflytande: Ett arv definierat av en livslång hängivenhet att observera och tolka världen omkring sig.

    Genom sina landskap, porträtt och abstrakta experiment lämnade Coxon efter sig ett verk som fortsätter att resonera hos dem som söker skärningspunkten mellan historiskt djup och tidlös skönhet.

    Museum

    Courtauld-samlingen

    On show in London, Storbritannien

    A Sanctuary of Light: Exploring The Courtauld Gallery

    Nestled within the grand neoclassical embrace of Somerset House on London’s Strand, The Courtauld Gallery is more than a mere repository of masterpieces; it's an immersive journey into the heart of Impressionist and Post-Impressionist art. Founded in 1932 from the visionary collections assembled by Samuel Courtauld, Lord Lee of Fareham, and Sir Robert Witt, the gallery has blossomed into a world-renowned institution, inextricably linked to the esteemed Courtauld Institute of Art. Walking through its elegantly proportioned rooms feels akin to stepping back in time, encountering works that redefined artistic expression and continue to resonate with profound emotional power. The very existence of this space is a testament to private patronage transformed into a shared cultural treasure, reflecting a deep appreciation for beauty and innovation – a legacy that continues to shape our understanding of artistic heritage.

    The gallery’s strength lies not merely in the sheer quality of its holdings, but in their focused depth. Here, one can lose themselves in the shimmering light of Édouard Manet’s A Bar at the Folies-Bergère, a painting that captures not just a fleeting moment in time, but an entire atmosphere of Parisian nightlife – a subtle dance between observer and observed. Nearby, Vincent van Gogh’s intensely personal Self-Portrait with Bandaged Ear offers a raw and poignant glimpse into the artist’s troubled soul, its swirling brushstrokes mirroring his inner turmoil. Don't miss Cézanne’s still lifes and landscapes, pivotal studies in form and perception that fundamentally altered artistic thought; these works demonstrate a meticulous attention to detail and an exploration of light and shadow that laid the groundwork for modern art. The collection also boasts significant pieces by Renoir, Degas, Monet, Gauguin, Seurat, and countless others, each contributing to a rich tapestry of artistic styles and movements.

    Architectural Setting: A Dialogue Between Art and Space

    Somerset House, designed by William Chambers in the late 18th century, stands as a testament to neoclassical grandeur. Its elegant facades and spacious interiors provide a stunning backdrop for the art within, creating an atmosphere of refined beauty and intellectual stimulation. Sunlight streams through large windows, illuminating the canvases with a natural glow that enhances their colors and textures – a deliberate choice by curators to heighten the emotional impact of each piece. The building itself is a work of art, its soaring ceilings and symmetrical design mirroring the formality and elegance of the paintings it houses. The careful consideration given to light and space within the gallery contributes significantly to the overall experience, allowing visitors to fully immerse themselves in the works on display. The deliberate use of natural light isn’t merely aesthetic; it's a conscious effort to connect viewers directly with the artists’ intentions, inviting contemplation and emotional response.

    A History Forged in Vision

    The Courtauld’s origins are deeply intertwined with the vision of Samuel Courtauld, a prominent industrialist and art collector. His initial gift of over 100 paintings in 1932 formed the foundation of what would become one of the world's leading Impressionist and Post-Impressionist collections. Subsequent bequests from Lord Lee, Sir Robert Witt, and numerous other benefactors have steadily expanded the gallery’s holdings, adding Old Master works, British drawings, and 20th-century art. The recent ‘Courtauld Connects’ redevelopment, completed in 2021, has not only modernized the building but also enhanced accessibility, ensuring that this extraordinary collection remains a vibrant resource for generations to come. The gallery's continued evolution reflects its commitment to both scholarship and public engagement – a delicate balance between preserving artistic heritage and making it accessible to all. The story of the Courtauld is one of private passion transformed into a national treasure, a testament to the power of art to transcend social boundaries.

    Academic Focus: Where Art History Comes Alive

    What truly sets The Courtauld Gallery apart is its unique position as both a museum and an academic institution. As part of the Courtauld Institute of Art, it fosters a vibrant intellectual environment fueled by cutting-edge research and teaching. Current exhibitions, like the upcoming showcase of Wayne Thiebaud’s work, demonstrate this commitment to scholarly exploration and bringing fresh perspectives to established artists. The gallery is a place where art history comes alive, not just for academics but for anyone with a curious mind and an open heart. Lectures, workshops, and guided tours offer opportunities for deeper engagement with the collection, while ongoing research projects contribute to our understanding of Impressionist and Post-Impressionist art. The Courtauld’s role as a center for artistic scholarship ensures that its legacy will continue to inspire and inform artists and scholars alike. The Institute actively encourages interdisciplinary studies, bringing together perspectives from history, literature, and philosophy to enrich the interpretation of the artworks.

    Additional Resources & Exploration

    Visit The Courtauld Gallery:

    https://courtauld.ac.uk/gallery/

    - Explore the gallery’s website for current exhibitions, events, and information about visiting hours.

    Courtauld Gallery – Wikipedia:

    https://en.wikipedia.org/wiki/Courtauld_Gallery

    - Delve deeper into the history and collection of this renowned institution.

    Museums Database:

    https://en.museumsconnect.eu/museum/courtauld-gallery-united-kingdom-london-en/

    – Discover more about the gallery’s mission, collections, and programs.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Midday

    originaluniqueart.com/sv/art/download/raymond-james-coxon-midday-AQSE37-en/

    Källhänvisning för detta konstverk

    MLA
    Coxon, Raymond James. Midday. 1927, Courtauld-samlingen. https://originaluniqueart.com/sv/art/raymond-james-coxon-midday-AQSE37-en/
    APA
    Coxon, Raymond James (1927). Midday [Painting]. Courtauld-samlingen. https://originaluniqueart.com/sv/art/raymond-james-coxon-midday-AQSE37-en/
    Chicago
    Raymond James Coxon. Midday. 1927. Courtauld-samlingen. https://originaluniqueart.com/sv/art/raymond-james-coxon-midday-AQSE37-en/
    Harvard
    Coxon, Raymond James (1927) Midday. Courtauld-samlingen. Available at: https://originaluniqueart.com/sv/art/raymond-james-coxon-midday-AQSE37-en/

    Look closely

    Midday — Raymond James Coxon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, rural life, horses. Do you agree? What would you add, or take away?
    4. Look back at Playing Marbles (1928), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Konstquiz

    Midday — Raymond James Coxon

    Hur väl känner du till detta konstverk?

    Markera ett svar för var och en av de 5 frågorna nedan. Varje fråga har exakt ett rätt svar.

    1. 1. What is the title of this painting?

      • A Landscape Serenity
      • B Midday
      • C Urban Reflections
    2. 2. In what year was Raymond James Coxon born?

      • A 1895
      • B 1896
      • C 1900
    3. 3. Where is the painting Midday currently housed?

      • A The Tate Modern
      • B The Courtauld Gallery
      • C National Portrait Gallery
    4. 4. What medium was used to create this artwork?

      • A Watercolor
      • B Acrylic Paint
      • C Oil on Canvas
    5. 5. Raymond James Coxon's artistic training included attending which prestigious art institution?

      • A Ashmolean College
      • B Royal Academy of Arts
      • C Yale University

    Min poäng: ____ av 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4C · 5B