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Accrington from the Coppice

Namn Klass Datum

John Virtue, Accrington from the Coppice, Haworth Art Gallery. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
John Virtue originaluniqueart.com/sv/artists/john-virtue/
Konstnärens levnadsår
1947 –
Ursprunglig storlek
122 x 153 cm
Plats för utställning
Haworth Art Gallery originaluniqueart.com/sv/museums/haworth-art-gallery-accrington/

I sammanhanget

Accrington from the Coppice — John Virtue

Vilken storlek har den?

Originalet mäter 122 × 153 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När kan detta ha målats?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Rad ovanför: åren. Rad nedanför: konstnärens ålder vid början och slutet av varje tidsperiod, där födelseår räknas som 0.

varje daterad målning, decennium för decennium

Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/john-virtue-accrington-from-the-coppice-AQSNQV-en/

Färger

Mätt från bilden

    Huvudfärg

    Putty #d4d3c8

    Katalogiserad palett

    • #D4D3C8
    • #595952
    • #85847C
    • #B2B0A4

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Neutrals Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Putty
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Unified Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Brilliant Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av John Virtue under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 50,0%300 besök
    2. 2 Storbritannien 50,0%300 besök

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 6 mest visade verken av John Virtue

    1. 1 Landscape No.664, 2003 38,5%500 besök
    2. 2 Landscape No.739, 2004 30,8%400 besök
    3. 3 Landscape 715, 2004 15,4%200 besök
    4. 4 Landscape No.662, 2003 7,7%100 besök
    5. 5 Landscape No.268, 1995 7,7%100 besök
    6. — Accrington from the Coppice denna målning 0,0%0 besök

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 10 verk av denna konstnär, varav 5 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    John Virtue

    Född i Accrington, United Kingdom

    The Monochrome Vision of John Virtue

    In the vast landscape of contemporary British art, few voices resonate with as much atmospheric intensity as John Virtue. Born in Accrington, United Kingdom, in 1947, Virtue has carved out a singular niche through his mastery of monochrome landscapes. His work does not merely depict scenery; it evokes a profound sense of solitude and urban beauty, stripping away the distractions of color to reveal the raw, structural essence of the world around him. By viewing color as an unnecessary distraction, he focuses the viewer's gaze on the interplay of light, shadow, and form, creating a visual language that is both hauntingly beautiful and deeply meditative.

    Virtue’s artistic journey is one of remarkable evolution and dedication. After training at the Slade School of Fine Art in London between 1965 and 1969, his early years were marked by a transition from traditional painting to a more intricate, linear approach. Following a period in Green Haworth, near Oswaldtwistle, he experimented with pen and ink drawings characterized by dense networks of lines, a style reminiscent of the intricate work of Samuel Palmer. This period of intense study and observation laid the groundwork for his later, more monumental achievements, where the fine line meets the expansive canvas.

    Technique and the Essence of Monochrome

    The technical brilliance of Virtue’s work lies in his ability to create immense depth using a restricted palette. Utilizing shellac black ink and white paint, he constructs landscapes that feel as though they are emerging from a mist or a memory. His process often involves textured impasto and expressive brushwork, particularly evident in his oil on canvas pieces, which lend a tactile quality to the monochromatic surfaces. This method allows him to capture the vitality of a scene—whether it be the ruggedness of an estuary or the sprawling complexity of a metropolis—through purely tonal contrasts.

    His most celebrated period as an Associate Artist at London's National Gallery from 2003 to 2005 brought his "London Paintings" to international prominence. In these works, Virtue provided a new vision of the capital, transforming recognizable landmarks such as St. Paul's Cathedral, the Gherkin, and the NatWest Tower into abstract, atmospheric patterns. By working directly at significant sites, including the rooftops of Somerset House and the National Gallery itself, he captured the topographical relationships and the very soul of the city, presenting a London that is simultaneously familiar and otherworldly.

