period

rörelse

1. Woman and the mountain landscape — Odilon Redon, 1865
2. untitled (6174) — Odilon Redon

känsla

ämnen

nyckelord

tonalitet

huvudfärg

1. Friar, standing — Jean-Antoine Watteau
2. Woman and the mountain landscape — Odilon Redon, 1865
3. De cruce depositio — Salvador Dalí, 1967
4. The Inferno, Canto 18, lines 130-132. Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ — Gustave Doré
5. Stjärnklar natt (utkast) — vincent willem van gogh, 1888
6. He broke the pitcher — Francisco de Goya, 1799
7. American Neutrality Obverse — karl otto götz, 1915
8. untitled (6174) — Odilon Redon
9. untitled (9888) — Georges Braque
10. untitled (7114) — Gustave Doré
11. Infame provecho 1 — Francisco de Goya
12. Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6) — Marc Chagall, 1956
13. By the Great Peedee — Helen Hyde, 1918
14. World War I Dutch Ivora Neutrality Plate — pieter van der want, 1918
15. Paolo and Francesca — Gustave Doré
16. Fish-Drying Barn in Scheveningen — vincent willem van gogh, 1882
17. Paolo och Francesca II — Gustave Doré
18. The Desert — Howard Cook, 1926
19. The Inferno, Canto 5, lines 137-138. I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. — Gustave Doré
20. I through compassion fainting seem-d not far from death and like a corpse fell to the ground Canto — Gustave Doré

övriga

1. The Carpenter's Shop — Julian Alden Weir, 1891
2. Cornish Coast — John Piper
3. Ensamstående figur inför skog — Gustave Doré
4. Hungry Dogs — George Wesley Bellows