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Guide till studentkonst

Samuel Gregson

Namn Klass Datum

James Lonsdale, Samuel Gregson, Lancaster Town Hall. Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
James Lonsdale originaluniqueart.com/sv/artists/james-lonsdale/
Konstnärens levnadsår
1777 – 1839
Ursprunglig storlek
76 x 62 cm
Plats för utställning
Lancaster Town Hall originaluniqueart.com/sv/museums/lancaster-town-hall-lancaster/

I sammanhanget

Samuel Gregson — James Lonsdale

Vilken storlek har den?

Originalet mäter 76 × 62 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När kan detta ha målats?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 62 vid dödsfallet.

Skuggat: James Lonsdale livstid (1777–1839) varje daterad målning, decennium för decennium

Första verk: fram till 1810 Huvudsakliga verksamma år: 1810–1825 Senare verk: från 1825

Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/james-lonsdale-samuel-gregson-AQUCQX-en/

Färger

Mätt från bilden

    Huvudfärg

    Walnut #80572a

    Katalogiserad palett

    • #80572A
    • #231F14
    • #B68F4D
    • #352C1E

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Walnut
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Serene I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av James Lonsdale under de senaste tolv månaderna — 5 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 60,9%1 400 visits
    2. 2 Amerikas förenta stater 17,4%400 visits
    3. 3 Storbritannien 8,7%200 visits
    4. 4 Singapore 8,7%200 visits
    5. 5 Hong Kong 4,3%100 visits

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 20 mest visade verken av James Lonsdale

    1. 1 John Ellman 16,0%400 visits
    2. 2 James Elmes (1782–1862), 1810 8,0%200 visits
    3. 3 Angelica Catalani (1780–1849), 1808 4,0%100 visits
    4. 4 Caroline Amelia Elizabeth of Brunswick, 1820 4,0%100 visits
    5. 5 Mary Dalton, Daughter of John Dalton and Mary Dalton, née Gage, 1819 4,0%100 visits
    6. 6 Abraham Rees, 1802 4,0%100 visits
    7. 7 Caroline of Brunswick (1768–1821), Consort of George IV, 1820 4,0%100 visits
    8. 8 Susan, Daughter of Thomas Townley Parker, 1809 4,0%100 visits
    9. 9 Thomas Stewart Traill (1781–1862), 1832 4,0%100 visits
    10. 10 Sir Thomas Stamford Raffles (1781–1826), 1817 4,0%100 visits
    11. 11 Self Portrait, 1810 4,0%100 visits
    12. 12 John Lewis Petit (1736–1780), Physician, Pensioner (1752), Censor of the Royal College of Physicians 4,0%100 visits
    13. 13 John Reay, Sheriff of London (1814–1815) 4,0%100 visits
    14. 14 General Isaac Gascoyne (1770–1841), 1829 4,0%100 visits
    15. 15 Charles Howard (1746–1815), 11th Duke of Norfolk, 1816 4,0%100 visits
    16. 16 John Pepys (c.1776–1866) 4,0%100 visits
    17. 17 Charles Wellbeloved (1769–1858), 1826 4,0%100 visits
    18. 18 Louisa Wildman (1800–1879) 4,0%100 visits
    19. 19 Augustus Frederick (1773–1843), Duke of Sussex 4,0%100 visits
    20. — Samuel Gregson denna målning 0,0%0 visits

    Tillsammans utgör dessa verk 92,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 65 verk av denna konstnär, varav 21 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    James Lonsdale

    The Genesis of a Portraitist

    Born in the historic city of Lancaster on May 16, 1777, James Lonsdale emerged from a background of intellectual stability as the son of William Lonsdale, a respected solicitor. While his lineage suggested a path toward law, the seeds of artistic passion were sown early through the nurturing encouragement of his father and the keen eye of Richard Threlfall. As an architect of Lancaster, Threlfall recognized a burgeoning brilliance in the young Lonsdale, providing him with access to the refined atmosphere of Ashton Hall. It was within these aristocratic circles that Lonsdale first encountered the elegance of high society, an experience that would later serve as the very foundation of his professional life and subject matter.

    Before ascending to the prestigious halls of formal art education, Lonsdale’s hands were practiced in the meticulous world of pattern design at Margerison and Glover’s print-works. This early immersion in draughtsmanship instilled in him a disciplined precision, a quality that would become indispensable when he transitioned from decorative arts to the profound complexities of portraiture. His journey reached a definitive turning point in October 1801, when he entered the Royal Academy Schools. Under the tutelage of the legendary George Romney, Lonsdale underwent a transformative period of refinement. Romney’s influence was more than academic; it was an infusion of soul into technique, teaching Lonsdale how to balance meticulous anatomical accuracy with a certain poetic vitality that breathed life into his sitters.