    Legacy and Artistic Significance

    Beyond his technical prowess, John Virtue’s significance lies in his ability to connect the traditions of the Old Masters with contemporary abstraction. His work has been recognized through numerous prestigious accolades, including the Arts Council Major Award and being named the Best Visual Artist in the South Bank Awards. His dedication to his craft is further evidenced by his role as an honorary Professor of Fine Art at the University of Plymouth.

    Today, the enduring impact of his vision can be found in the esteemed collections of some of the world's most renowned institutions, ensuring that his monochrome explorations continue to inspire future generations. His contributions to the art world include:

    The National Gallery, London: Showcasing his monumental works as an Associate Artist.

    TATE, London: Housing his significant contributions to British landscape art.

    British Museum and Victoria and Albert Museum: Preserving his intricate drawings and historical perspectives.

    Yale Center for British Art: Featuring his profound explorations of urban topography.

    Museum

    Haworth Art Gallery

    Utställd på Accrington, United Kingdom

    A Sanctuary of Light and Craft: Discovering Haworth Art Gallery

    Nestled in the heart of Lancashire, Haworth Art Gallery isn’t merely a repository of beautiful objects; it's an immersive experience—a journey into the aesthetic ideals of the Arts & Crafts movement and a celebration of artistic brilliance. From its very foundations to the breathtaking collection housed within, the gallery whispers stories of visionaries, dedication, and a profound appreciation for beauty in all its forms. Originally conceived as a private residence for textile manufacturer William Haworth in 1909, the building itself stands as a testament to architectural harmony. Designed by Walter Brierley, often hailed as “the Yorkshire Lutyens,” it embodies the principles of the Arts & Crafts movement—a reaction against industrialization that championed handcrafted quality and natural materials. Walking through its rooms is akin to stepping back in time, surrounded by intricate detailing, warm wood tones, and a sense of tranquil elegance. The structure isn’t simply a container for art; it is art, seamlessly blending with the landscape and enhancing the experience of viewing the treasures within.

    Architectural Significance:

    Walter Brierley's design reflects the Arts & Crafts ethos—a deliberate rejection of mass production favoring organic forms and locally sourced materials like Yorkshire sandstone.

    Historical Context:

    Constructed during a period of significant social reform, Haworth Art Gallery embodies the movement’s commitment to elevating craftsmanship and fostering connection with nature.

    The Tiffany Legacy: A European Treasure

    While the architecture captivates, it is undoubtedly the gallery's extraordinary collection of Louis Comfort Tiffany glass that draws international acclaim. Holding the largest such assemblage in Europe, Haworth Art Gallery offers a dazzling panorama of Tiffany’s innovative techniques and artistic vision. This isn’t merely a display of stained glass; it’s an exploration of light itself—how it can be manipulated, refracted, and transformed into something ethereal and captivating. From vibrant Favrile vases shimmering with iridescent hues to intricate mosaics depicting scenes from nature, each piece demonstrates Tiffany's mastery of color, texture, and form. The collection was generously gifted by Joseph Briggs, a local Accrington man who spent forty years working alongside Tiffany in the United States before returning home to share this extraordinary legacy with his community. Briggs’ foresight ensured that generations could marvel at these masterpieces, experiencing the unique artistry that defined an era. Exploring the four themed rooms dedicated to Tiffany – 'Tiffany and Interior Design', 'Tiffany and The Past', 'Tiffany and Nature', and 'The Tiffany Phenomenon' – offers a comprehensive understanding of his diverse output and enduring influence.

    Notable Pieces:

    Admire iconic lamps like ‘Wisteria’ and ‘Dragonfly’, showcasing Tiffany’s unparalleled skill in fusing glass, enamel, and metalwork.

    Tiffany's Artistic Vision:

    The collection illuminates Tiffany’s fascination with botanical motifs—particularly wildflowers—reflecting the Arts & Crafts movement’s reverence for the natural world.

