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Number 99

Namn Klass Datum

Morris Louis, Number 99 (1960), Cleveland Museum of Art. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
Morris Louis originaluniqueart.com/sv/artists/morris-louis_sv/
Konstnärens levnadstid
1912 – 1962
Målat
1960
Teknik
Acrylic On Canvas
Ursprunglig storlek
251 x 361 cm
Rörelse
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.
Visas på
Cleveland Museum of Art originaluniqueart.com/sv/museums/cleveland-museum-of-art-cleveland_sv/
Artistic style
Abstract Expressionism
Influences
Helen Frankenthaler
Notable elements
Stained vertical waves
Subject or theme
Number/Abstraction

I sammanhanget

Number 99 — Morris Louis

Storlek

Originalet mäter 251 × 361 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd. Den är för stor för att visas i skala på denna sida.

När målades detta?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Skuggat: Morris Louis livstid (1912–1962) ▲ detta verk, 1960

Liknande verk

  • VAV, 1960 originaluniqueart.com/sv/art/morris-louis-vav-D2DNHZ-en/
  • Ambi I, 1960 originaluniqueart.com/sv/art/morris-louis-ambi-i-D2DNJ7-en/
  • Seal, 1959 originaluniqueart.com/sv/art/morris-louis-seal-D3J8DT-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/morris-louis-number-99-D3J8KE-en/

Färger

Mätt från bilden

    Huvudfärg

    Brown #a6551f

    Sparad palett

    • #A6551F
    • #302F25
    • #6D3B21
    • #A8A092
    Färgpalett
    Dark Den dominerande färggruppen i bilden.
    Huvudfärg
    Brown
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Clear Color Presence Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Om detta konstverk

    Number 99 — Morris Louis

    Number 99: A Dance of Color in Mid-Century Abstraction

    Morris Louis’s “Number 99,” created in 1960, isn't merely a painting; it’s an immersive experience—a meditation on color, space, and the very nature of perception. Born in Baltimore in 1912, Morris Louis was a pivotal figure in the burgeoning Abstract Expressionist movement, forging his own distinctive path through pioneering techniques that would forever alter the landscape of American art. He moved to New York City in 1936, seeking artistic stimulation and exposure, eventually finding himself drawn to the innovative approaches being explored by artists like Helen Frankenthaler, whose “soak-stain” technique—applying thinned paint directly to canvas—proved profoundly influential. Louis’s work, particularly during this period, represents a radical departure from traditional painting methods, embracing spontaneity and chance within a carefully considered framework.

    The Veil Technique: A Revelation of Color

    At the heart of “Number 99” lies Louis's revolutionary "veil" technique. Rather than meticulously layering paint with brushes, he employed Magna acrylic paint—a newly developed, highly fluid medium created specifically for him by Leo Polk—and allowed it to flow and spread across the canvas almost organically. This process involved pouring the paint onto the surface, manipulating it with sticks or fingers, and letting gravity dictate its course. The result is a mesmerizing interplay of color fields that seem to shimmer and undulate, creating an illusion of depth and movement. The absence of defined edges—a key characteristic of Louis’s work—further enhances this sense of fluidity, blurring the boundaries between form and color. This technique was not about representation; it was about capturing the essence of color itself, its luminosity, and its emotional resonance.

    Color Field Painting and the Exploration of Emotion

    Number 99” firmly places Louis within the broader context of Color Field painting—a movement that emerged in the mid-1960s as a reaction against the gestural abstraction of earlier Abstract Expressionists. Artists like Mark Rothko, Barnett Newman, and Clyfford Still sought to evoke profound emotional responses through vast expanses of color, often employing simple geometric forms. Louis’s work shares this ambition but with a distinct emphasis on the dynamic interaction between colors. The vibrant reds, blues, yellows, greens, and purples in “Number 99” don't simply coexist; they engage in a complex dialogue, creating a sense of tension, harmony, and ultimately, an almost meditative stillness. The painting invites viewers to lose themselves within its chromatic depths, experiencing the colors directly without the need for symbolic interpretation.