    A Legacy of Character and Command

    Lonsdale’s career was defined by a prolific output and an unwavering commitment to the depiction of the British elite. Between 1802 and 1838, he exhibited approximately 130 works at the Royal Academy, establishing himself as a mainstay of the era's artistic landscape. His talent was not merely in capturing a likeness, but in navigating the psychological terrain of his subjects. Whether painting prominent statesmen, literary giants, or members of the landed gentry, Lonsdale possessed a rare ability to convey both the social stature and the inner temperament of those who sat before him.

    His contributions to the institutional fabric of British art were equally significant. Alongside the great Sir Thomas Lawrence, Lonsdale stood as a founding member of the Society of British Artists, an endeavor that sought to provide a platform for artists outside the traditional hegemony of the Royal Academy. This spirit of innovation and professional organization marked him as a pivotal figure in the evolution of the British art market.

    The breadth of his technical ambition is perhaps best exemplified by his most monumental commissions. One of his most celebrated achievements remains the grand depiction of King John signing the Magna Carta for the Duke of Norfolk at Arundel Castle. This work, far more than a mere historical record, stands as a testament to his ability to manage complex compositions, dramatic lighting, and the weight of historical gravity. Through such works, Lonsdale bridged the gap between intimate portraiture and epic historical narrative, ensuring his place in the annals of nineteenth-century art history.

    Reflecting on his life and contributions, several key pillars of his legacy emerge:

    Technical Mastery: A seamless blend of Romney’s expressive style with a disciplined, draughtsman-like precision.

    Historical Significance: His role as a founder of the Society of British Artists helped reshape the professional landscape for UK artists.

    Psychological Depth: An ability to move beyond superficial resemblance to capture the true essence and character of his subjects.

    Versatility: The capacity to transition from delicate portraits of nobility to large-scale, dramatic historical scenes.

    Museum

    Lancaster Town Hall

    Utställd på Lancaster, United States of America

    A Legacy Etched in Stone: Discovering Lancaster Town Hall

    Lancaster Town Hall stands as a proud sentinel of Lancashire’s rich past, a building that doesn't merely house history but is history. More than just a municipal structure, it is a captivating museum offering an immersive journey through the region’s evolution, from its prehistoric roots to the vibrant present day. The very fabric of the Town Hall speaks volumes – a stunning embodiment of Georgian architecture characterized by elegant symmetry and classic proportions that whisper tales of a bygone era. Commissioned in 1909 to replace an aging predecessor, it was designed by Edward Mountford and Thomas Lucas, with meticulous stonework, furniture, and carvings executed by Waring & Gillow. The building’s creation wasn't simply about replacing old infrastructure; it was a statement of civic pride, funded entirely by Lord Ashton, who envisioned a space that would serve as the heart of Lancaster for generations to come. This dedication is visible in every detail, from the sculpted pediment crafted by F.W. Pomeroy to the radiant stained glass windows created by Shrigley and Hunt – each element meticulously chosen to convey a sense of grandeur and permanence.

    Architectural Marvel:

    The building’s Georgian design—a testament to refined taste and structural integrity—immediately transports visitors back to the early 20th century, showcasing masterful craftsmanship and attention to detail.

    Stained Glass Windows:

    Shrigley and Hunt's stained glass windows depict scenes of Lancaster’s history and heraldry, bathing the interior spaces in ethereal light and adding a layer of artistic beauty to the architectural grandeur.

    Echoes of Valor: The King’s Own Regimental Museum

    Within the Town Hall’s walls resides a particularly poignant collection – the King’s Own Regimental Museum. This dedicated space offers a powerful tribute to the military heritage of Lancaster, showcasing an extensive array of regimental memorabilia and uniforms that bring centuries of service to life. Visitors can trace the lineage and traditions of the King’s Own Regiment, gaining insight into their pivotal role in regional and national conflicts. The exhibits aren't simply displays of artifacts; they are windows into the lives of soldiers, offering a tangible connection to their courage, sacrifice, and unwavering dedication. It is a space that resonates with stories of bravery and resilience, reminding us of the human cost of conflict and the enduring spirit of those who served. The museum’s collection provides a unique opportunity to understand not only military strategy but also the social and cultural impact of war on the local community.

