Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 20 verk av Zaha Hadid i vår katalog
Kortfattat
Ur galleriets perspektiv är Zaha Hadids mest kända målning Chanel Mobile Art Pavilion, Tokyo (2008), vars original hänger på Royal Institute of British Architects i London. Rheinhaufen Development: Isometric of the City Context (1993) och London 2066 (1991) fullbordar trion som alla känner igen. Av de 20 verk av Zaha Hadid i vår katalog presenterar galleriet nedan de 20 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
The image before you isn't merely a depiction of architecture; it’s an immersion into a fluid, almost hallucinatory space. Zaha Hadid’s design for the Chanel Mobile Art Pavilion in Tokyo is a testament to her revolutionary approach – a rejection of rigid geometry in favor of curves that seem to defy gravity and flow like water. This isn't just a building; it’s a sculpted experience, a shimmering mirage born from…
In the vast landscape of late 20th-century art, few works possess the structural poetry found in Dame Zaha Mohammad Hadid’s 1993 masterpiece, Rheinhaufen Development: Isometric of the City Context. This painting is far more than a mere architectural rendering; it is a profound conceptual exploration of how space, movement, and geometry dance together to create the pulse of urban life. Created during a pivotal era in Hadid’s career, the work…
To gaze upon Zaha Hadid's "London 2066" is not merely to observe a painting; it is to step through a portal into a breathtaking, hyper-modern future. This masterful acrylic work captures the very essence of architectural audacity, presenting London not as it was, but as its visionary spirit dictates it should be decades hence. The canvas pulses with an energy that speaks of relentless progress and human ingenuity. One can…
To stand before Blue Slabs is to be immersed in a vision of tomorrow—a breathtaking cartography of the built world as conceived by the mind of Dame Zaha Hadid herself. This monumental piece, dating from 1983, transcends mere depiction; it is an architectural manifesto rendered in paint. The viewer is immediately drawn into a high-angle descent, looking down upon a sprawling metropolis where the rigid logic of human endeavor meets…
A Vision of Fragmented Urbanity Blue and Green Scrapers is far more than a mere depiction of a cityscape; it is a profound architectural manifesto captured on paper. Created in 1990 by the legendary Dame Zaha Mohammad Hadid, this work serves as a pivotal moment in the evolution of deconstructivist thought. At its core, the painting explores the tension between stability and chaos, presenting a world where the rigid structures…
In the quiet, monochromatic depths of The Peak - Night, we encounter a moment of profound architectural and artistic revelation. Painted in 1983, this work by the legendary Dame Zaha Mohammad Hadid is far more than a mere depiction of the Hong Kong skyline; it is a visceral exploration of fragmentation and geological force. The composition is dominated by jagged, crystalline structures that rise like shards of broken glass or…
Dame Zaha Mohammad Hadid (1950-2016) stands as a titan amongst contemporary architects, reshaping our understanding of spatial design with her uncompromising vision. Her oeuvre transcends mere building; it embodies an audacious exploration of form and materiality—a pursuit that culminated in “Confetti Suprematist Snowstorm,” a monumental canvas completed in 1983.
Indoor Swimming Pool and Squash Courts is a sculptural manifesto by Dame Zaha Mohammad Hadid. Completed in 1983, the work emerged from a period of radical experimentation that would define the artist's early career. It represents a departure from conventional architectural forms, favoring a language of fractured geometry and restless dynamism.
Zaha Hadid’s “The World (89 degrees),” painted in 1983, isn't merely a cityscape; it’s a meticulously constructed projection of an architectural future, a fever dream rendered in acrylic and imbued with the restless energy that defined her groundbreaking career. Born from a student thesis at the Architectural Association School of Architecture in London, this painting represents a pivotal moment – Hadid’s deliberate rejection of conventional representation and embrace of abstraction…
“Overall Isometric, Day View,” created in 1983 by the visionary architect Dame Zaha Hadid, isn’t merely a painting; it’s an architectural manifesto rendered in acrylic on cartridge paper. It immediately arrests the eye with its intensely geometric composition – a fragmented cityscape of interlocking triangles, rectangles, and trapezoids that feels both futuristic and strangely ancient. This work represents a pivotal moment in Hadid's artistic journey, showcasing her nascent exploration of…
Homage à Verner Panton1990 · Serpentine Galleries
12
Metropolis1988 · Serpentine Galleries
13
Tatlin Tower and Tectonic1993 · Serpentine Galleries
14
Victoria City Aerial: Aerial Perspective1988 · Serpentine Galleries
15
Tea and Coffee TowersHigh Museum of Art
16
Tectonic,1993 · Serpentine Galleries
17
Horizontal Tektonik1977 · Serpentine Galleries
18
Orange Explosion on White, Multi-coloured on White, More Black Explosion, Orange Explosion on Black1992 · Serpentine Galleries
19
Interpretation of Tatlin1993 · Serpentine Galleries
20
Interpretation of Tatlin1993 · Serpentine Galleries
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Zaha Hadid | Målningar från denna lista |
|---|---|---|---|
 Serpentine Galleries |
London | 18 | Rheinhaufen Development: Isometric of the City Context, London 2066, Blue Slabs |
 Royal Institute of British Architects |
London | 1 | Chanel Mobile Art Pavilion, Tokyo |
 High Museum of Art |
Atlanta | 1 | Tea and Coffee Towers |
Välj ett decennium för att se originalverket som definierar det.