    Beyond Glass: A Tapestry of Artistic Expression

    However, to define Haworth Art Gallery solely by its Tiffany collection would be to overlook the richness and diversity of its broader holdings. The gallery boasts a remarkable array of oil paintings and watercolours, primarily from the 19th century, showcasing works by renowned artists such as Frederic Leighton, Claude Joseph Vernet, and John Frederick Herring. These pieces offer a fascinating glimpse into artistic trends of the period, reflecting both Romantic sensibilities and emerging Realist approaches. Beyond painting, the gallery’s dedication to decorative arts is evident in its displays of ceramics, textiles, and metalwork—each object carefully chosen for its craftsmanship and aesthetic merit. This commitment to showcasing a wide range of artistic disciplines underscores the gallery's mission to celebrate creativity in all its forms.

    Romanticism & Realism:

    Observe how Leighton’s opulent landscapes contrast with Vernet’s dramatic depictions of Alpine scenery—representing two dominant styles shaping 19th-century art.

    Decorative Arts Showcase:

    Examine exquisite ceramics crafted in Lancashire, alongside intricately woven textiles reflecting regional traditions and artistic skill.

    A Living Space: Gardens, Community & Future Visions

    The beauty of Haworth Art Gallery extends beyond its walls, spilling into the lush gardens that surround the building. These serene spaces provide a peaceful retreat for visitors, offering a chance to reflect on the art they’ve experienced and connect with nature's own artistry. The gallery actively fosters a sense of community through educational programs, workshops, and events designed to engage audiences of all ages. From family-friendly activities to specialized tours, Haworth Art Gallery strives to make art accessible and inspiring for everyone. Moreover, the venue is increasingly popular as a unique setting for weddings, blending historical elegance with contemporary celebrations. The ongoing commitment to preservation, coupled with innovative programming, ensures that Haworth Art Gallery will continue to thrive as a cultural beacon for generations to come—a place where artistry, history, and community converge in harmonious splendor.

    Community Engagement:

    Participate in workshops exploring Tiffany’s techniques or delve into lectures examining the influence of Arts & Crafts ideals on British society.

    Future Initiatives:

    Haworth Art Gallery is actively pursuing collaborations with contemporary artists and designers, ensuring that its legacy inspires creativity for years to come.

    Läs mer här

    • Konstnären John Virtue originaluniqueart.com/sv/artists/john-virtue/
    • Museet Haworth Art Gallery originaluniqueart.com/sv/museums/haworth-art-gallery-accrington/
    • Liknande verk Fler verk att jämföra med originaluniqueart.com/sv/art/similar/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Accrington from the Coppice

    originaluniqueart.com/sv/art/download/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Källhänvisning för detta konstverk

    MLA
    Virtue, John. Accrington from the Coppice. n.d., Haworth Art Gallery. https://originaluniqueart.com/sv/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    APA
    Virtue, John (n.d.). Accrington from the Coppice [Painting]. Haworth Art Gallery. https://originaluniqueart.com/sv/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    Chicago
    John Virtue. Accrington from the Coppice. n.d. Haworth Art Gallery. https://originaluniqueart.com/sv/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    Harvard
    Virtue, John (n.d.) Accrington from the Coppice. Haworth Art Gallery. Available at: https://originaluniqueart.com/sv/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Titta närmare

    Accrington from the Coppice — John Virtue

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på Landscape No.664 (2003) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Vad kan konstnären ha velat att du ska känna?
    5. Om du fick ställa en fråga till konstnären om detta verk, vad skulle det vara?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Är "Accrington from the Coppice" av John Virtue ett ljust eller mörkt konstverk?

    Den upplevda ljusstyrkan i "Accrington from the Coppice" av John Virtue är brilliant. Den kan anpassas efter ljuset i det avsedda rummet.

    Var kan jag se en förhandsvisning av "Accrington from the Coppice"?

    En förhandsvisning av "Accrington from the Coppice" av John Virtue finns tillgänglig på konstverkets Förhandsvisning-sida.

    Vilken färgpalett används i "Accrington from the Coppice" av John Virtue?

    Färgpaletten i "Accrington from the Coppice" av John Virtue beskrivs som Neutrals. Det är en kortfattad beskrivning av verkets färger.