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Crushing and Screening Plant

Namn Klass Datum

Kurt Jackson, Crushing and Screening Plant (1998), University of Exeter. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Kurt Jackson originaluniqueart.com/sv/artists/kurt-jackson/
Konstnärens levnadsår
1961 –
Målat
1998
Ursprunglig storlek
23 x 23 cm
Rörelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Contemporary
Plats för utställning
University of Exeter originaluniqueart.com/sv/museums/university-of-exeter-exeter/
Artistic style
Landscape Impressionism
Subject or theme
Industrial plant in a desert landscape

I sammanhanget

Crushing and Screening Plant — Kurt Jackson

Vilken storlek har den?

Originalet mäter 23 × 23 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Rad ovanför: åren. Rad nedanför: konstnärens ålder vid början och slutet av varje tidsperiod, där födelseår räknas som 0.

Målat när konstnären var 37. 1 av de 6 daterade verk av denna konstnär i vår katalog skapades tidigare.

▲ detta verk, 1998 varje daterad målning, decennium för decennium

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/

Färger

Mätt från bilden

    Huvudfärg

    Rosy Brown #b8aa83

    Katalogiserad palett

    • #B8AA83
    • #413A2B
    • #9E8B56
    • #736440

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Rosy Brown
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Unified Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Balanced Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Kurt Jackson under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 80,0%
    2. 2 Storbritannien 20,0%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 6 mest visade verken av Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33,3%
    2. 2 Several Winter Evenings Delabole 16,7%
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16,7%
    4. 4 Catch the Light 16,7%
    5. 5 Across to the Mount, 1999 16,7%
    6. — Crushing and Screening Plant, 1998 denna målning 0,0%

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 9 verk av denna konstnär, varav 5 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museum

    University of Exeter

    Utställd på Exeter, United Kingdom

    A Tapestry of Devon’s Soul: The University of Exeter Museum

    Nestled within the historic heart of Exeter, the University of Exeter Museum offers a quietly compelling exploration of Devon’s artistic heritage and scholarly tradition. More than just a curated collection, it embodies the spirit of innovation fostered by its founding institutions—the Exeter School of Art and Science—reflecting a legacy that continues to shape its distinctive character. The museum's architectural design presents a harmonious blend of Victorian grandeur and modern functionality, creating an environment perfectly conducive to contemplation and intellectual discovery. As one wanders through its halls, the interplay of light and shadow within its beautifully preserved Victorian structure mirrors the evolution of the region itself, where intricate detailing and original stained glass windows illuminate the treasures held within.

    At the very core of this institution lies the remarkable

    Gendall Legacy

    , a collection that serves as a window into the nineteenth-century Devon landscape. The works of

    John Gendall

    stand apart not merely for their aesthetic beauty but for their profound connection to the cultural identity of the West Country. His meticulous observation of light, color, and texture conveys a palpable sense of place—from the misty, ethereal riverbanks of the Exe to the rolling, verdant hills dotted with sheep. Gendall's mastery of lithography and painting ensures that his images reach beyond the canvas, documenting Devon’s visual culture during a period of significant transformation. To view these landscapes is to experience a temporal shift, stepping back into a world captured through the eyes of a celebrated chronicler of the natural world.

    Archaeological Depths and Scholarly Rigor

    The museum's narrative extends far beneath the surface of the landscape, delving into the deep archaeological layers of Exeter’s past. The assemblage of artifacts provides invaluable insights into ancient trade routes, settlement patterns, and the rhythms of daily life centuries ago. This scholarly rigor is what distinguishes the museum; unlike larger institutions that may prioritize sheer volume, the University of Exeter Museum focuses on depth and interpretation. Each piece is accompanied by detailed materials crafted by leading academics, inviting art lovers and historians alike to engage with material culture on a truly intellectual level.

    For the interior designer seeking inspiration rooted in regional character, or the collector drawn to the intersection of history and art, the museum offers an inexhaustible well of aesthetic stimulation. The institution remains a living testament to the vision of its founders—

    Sir Rex Richards, David Harrison, and Ken Symonds

    —who championed the union of artistic excellence and scientific advancement. Through groundbreaking exhibitions that range from Victorian landscape studies to Roman archaeology, the museum continues to foster a dialogue between the past and the present, serving as an essential sanctuary for those who find beauty in the enduring power of heritage.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Crushing and Screening Plant

    originaluniqueart.com/sv/art/download/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/

    Källhänvisning för detta konstverk

    MLA
    Jackson, Kurt. Crushing and Screening Plant. 1998, University of Exeter. https://originaluniqueart.com/sv/art/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/
    APA
    Jackson, Kurt (1998). Crushing and Screening Plant [Painting]. University of Exeter. https://originaluniqueart.com/sv/art/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/
    Chicago
    Kurt Jackson. Crushing and Screening Plant. 1998. University of Exeter. https://originaluniqueart.com/sv/art/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/
    Harvard
    Jackson, Kurt (1998) Crushing and Screening Plant. University of Exeter. Available at: https://originaluniqueart.com/sv/art/kurt-jackson-crushing-and-screening-plant-AR2DA2-en/

    Titta närmare

    Crushing and Screening Plant — Kurt Jackson

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: industrial, desert landscape, crushing plant. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Titta tillbaka på Several Winter Evenings Delabole, tidigare i denna guide. Nämn två saker som den har gemensamt med detta verk, och en sak som är annorlunda.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Är "Crushing and Screening Plant" av Kurt Jackson ett porträtt, landskap eller en kvadratisk komposition?

    "Crushing and Screening Plant" av Kurt Jackson har ett Square-format. Formatet beskriver kompositionens proportioner.

    Vilken är den rekommenderade tryckstorleken för "Crushing and Screening Plant" av Kurt Jackson?

    Rekommenderad tryckstorlek för "Crushing and Screening Plant" av Kurt Jackson är Small.

    Hur harmonierar färgerna i "Crushing and Screening Plant" med varandra?

    "Crushing and Screening Plant" av Kurt Jackson uppvisar en Unified Palette färgharmoni.