Zaha Hadid’s Horizontal Tektonik isn't merely a painting; it’s an architectural proposition rendered in vibrant acrylic on canvas, a testament to the Iraqi-British visionary’s radical approach to design. Completed in 1977 during her studies at the Architectural Association School of Architecture in London, this work represents a pivotal moment in Hadid’s evolution – a bridge between her burgeoning mathematical understanding and her increasingly intuitive grasp of spatial dynamics. The piece…
To stand before Blue Slabs is to be immersed in a vision of tomorrow—a breathtaking cartography of the built world as conceived by the mind of Dame Zaha Hadid herself. This monumental piece, dating from 1983, transcends mere depiction; it is an architectural manifesto rendered in paint. The viewer is immediately drawn into a high-angle descent, looking down upon a sprawling metropolis where the rigid logic of human endeavor meets…
In the vast landscape of late 20th-century art, few works possess the structural poetry found in Dame Zaha Mohammad Hadid’s 1993 masterpiece, Rheinhaufen Development: Isometric of the City Context. This painting is far more than a mere architectural rendering; it is a profound conceptual exploration of how space, movement, and geometry dance together to create the pulse of urban life. Created during a pivotal era in Hadid’s career, the work…
The image before you isn't merely a depiction of architecture; it’s an immersion into a fluid, almost hallucinatory space. Zaha Hadid’s design for the Chanel Mobile Art Pavilion in Tokyo is a testament to her revolutionary approach – a rejection of rigid geometry in favor of curves that seem to defy gravity and flow like water. This isn't just a building; it’s a sculpted experience, a shimmering mirage born from…
Chanel Mobile Art Pavilion, Tokyo (2008), Royal Institute of British Architects, London. Rheinhaufen Development: Isometric of the City Context (1993) och London 2066 (1991) följer efter.
58 år gammal: Chanel Mobile Art Pavilion, Tokyo är från 2008, och Zaha Hadid föddes 1950.
Chanel Mobile Art Pavilion, Tokyo, Rheinhaufen Development: Isometric of the City Context, London 2066, Blue Slabs, Blue and Green Scrapers, The Peak - Night, Confetti Suprematist Snowstorm, Indoor Swimming Pool and Squash Courts, The World (89 degrees) och Overall Isometric, Day View. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 20 verk av Zaha Hadid, daterade från 1977 till 2008.
Främst i Serpentine Galleries (London), Royal Institute of British Architects (London) och High Museum of Art (Atlanta). Museitabellen ovan listar alla.
Under 1990s: 9 av de 20 verk som finns på denna sida skapades då, varav Rheinhaufen Development: Isometric of the City Context.
På den här sidan är det tidigaste Horizontal Tektonik (1977) och det senaste Chanel Mobile Art Pavilion, Tokyo (2008).
Architecture (14), Cityscape (6) och Geometry (3), fördelat på 20 verk på denna sida.
Acrylic On Canvas, för 9 av de 20 verk som finns på denna sida.
Rheinhaufen Development: Isometric of the City Context, London 2066 och Blue Slabs: Serpentine Galleries, London har 18 av verken på denna sida.
Zaha Mohammad Hadid (زها حديد, Zahā Ḥadīd), född 31 oktober 1950 i Bagdad, Irak och död 31 mars 2016 i Miami, var en irakisk-brittisk arkitekt och formgivare. Hon är erkänd som en nyckelperson inom arkitekturen av senare delen av det 20:e århundrade och tidigt 21:a århundrade. Hadid föddes i Bagdad, Irak där hennes föräldrar arbetade inom offentlig tjänst och utbildning.
Hennes resa började inte inom arkitekturens traditionella utbildningsmiljö utan i en stimulerande akademisk omgivning; hennes far, Muhammad al-Hajj Husayn Hadid, var en framgångsrik industrimagnat och politiker, medan hennes mor, Wajiha al-Sabunji, främjade ett intresse för konst. Detta unika samspel mellan pragmatism och kreativitet skulle djupgående påverka Zahas ungdomlig världsbild.
Initialt studerade hon matematik vid det amerikanska universitetet i Beirut innan hon återvände till London 1972 och började studera arkitektur vid Architectural Association School of Architecture där hon fick sitt examensbevis år 1977. Efter examen arbetade Hadid tillsammans med sin lärare från arkitektskolan, Rem Koolhaas.
Hadid var inspirerad av sina föräldrar och deras utbildning vilket gav henne ett starkt grundläggande intresse för både konst och vetenskap. Efter gymnasiet studerade hon matematik vid det amerikanska universitetet i Beirut där hon fick sitt examensbevis år 1971.
Zaha Hadid var inte bara arkitekt utan också en konstnär vars arbete präglades av ett djupgående engagemang för abstrakta principer och innovativa tekniker. Hon hämtade inspiration från samtida konstnärer och arkitekter som Rem Koolhaas och Elia Zenghelis.
Hadid grundade sitt eget arkitektkontor i London 1979 och fick snart erkännande för sina vågade experiment inom byggnadsdesign. Bland hennes mest ikoniska projekt finns Hong Kong Peak Club, Broad Art Museum i Michigan och MAXXI – National Museum of 21st Century Arts i Rom.
Hadid mottog många pris för sitt arbete och blev år 2004 den första kvinnan att få Pritzker Arkitekturpris vilket är världens högsta pris inom arkitektur. Detta pris hyllade hennes innovativa stil och hennes förmåga att skapa byggnader som inspirerar till rörelse och atletik.
