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Guide till studentkonst

Landscape IV

Namn Klass Datum

John Virtue, Landscape IV, University of Plymouth. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
John Virtue originaluniqueart.com/sv/artists/john-virtue/
Konstnärens levnadstid
1947 –
Ursprunglig storlek
168 x 167 cm
Rörelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Visas på
University of Plymouth originaluniqueart.com/sv/museums/university-of-plymouth-plymouth/

I sammanhanget

Landscape IV — John Virtue

Storlek

Originalet mäter 168 × 167 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När kan detta ha målats?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Rad ovanför: åren. Rad nedanför: konstnärens ålder vid början och slutet av varje tidsperiod, där födelseår räknas som 0.

varje daterad målning, decennium för decennium

Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/john-virtue-landscape-iv-AQSNQZ-en/

Färger

Mätt från bilden

    Huvudfärg

    Putty #c1c2c4

    Sparad palett

    • #C1C2C4
    • #1D1D1B
    • #4C4C4B
    • #86847D

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Huvudfärg
    Putty
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Softly Mixed Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av John Virtue under de senaste tolv månaderna — 2 länder totalt. Varifrån dessa siffror kommer

    De tio ledande länderna

    1. 1 Storbritannien 60,0%
    2. 2 Kina 40,0%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar denna målning i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 5 mest visade verken av John Virtue

    1. 1 Landscape No.664, 2003 55,6%
    2. 2 Landscape No.739, 2004 22,2%
    3. 3 Landscape No.662, 2003 11,1%
    4. 4 Landscape 715, 2004 11,1%
    5. Landscape IV denna målning 0,0%

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 10 verk av denna konstnär, varav 4 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    John Virtue

    Född i Accrington, United Kingdom

    The Monochrome Vision of John Virtue

    In the vast landscape of contemporary British art, few voices resonate with as much atmospheric intensity as John Virtue. Born in Accrington, United Kingdom, in 1947, Virtue has carved out a singular niche through his mastery of monochrome landscapes. His work does not merely depict scenery; it evokes a profound sense of solitude and urban beauty, stripping away the distractions of color to reveal the raw, structural essence of the world around him. By viewing color as an unnecessary distraction, he focuses the viewer's gaze on the interplay of light, shadow, and form, creating a visual language that is both hauntingly beautiful and deeply meditative.

    Virtue’s artistic journey is one of remarkable evolution and dedication. After training at the Slade School of Fine Art in London between 1965 and 1969, his early years were marked by a transition from traditional painting to a more intricate, linear approach. Following a period in Green Haworth, near Oswaldtwistle, he experimented with pen and ink drawings characterized by dense networks of lines, a style reminiscent of the intricate work of Samuel Palmer. This period of intense study and observation laid the groundwork for his later, more monumental achievements, where the fine line meets the expansive canvas.

    Technique and the Essence of Monochrome

    The technical brilliance of Virtue’s work lies in his ability to create immense depth using a restricted palette. Utilizing shellac black ink and white paint, he constructs landscapes that feel as though they are emerging from a mist or a memory. His process often involves textured impasto and expressive brushwork, particularly evident in his oil on canvas pieces, which lend a tactile quality to the monochromatic surfaces. This method allows him to capture the vitality of a scene—whether it be the ruggedness of an estuary or the sprawling complexity of a metropolis—through purely tonal contrasts.

    His most celebrated period as an Associate Artist at London's National Gallery from 2003 to 2005 brought his "London Paintings" to international prominence. In these works, Virtue provided a new vision of the capital, transforming recognizable landmarks such as St. Paul's Cathedral, the Gherkin, and the NatWest Tower into abstract, atmospheric patterns. By working directly at significant sites, including the rooftops of Somerset House and the National Gallery itself, he captured the topographical relationships and the very soul of the city, presenting a London that is simultaneously familiar and otherworldly.

    Legacy and Artistic Significance

    Beyond his technical prowess, John Virtue’s significance lies in his ability to connect the traditions of the Old Masters with contemporary abstraction. His work has been recognized through numerous prestigious accolades, including the Arts Council Major Award and being named the Best Visual Artist in the South Bank Awards. His dedication to his craft is further evidenced by his role as an honorary Professor of Fine Art at the University of Plymouth.

    Today, the enduring impact of his vision can be found in the esteemed collections of some of the world's most renowned institutions, ensuring that his monochrome explorations continue to inspire future generations. His contributions to the art world include:

    The National Gallery, London: Showcasing his monumental works as an Associate Artist.

    TATE, London: Housing his significant contributions to British landscape art.

    British Museum and Victoria and Albert Museum: Preserving his intricate drawings and historical perspectives.

    Yale Center for British Art: Featuring his profound explorations of urban topography.