    Historical Context and Legacy: A Cleveland Masterpiece

    Number 99” was created during a period of intense artistic experimentation and social upheaval in America. The Civil Rights Movement, the Vietnam War, and growing anxieties about the future fueled a desire for new forms of expression—forms that could capture the complexities of the modern world. Louis’s work resonated deeply with this spirit of innovation, reflecting both the optimism and uncertainty of the era. Today, “Number 99” resides in The Cleveland Museum of Art, a testament to its enduring significance. Its placement within a public collection underscores its value not only as an artistic masterpiece but also as a vital part of American cultural heritage. Reproductions of this iconic work continue to inspire artists and designers alike, demonstrating Louis’s lasting influence on the world of art.

    Size: 251 x 361 cm (98.4 x 142 in)

    Date: 1960

    Artist: Morris Louis (1912-1962)

    Medium: Magna acrylic on canvas

    Location: The Cleveland Museum of Art, Cleveland, Ohio

    Konstnär och museum

    Konstnär

    Morris Louis

    Född i Baltimore, USA

    Morris Louis: Färgernas Mäster och Den Transparenta Revolutionen

    Morris Louis, född Morris Louis Bernstein 1912 i Baltimore, var en konstnär vars namn för alltid skulle bli synonymt med Color Field-målningen. Hans resa från en tidig fascination för klassiska mästare till att bli en pionjär inom abstrakt expressionism är en berättelse om experimenterande, självifrågasättande och slutligen, en revolution i hur färg kunde användas på canvas. Louis var inte bara en målare; han var en alkemist som transformerade pigment till eteriska skikt av ljus och transparens.

    Louis tidiga år präglades av en hunger efter kunskap och en ständigt närvarande önskan att uttrycka sig genom konst. Han studerade vid Maryland Institute of Fine and Applied Arts, men det var hans självstudier och möten med andra konstnärer som verkligen formade hans vision. Hans tidiga influenser sträckte sig från Cézannes strukturella kompositioner till Eugene Speichers impressionistiska ljusspel. Under 1930-talet arbetade han med olika jobb för att försörja sig, men konsten var alltid hans passion. Ett avgörande ögonblick kom under 1940-talet när han upptäckte Magna-färgen – en nyutvecklad akrylfärg som erbjöd en helt ny grad av flyt och transparens. Denna upptäckt skulle komma att förändra hans konst för alltid.

    "Veil"-Målningarna: En Revolution i Transparens

    Det var under mitten av 1950-talet som Louis skapade sina mest kända verk, de så kallade "Veil"-målningarna. Inspirerad av Helen Frankenthalers banbrytande stain paintings, började han experimentera med att hälla ut extremt utspädd färg direkt på en obearbetad canvas, vilket tillät pigmentet att flöda fritt och skapa lager av genomskinliga skikt. Denna teknik eliminerade behovet av penseldrag och betonade istället dukens yta och färgens egen materialitet. "Veil"-målningarna är inte bara bilder; de är upplevelser – eteriska, nästan andlösa landskap av färg som verkar sväva framför betraktaren. Varje lager färg interagerar med det underliggande, vilket skapar en komplexitet och djup trots den till synes enkla kompositionen.

    Louis process var noggrant koreograferad. Han lutade duken och lät färgen rinna fritt, ibland tillsattes ytterligare lager i olika nyanser för att skapa subtila variationer och skuggningar. Resultatet är verk som känns både spontana och medvetet konstruerade – en perfekt balans mellan slumpens roll och konstnärens kontroll. Hans "Veil"-målningar representerar ett paradigmskifte inom abstrakt expressionism, där fokus flyttades från gesten till färgfältets renhet och intensitet.

    Washington Color School och Louis Arv

    Morris Louis var en central figur i Washington Color School-rörelsen, en grupp amerikanska konstnärer som utvecklade Color Field-målningens principer. Tillsammans med Kenneth Noland och andra banade de väg för en ny generation av abstrakt konstnärer. Louis själv var en kritisk själ och förstörde många av sina tidiga verk i ett försök att finjustera sin stil och uppnå den perfekta balansen mellan färg, form och yta. Detta visar på hans kommittment till innovation och hans strävan efter perfektion.

    Louis död 1962, vid endast 49 års ålder, var en stor förlust för konstvärlden. Men hans arv lever vidare i de otaliga konstnärer som har inspirerats av hans banbrytande teknik och hans djupa förståelse för färgens kraft. Morris Louis är inte bara en viktig figur inom Color Field-målningen; han är en ikon för den amerikanska modernismen – en konstnär som vågade utmana konventionerna och skapa något helt nytt, något vackert och tidlöst.

