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Self Portrait

Namn Klass Datum

Benjamin West, Self Portrait (1819). Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Benjamin West originaluniqueart.com/sv/artists/benjamin-west_sv/
Konstnärens levnadstid
1738 – 1820
Målat
1819
Teknik
Oil
Ursprunglig storlek
82 x 65 cm
Rörelse
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Epok
19th Century
Subject or theme
Man in red clothing at a desk

I sammanhanget

Self Portrait — Benjamin West

Storlek

Originalet mäter 82 × 65 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810
  10. 1820

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 82 vid dödsfallet.

Målat när konstnären var 81. Konstnären blev 82 år gammal. 92 av de 94 daterade verk av denna konstnär i vår katalog skapades tidigare.

Skuggat: Benjamin West livstid (1738–1820) ▲ detta verk, 1819 varje daterad målning, decennium för decennium

Första verk: fram till 1772 Huvudsakliga verksamma år: 1772–1798 Senare verk: från 1798

Dessa tre intervall delar upp de verk som denna katalog har ett datum för i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan vara ett avbrott i dokumentationen snarare än en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: originaluniqueart.com/sv/art/similar/benjamin-west-self-portrait-AQZBY5-en/

Färger

Mätt från bilden

    Huvudfärg

    Black #180b0b

    Sparad palett

    • #180B0B
    • #BDA178
    • #6E2F13
    • #42160D

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Black
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Subtle Color Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Benjamin West under de senaste tolv månaderna — 27 länder totalt. Varifrån dessa siffror kommer

    De tio ledande länderna

    1. 1 Kina 53,3%
    2. 2 Amerikas förenta stater 15,0%
    3. 3 Singapore 3,9%
    4. 4 Hong Kong 3,3%
    5. 5 Frankrike 2,8%
    6. 6 Mexiko 2,8%
    7. 7 Peru 2,8%
    8. 8 Brazil 1,7%
    9. 9 Tyskland 1,7%
    10. 10 Argentina 1,1%
    11. · 17 andra länder 11,6%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar denna målning i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 20 mest visade verken av Benjamin West

    1. 1 Döden till general Wolfe, 1770 17,2%
    2. 2 Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, 1786 6,4%
    3. 3 The Death of Hyacinth, 1771 5,9%
    4. 4 Death on a Pale Horse, 1796 2,9%
    5. 5 Edward, the Black Prince, Receiving King John of France after the Battle of Poitiers, 1788 2,9%
    6. 6 Edward III Crossing the Somme, 1788 2,5%
    7. 7 Joseph Banks, 1773 2,5%
    8. 8 Thomas Middleton of The Oaks, 1770 2,0%
    9. 9 The Last Supper, 1786 2,0%
    10. 10 Elizabeth, Countess of Effingham 2,0%
    11. 11 Study of a standing man, possibly a study for portrait of Lord Camden 2,0%
    12. 12 Discovering the bones of Sir Peter Halket 2,0%
    13. 13 Kärlekens triumf över allt, 1809 1,5%
    14. 14 The Expulsion of Adam and Eve from Paradise, 1791 1,5%
    15. 15 George IV, when Prince of Wales, with Frederick, Duke of York,, whn Prince Frederick, 1777 1,5%
    16. 16 Thetis Bringing the Armor to Achilles, 1806 1,5%
    17. 17 Moses Receiving the Law on Mount Sinai, 1784 1,5%
    18. 18 The Royal Academicians in the General Assembly by Henry Singleton 1,5%
    19. 19 Landscape with Clouds 1,5%
    20. 20 Self Portrait, 1819 denna målning 1,0%

    Tillsammans utgör dessa verk 61,8% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 274 verk av denna konstnär, varav 87 har betraktats minst en gång. Denna målning rankas som nummer 20 av dem, med 1,0% av den uppmärksamheten. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    Self Portrait — Benjamin West

    A Moment Frozen in Time: The Introspective Gaze of Benjamin West

    In the quiet, contemplative depths of Benjamin West’s Self Portrait, we are invited into a private sanctuary of thought and creation. Painted in 1819, this evocative masterpiece captures more than just the likeness of a man; it captures the very essence of an artist caught in the profound act of intellectual pursuit. The subject sits at a desk, his gaze drifting away from the immediate task of reading or writing toward a distant, unseen horizon. This subtle detachment suggests a mind wandering through the realms of imagination and memory, a hallmark of the transition between the structured elegance of Neoclassicism and the burgeoning emotional depth of Romanticism.

    The composition is rich with narrative layers that extend beyond the central figure. Dressed in striking red attire that commands the viewer's attention, West presents himself with a certain dignity, topped by a black hat adorned with a delicate feather. The presence of other figures—one standing sentinel in the background and another partially visible to the right—adds a sense of lived reality and social context to the scene. These secondary characters transform the painting from a mere study of a face into a window into a bustling, intellectual environment, perhaps an atelier or a private study where ideas are shared and history is recorded.