    Museum

    University of Plymouth

    Utställd på Plymouth, United Kingdom

    Plymouth’s Artistic Heartbeat: Exploring The Box

    Nestled in the revitalized heart of Plymouth, England, The Box stands as a testament to civic pride and a beacon for cultural enrichment. More than just a museum, it's an immersive experience—a convergence of artistic vision, scholarly exploration, and community engagement that captures the spirit of Devon’s coastal city.

    Founded in 2015, The Box emerged from the ambitious redevelopment of Plymouth Docklands, transforming a former industrial site into a vibrant cultural destination. Its architectural design cleverly integrates historic buildings—primarily Rolle College and Seale-Hayne College—with striking contemporary structures conceived by Sauerbruch Architekten, creating a dialogue between past and present.

    A Diverse Collection: From Maritime Heritage to Fine Arts

    The Box’s collection is remarkably varied, reflecting Plymouth's multifaceted heritage. Visitors can delve into the captivating narratives of Devonport’s seafaring history through exhibits showcasing maritime artifacts and artworks inspired by the ocean—including stunning pieces by Stephen Wheeler, whose whimsical realism style beautifully captures the essence of coastal landscapes.

    Local History:

    Explore Plymouth's rich past, from its role in naval prowess to the stories of influential figures who shaped the city’s identity.

    Art Gallery:

    Admire a curated selection of modern and contemporary artworks, featuring prominent artists like Kehinde Wiley, known for his bold portraits that challenge perspectives on representation.

    Maritime Heritage:

    Discover Plymouth's deep connection to the sea through interactive displays and meticulously preserved vessels—a journey back to Britain’s maritime golden age.

    The Mayflower 400 Anniversary:

    Commemorate the pivotal voyage of the Mayflower, examining its impact on American history and exploring exhibitions that celebrate Plymouth’s role as a cradle of liberty.

    Decorative & Fine Arts:

    Immerse yourself in collections encompassing sculpture, ceramics, silver, and other decorative arts—each piece offering insights into artistic styles and cultural traditions across time periods.

    The Cottonian Collection: A Window to Natural History

    Alongside its art gallery offerings, The Box houses a significant collection of natural history specimens and antiquities—the Cottonian Collection—representing centuries of scientific curiosity and artistic patronage. These treasures provide invaluable context for understanding Plymouth’s cultural landscape and fostering appreciation for the interconnectedness between art and science.

    A Hub for Creativity and Engagement

    What truly distinguishes The Box is its commitment to fostering creativity and community connection. Regular events, workshops, and collaborative projects invite visitors of all ages to engage with artistic ideas and contribute to Plymouth’s cultural vitality. Furthermore, admission to many exhibits is free, ensuring that this extraordinary institution remains accessible to everyone—a cornerstone of Plymouth's educational landscape.

    Located at

    https://www.theboxplymouth.com/

    , The Box stands as a symbol of Plymouth’s ambition and its dedication to preserving artistic heritage for generations to come.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Landscape IV

    originaluniqueart.com/sv/art/download/john-virtue-landscape-iv-AQSNQZ-en/

    Källhänvisning för detta konstverk

    MLA
    Virtue, John. Landscape IV. n.d., University of Plymouth. https://originaluniqueart.com/sv/art/john-virtue-landscape-iv-AQSNQZ-en/
    APA
    Virtue, John (n.d.). Landscape IV [Painting]. University of Plymouth. https://originaluniqueart.com/sv/art/john-virtue-landscape-iv-AQSNQZ-en/
    Chicago
    John Virtue. Landscape IV. n.d. University of Plymouth. https://originaluniqueart.com/sv/art/john-virtue-landscape-iv-AQSNQZ-en/
    Harvard
    Virtue, John (n.d.) Landscape IV. University of Plymouth. Available at: https://originaluniqueart.com/sv/art/john-virtue-landscape-iv-AQSNQZ-en/

    Granska detaljerna

    Landscape IV — John Virtue

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: monochrome, landscape, cityscape. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Landscape No.664 (2003) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Vilken mättnad och intensitet uppvisar "Landscape IV" av John Virtue?

    Färgen i "Landscape IV" har en mättnad på Muted och en intensitet på Monochromatic.

    Kan jag se "Landscape IV" av John Virtue på min egen vägg innan jag köper den?

    "Landscape IV" av John Virtue kan förhandsvisas på din egen vägg via konstverkets AR-förhandsvisning-sida med hjälp av förstärkt verklighet (AR) på en kompatibel enhet.

    Uppvisar "Landscape IV" starka ljus-mörkerkontraster?

    "Landscape IV" av John Virtue uppvisar en Statement kontrast mellan sina ljusa och mörka partier.