    Museum

    Cleveland Museum of Art

    Utställd på Cleveland, USA

    Cleveland Museum of Art: A Beacon of Culture on Lake Erie

    The Cleveland Museum of Art stands as a testament to the transformative power of art, a cultural cornerstone nestled in the heart of University Circle, Ohio. More than just a repository of masterpieces, it’s an immersive experience—a journey through centuries and continents, thoughtfully curated and remarkably accessible. Founded in 1913 by the visionary philanthropy of Hinman Hurlbut, John Huntington, and Horace Kelley, the museum was conceived as a gift to the people, a commitment upheld today by its enduring policy of free general admission. This dedication to inclusivity sets the CMA apart, inviting all to partake in the enriching dialogue between humanity and artistic expression. From its earliest days, focused on building a foundational collection through careful acquisitions and generous donations, the museum has blossomed into an internationally acclaimed institution boasting over 61,000 works of art. The very structure of the Cleveland Museum of Art tells a story—a narrative woven from evolving architectural styles. The original 1916 building, a stately embodiment of neoclassical ideals rendered in white Georgian Marble and Beaux-Arts flourishes, exudes an air of timeless elegance. This initial grandeur was thoughtfully expanded upon in 1971 with Marcel Breuer’s strikingly modern North Wing, its angular granite facade providing a bold counterpoint to the classical origins. The museum's most recent transformation, completed in 2013 under the direction of Rafael Viñoly, represents a masterful synthesis of past and present. This ambitious project doubled the museum’s size, culminating in a breathtaking glass-roofed atrium that seamlessly unites the diverse wings, flooding the interior with natural light and creating a sense of airy spaciousness. The result is not merely an expansion but a harmonious conversation between architectural eras, reflecting the museum's own commitment to bridging cultures and time periods through art.

    A Legacy of Visionary Support:

    The story of the CMA is inextricably linked to the generosity of its founders and continued support from the Cleveland community. Hinman Hurlbut, John Huntington, and Horace Kelley envisioned an institution that would be accessible to all, a radical idea at the time. This spirit of inclusivity continues today, ensuring that art remains a democratic force for education and inspiration. The museum’s substantial endowment—over $920 million as of 2023—allows it to maintain its free admission policy and invest in ambitious acquisitions and innovative programming.

    Architectural Harmony:

    The CMA’s building embodies this ethos, blending classical grandeur with modernist innovation. Constructed in 1916, the original neoclassical edifice showcases white Georgian Marble and Beaux-Arts flourishes—a deliberate contrast to Marcel Breuer’s angular granite North Wing from 1971. Rafael Viñoly's 2013 addition further solidified this duality, creating a luminous atrium that unites the wings and symbolizes the museum’s embrace of diverse artistic traditions.

    Worlds Within Walls: A Collection Spanning Continents

    The CMA’s collection is remarkably diverse, offering visitors a panoramic view of artistic achievement across the globe. Perhaps most celebrated are its holdings in Asian and Egyptian art—a treasure trove of cultural artifacts that transport viewers to distant lands and bygone eras. Imagine standing before ancient sarcophagi and intricate jewelry from Egypt, or losing yourself in the delicate brushstrokes of Japanese screens and the powerful forms of Indian sculptures. But the museum’s strengths extend far beyond these areas. European paintings and sculpture form a cornerstone of the collection, showcasing masterpieces by luminaries such as Monet, Renoir, Van Gogh, and Picasso. The contemporary wing pulsates with innovation, presenting thought-provoking installations, paintings, and multimedia works that reflect the dynamic artistic landscape of our time. Rose Iron Works, currently on view, exemplifies this commitment to both historical significance and contemporary engagement, showcasing a vital piece of Cleveland’s artistic heritage. The museum doesn't simply display art; it invites dialogue with it, fostering an understanding of the cultural contexts that birthed each creation.

    Asian Art Highlights:

    Explore exquisite Japanese screens, intricate Chinese porcelain, and monumental sculptures from India—each piece telling a story about its culture’s history and beliefs.

    Egyptian Treasures:

    Marvel at magnificent sarcophagi adorned with hieroglyphs and vibrant murals that illuminate the rituals and beliefs of ancient Egypt.

    European Masterpieces:

    Admire iconic paintings by Monet, Renoir, Van Gogh, Picasso, and countless others—works that capture the beauty and emotion of different eras.

