period

1. Second stage of cruelty — William Hogarth, 1751
2. Plate five, from A Rake's Progress — William Hogarth
3. The Company of Undertakers — William Hogarth

rörelse

känsla

1. Second stage of cruelty — William Hogarth, 1751
2. Angripandet — William Hogarth
3. Plate five, from A Rake's Progress — William Hogarth
4. A Harlot's Progress, plate 5 of 6 — William Hogarth
5. Hudibras — William Hogarth
6. The Battle of the Pictures — William Hogarth, 1743
7. The Company of Undertakers — William Hogarth
8. Natt, platta fyra från De Fyra Tiderna på Dagen — William Hogarth
9. Credulity, Superstition, and Fanaticism — William Hogarth
10. Plate one, from The Analysis of Beauty — William Hogarth
11. The Pit — William Hogarth
12. Blowing off about his new Copyright Act — William Hogarth

ämnen

1. Credulity, Superstition, and Fanaticism — William Hogarth

nyckelord

1. The Battle of the Pictures — William Hogarth, 1743
2. Engraving of John Wilkes — William Hogarth

tonalitet

1. Angripandet — William Hogarth
2. Natt, platta fyra från De Fyra Tiderna på Dagen — William Hogarth
3. Plate one, from The Analysis of Beauty — William Hogarth

huvudfärg

1. Stand of arms and instruments — William Hogarth
2. Blowing off about his new Copyright Act — William Hogarth
3. The Battle of the Pictures — William Hogarth, 1743
4. Plåta ett, från En Rakes Öde — William Hogarth
5. The Company of Undertakers — William Hogarth
6. Hudibras — William Hogarth
7. Plate one, from The Analysis of Beauty — William Hogarth
8. Spanish Traitors In Panama Executed While Gold Stolen From The — theodore de bry
9. Angripandet — William Hogarth
10. Second stage of cruelty — William Hogarth, 1751
11. Gravure Representant — jacques lagniet
12. The Pit — William Hogarth
13. Analys av skönhet — William Hogarth
14. The Roman antiquities, t. 2, Plate XIII. Ornaments in stucco, existing in the Time of the burial chamber of L. Arrunzio. — Giovanni Battista Piranesi, 1756
15. Natt, platta fyra från De Fyra Tiderna på Dagen — William Hogarth

övriga

1. Hogarth Painting the Comic Muse — William Hogarth
2. William Hogarth, Receipt for a Print of The March of the Guards to Finchley, 1750 © Coram in the care of the Foundling Museum — William Hogarth, 1750
3. The Roast Beef of Old England — William Hogarth
4. Veduta Interna Dell Camera Sepolcrale Nella Vigna Casali A Porta A. Sebastiano — Giovanni Battista Fontana
5. Anger makes the mouth swell and blackens the blood in the veins — Pieter Bruegel den äldre