    Regimental History:

    Explore the history of Lancaster's most prominent regiment, delving into their battles, achievements, and contributions to British military tradition.

    Personal Stories:

    Examine portraits and biographical accounts that illuminate the lives of individual soldiers—their experiences, motivations, and impact on the wider community.

    Artistic Reflections: A Cultural Tapestry

    Beyond its historical and military significance, Lancaster Town Hall boasts an impressive art collection that reflects the evolving cultural landscape of the region. Historical paintings and decorative arts offer a glimpse into the artistic sensibilities of past generations, showcasing the talent and creativity that flourished within Lancashire. These artworks aren’t isolated pieces; they are interwoven with the broader narrative of Lancaster's history, providing visual commentary on social trends, political events, and everyday life. The collection is constantly evolving, offering fresh perspectives and inviting visitors to engage with art in a meaningful way. Furthermore, contemporary exhibitions regularly enliven the Town Hall’s spaces, fostering dialogue between artistic traditions and stimulating intellectual curiosity.

    Lancashire Artists:

    Admire works by local artists who captured the spirit of Lancaster throughout different eras—from Romantic landscapes to Victorian portraits.

    Contemporary Exhibitions:

    Discover innovative artistic expressions that challenge conventions and explore pressing social issues, enriching visitors’ understanding of contemporary culture.

    A Living Monument: Preserving Lancaster’s Identity

    Lancaster Town Hall isn't merely a repository of artifacts; it is a living monument to the city’s enduring spirit. Throughout its history, the building has witnessed countless significant events, serving as a backdrop for civic ceremonies, political debates, and moments of both celebration and sorrow. From hosting trials – including early stages of the infamous Dr Buck Ruxton case – to welcoming Queen Elizabeth II in 1955, the Town Hall’s walls have absorbed the echoes of Lancaster's past. Even during times of crisis, such as the COVID-19 pandemic, the building adapted and served a vital function, temporarily housing emergency court proceedings. This adaptability underscores its enduring relevance and its commitment to serving the community. What truly sets Lancaster Town Hall apart is this unique combination of architectural grandeur, diverse collections, and unwavering dedication to preserving Lancaster’s multifaceted heritage – making it an essential destination for anyone seeking to understand the heart and soul of this historic city.

    Historic Trials:

    Reflect on pivotal legal proceedings that unfolded within the Town Hall's walls—events that shaped Lancaster’s legal history and captured the anxieties of a turbulent period.

    Royal Visits:

    Recall moments of national pride as Queen Elizabeth II graced Lancaster Town Hall, symbolizing the city’s connection to British monarchy and its role in shaping the nation’s narrative.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Samuel Gregson

    originaluniqueart.com/sv/art/download/james-lonsdale-samuel-gregson-AQUCQX-en/

    Källhänvisning för detta konstverk

    MLA
    Lonsdale, James. Samuel Gregson. n.d., Lancaster Town Hall. https://originaluniqueart.com/sv/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    APA
    Lonsdale, James (n.d.). Samuel Gregson [Painting]. Lancaster Town Hall. https://originaluniqueart.com/sv/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Chicago
    James Lonsdale. Samuel Gregson. n.d. Lancaster Town Hall. https://originaluniqueart.com/sv/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Harvard
    Lonsdale, James (n.d.) Samuel Gregson. Lancaster Town Hall. Available at: https://originaluniqueart.com/sv/art/james-lonsdale-samuel-gregson-AQUCQX-en/

    Titta närmare

    Samuel Gregson — James Lonsdale

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på Dr Samuel Parr (1823) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Vad kan konstnären ha velat att du ska känna?
    5. Om du fick ställa en fråga till konstnären om detta verk, vad skulle det vara?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Är "Samuel Gregson" av James Lonsdale fri från upphovsrätt, och varför?

    "Samuel Gregson" av James Lonsdale är allmän egendom – upphovsrätten har löpt ut. Upphovsrätten löper från konstnärens dödsår, vilket var 1839.

    Hur ljus är "Samuel Gregson" i sin helhet?

    Den upplevda ljusstyrkan i "Samuel Gregson" av James Lonsdale är deep_shadow. Den kan anpassas efter ljuset i det avsedda rummet.

    Vilket format har "Samuel Gregson"?

    "Samuel Gregson" av James Lonsdale har ett Portrait-format. Formatet beskriver kompositionens proportioner.