    Contemporary Expressions:

    Engage with cutting-edge installations and multimedia artworks that challenge perceptions and inspire reflection on our time.

    A Living Institution: Beyond the Canvas

    The Cleveland Museum of Art isn’t simply a place to view art; it's a space designed for engagement and learning. Interactive exhibits invite visitors to delve deeper into artistic techniques and cultural contexts, while educational programs cater to audiences of all ages and backgrounds. The museum actively fosters a sense of community through lectures, artist talks, and hands-on workshops, transforming the experience from passive observation to active participation. Furthermore, the CMA extends its reach beyond its walls with initiatives like Transformer Station, a vibrant center for visual and performing arts in Cleveland’s Hingetown neighborhood, showcasing emerging artists and fostering creative dialogue within the city. This commitment to accessibility, education, and community engagement solidifies the Cleveland Museum of Art's position as not just a cultural institution, but a vital force shaping the artistic landscape of Ohio and beyond. It is truly a place where art comes alive, inspiring curiosity, provoking thought, and enriching lives.

    Transformer Station:

    Discover Cleveland’s thriving arts scene at Transformer Station, showcasing innovative works by emerging artists in Hingetown—a testament to the CMA's dedication to fostering creativity and dialogue.

    Educational Programs:

    Participate in engaging lectures, artist talks, and hands-on workshops designed for visitors of all ages—enriching your understanding of art history and artistic expression.

    Community Events:

    Experience Cleveland’s cultural vibrancy through CMA’s annual events including “Rose Iron Works,” a celebration of Cleveland’s artistic heritage; “Solstice,” a summertime soirée combining music, art galleries, and gourmet dining; and “Parade the Circle,” an arts parade that transforms University Circle into a festive spectacle.

    Free Admission & Accessibility

    The CMA remains steadfast in its commitment to inclusivity—providing free general admission to all visitors—a legacy of its founders’ vision. Furthermore, the museum prioritizes accessibility, ensuring that everyone can experience the transformative power of art. With approximately 770,000 visitors annually as of 2018, Cleveland Museum of Art stands as a beacon of culture and learning for Ohio and beyond.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Number 99

    originaluniqueart.com/sv/art/download/morris-louis-number-99-D3J8KE-en/

    Källhänvisning för detta konstverk

    MLA
    Louis, Morris. Number 99. 1960, Cleveland Museum of Art. https://originaluniqueart.com/sv/art/morris-louis-number-99-D3J8KE-en/
    APA
    Louis, Morris (1960). Number 99 [Painting]. Cleveland Museum of Art. https://originaluniqueart.com/sv/art/morris-louis-number-99-D3J8KE-en/
    Chicago
    Morris Louis. Number 99. 1960. Cleveland Museum of Art. https://originaluniqueart.com/sv/art/morris-louis-number-99-D3J8KE-en/
    Harvard
    Louis, Morris (1960) Number 99. Cleveland Museum of Art. Available at: https://originaluniqueart.com/sv/art/morris-louis-number-99-D3J8KE-en/

    Granska detaljerna

    Number 99 — Morris Louis

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: color, abstraction, red. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på VAV (1960) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Konstquiz

    Number 99 — Morris Louis

    Hur väl känner du till detta konstverk?

    Markera ett svar för var och en av de 5 frågorna nedan. Varje fråga har exakt ett rätt svar.

    1. 1. What artistic movement is ‘Number 99’ primarily associated with?

      • A Cubism
      • B Color Field Painting
      • C Surrealism
    2. 2. Which material did Morris Louis predominantly use to create his ‘Veil’ paintings?

      • A Oil Paint
      • B Magna Acrylic Paint
      • C Watercolor
    3. 3. In what year was ‘Number 99’ created?

      • A 1958
      • B 1960
      • C 1962
    4. 4. The painting 'Number 99' is housed at:

      • A The Metropolitan Museum of Art
      • B The Cleveland Museum of Art
      • C The Guggenheim Museum
    5. 5. Morris Louis was known for his innovative technique of applying paint to canvas in a way that resembled:

      • A Layered brushstrokes mimicking traditional landscapes
      • B Dripping and staining techniques creating fluid color fields
      • C Precise geometric shapes and patterns

    Min poäng: ____ av 5

    Facit — för läraren

    Detta skapar en ny utskriven sida, vilket gör att den enkelt kan lämnas utanför kopiorna.

    1A · 2B · 3B · 4B · 5B