    Mastery of Light and Texture

    Technically, the work serves as a testament to West’s extraordinary ability to manipulate light and shadow to create volume and atmosphere. The way the light falls across the desk, illuminating the edges of an open book, draws the eye into the heart of the artist's labor. There is a palpable texture in the rendering of the fabrics—the heavy weight of the red clothing and the soft plume of the hat’s feather—which lends a tactile quality to the canvas. This mastery of detail ensures that every brushstroke contributes to a sense of realism that is both grounded and poetic.

    For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a sense of historical gravity and intellectual sophistication into a space. The deep, warm tones of the palette harmonize beautifully with classic decor, providing a focal point that stimulates conversation and invites quiet reflection. Whether placed in a grand library, a formal study, or a contemporary living area, this reproduction of West’s 1819 vision brings with it the prestige of the Royal Academy and the enduring spirit of an American pioneer who bridged two worlds.

    Konstnär och museum

    Konstnär

    Benjamin West

    Född i Springfield, USA

    A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

    Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

    From Italy to London: Forging a Path to Recognition

    West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He meticulously copied works by these great artists, absorbing their techniques and understanding of composition. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training in Europe, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

    Revolutionizing Historical Painting: Technique and Controversy

    West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in contemporary military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. The meticulous detail in his brushwork, combined with dramatic lighting and dynamic compositions, created works that were both visually stunning and emotionally engaging.

    A Lasting Legacy: Shaping Artistic Identity

    Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.

    He championed a more accessible and emotionally engaging style of historical representation.

    His studio became a haven for American artists seeking training in Europe.

    He bridged the gap between Neoclassicism and the burgeoning Romantic movement.

    West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

    Key Works

    * The Death of General Wolfe (1770): A pivotal work that redefined historical painting with its contemporary setting and dramatic composition. * Thetis Bringing the Armor to Achilles (c. 1769): Demonstrates West’s skill in rendering mythological subjects with a classical sensibility. Agrippina with Germanicus’ Ashes (1768): A poignant portrait reflecting themes of loss and remembrance. Kleombrotos’ Departure (c. 1770): A dynamic depiction of a historical event, showcasing West's ability to capture movement and emotion.

    Influences

    West drew inspiration from a diverse range of sources, including:

    Italian Renaissance Masters:* Titian, Raphael, and Michelangelo profoundly influenced his understanding of composition, color theory, and human anatomy. Neoclassical Thinkers: Mengs and Angelica Kauffman shaped his approach to classical form and historical narrative. *Contemporary Artists:* West’s work was also impacted by the innovations of artists like Joshua Reynolds and Gavin Hamilton.

    Legacy

    Benjamin West's contributions to art history are significant. He not only produced a vast body of influential paintings but also played a crucial role in fostering artistic exchange between America and Europe, shaping the development of American painting for generations to come. His legacy continues to be celebrated as an example of artistic innovation, cultural diplomacy, and enduring creative vision.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Self Portrait

    originaluniqueart.com/sv/art/download/benjamin-west-self-portrait-AQZBY5-en/

    Källhänvisning för detta konstverk

    MLA
    West, Benjamin. Self Portrait. 1819, https://originaluniqueart.com/sv/art/benjamin-west-self-portrait-AQZBY5-en/
    APA
    West, Benjamin (1819). Self Portrait [Painting]. https://originaluniqueart.com/sv/art/benjamin-west-self-portrait-AQZBY5-en/
    Chicago
    Benjamin West. Self Portrait. 1819. https://originaluniqueart.com/sv/art/benjamin-west-self-portrait-AQZBY5-en/
    Harvard
    West, Benjamin (1819) Self Portrait. Available at: https://originaluniqueart.com/sv/art/benjamin-west-self-portrait-AQZBY5-en/

    Granska detaljerna

    Self Portrait — Benjamin West

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: self portrait, man at desk, portraiture. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Döden till general Wolfe (1770) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Finns det verk som liknar "Self Portrait"?

    Verk som liknar "Self Portrait" finns listade på verkets sida Liknande verk.

    I vilken rörelse och i vilken epok kan "Self Portrait" av Benjamin West placeras?

    "Self Portrait" av Benjamin West placeras inom Neoclassicism-rörelsen, under sin skapares Tidig modern tid-era.

    Var i Benjamin Wests karriär placeras "Self Portrait", med tanke på dess datum?

    Med tanke på sitt datum från 1819, tillhör "Self Portrait" Benjamin Wests Late Period.

    Vem skapade "Self Portrait" och under vilket år?

    "Self Portrait" skapades av Benjamin West år 1819.

    Hur kan jag se "Self Portrait" av Benjamin West som ett bildspel?

    "Self Portrait" av Benjamin West kan visas som ett bildspel på verkets Bildspel-sida.

    Vilket rum rekommenderas för "Self Portrait" av Benjamin West?

    "Self Portrait" av Benjamin West rekommenderas för ett Office. Detta förslag baseras på verkets motiv, färger och stämning.

    Vilket format har "Self Portrait"?

    Formatet för "Self Portrait" är Portrait. Detta är användbart när du planerar var en reproduktion ska placeras.

    Vad är årtalet och stilen för "Self Portrait" av Benjamin West?

    "Self Portrait" skapades år 1819 inom Neoclassicism-rörelsen.