Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 85 verk av Maerten De Vos i vår katalog
Kortfattat
Ur galleriets perspektiv är Maerten De Voss mest kända målning Allegory of the Seven Liberal Arts (1590). Nativity (1577) och The Rapture of Europe (1590) fullbordar trion som alla känner igen. Av de 85 verk av Maerten De Vos i vår katalog presenterar galleriet nedan de 82 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The Rapture of Europe emerges from the brush of Maerten De Vos as a profound mythological painting. This work, also known by the title The Rape of Europa, captures a moment of profound transformation and movement. It exists as a vivid window into the legends of antiquity, where the boundaries between the divine and the mortal blur under a heavy, dramatic sky.
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
In this religious work, Christ on the Cross, Maerten De Vos presents a profound scene of the Crucifixion of Jesus Christ. Created about 1567, the painting captures a moment of intense spiritual gravity. The central figure of Christ is positioned on the cross, flanked by the two thieves, a traditional arrangement that anchors the biblical narrative. This composition focuses the viewer's attention on the central event of the Passion through…
In the Raising of Lazarus, Maerten De Vos captures a moment of profound divine intervention. The scene unfolds around the miraculous event where Jesus calls Lazarus forth from the tomb. This biblical miracle, depicted in this work from about 1570, pulses with the tension of life returning to a body once claimed by death. The air feels heavy with the weight of the supernatural as the command of Christ meets…
In 1575, Maerten De Vos captures a moment of profound tragedy in his work, The death of Adonis. The scene freezes the exact instant of a mythological catastrophe, where the mortal hunter Adonis meets his end. A heavy sense of loss hangs over the landscape as the life drains from his pale form. The air feels thick with the weight of this sudden, violent transition from life to stillness.
In this large-scale oil painting, Gathering of manna by Maerten De Vos, the artist presents a densely packed scene that demands close observation. The composition is organized through a multi-layered landscape, creating a sense of immense scale. In the foreground, the space is occupied by women and children focused on the task of collecting food. This immediate layer of activity leads the eye toward a distant horizon where hazy mountains…
Maerten De Vos captures the biblical moment of physical verification of Christ's resurrection in Incredulity of Saint Thomas. Created about 1574, the work centers on the tension between human doubt and divine revelation. The scene focuses on the precise instant when Thomas reaches toward the wounds of the resurrected Christ to confirm the truth of the event.
Saint Stephen1574 · Koninklijk Museum voor Schone Kunsten Antwerpen
12
The Beheading of Saint John-Baptist1574 · Koninklijk Museum voor Schone Kunsten Antwerpen
13
Saint Thomas the Apostle1574 · Koninklijk Museum voor Schone Kunsten Antwerpen
14
The Baptism of Christ1574 · Koninklijk Museum voor Schone Kunsten Antwerpen
15
The Soldiers Fighting over Christ's Cloak1575 · Statens Museum for Kunst
16
The Adoration of the Kings1575 · Statens Museum for Kunst
17
the Annunciation1578
18
The Parable of the Labourers in the Vineyard1575 · Nationalmuseum
19
Portrait of Antonius Anselmus, His Wife and Their Children1577 · Musées Royaux des Beaux-Arts
20
Saint Luke Appearing at the Curch of Our Lady in Tripoli1588 · Koninklijk Museum voor Schone Kunsten Antwerpen
21
Saint Didacus Brings the Stillborn Girl to Life1591 · Koninklijk Museum voor Schone Kunsten Antwerpen
22
Saint Didacus Finds a Miraculous Meal1591 · Koninklijk Museum voor Schone Kunsten Antwerpen
23
Saint Didacus of Alcalà at Prayers1591 · Koninklijk Museum voor Schone Kunsten Antwerpen
24
The Life of Saint Didacus of Alcalá1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
25
The Nativity1588 · Koninklijk Museum voor Schone Kunsten Antwerpen
26
Saint Georges delivering Saint Margaret1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
27
Saint Georges delivering Saint Margaret1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
28
The Emperor Constantine erecting a church dedicated to Saint George1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
29
Baptism of the King of Silene1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
30
Christ Triumphant1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
31
Henry IV of Castile and his daughter find healing at the tomb of Saint Didacus1595 · Koninklijk Museum voor Schone Kunsten Antwerpen
32
Adoration of the Kings1599 · Musée des Beaux-Arts de Valenciennes
33
The Temptations of Antony Abbot of Egypt1594 · Koninklijk Museum voor Schone Kunsten Antwerpen
34
Abraham in Hebron1602 · Koninklijk Museum voor Schone Kunsten Antwerpen
35
The Burial of Sarah1602 · Koninklijk Museum voor Schone Kunsten Antwerpen
36
The Widow's Offering1602 · Koninklijk Museum voor Schone Kunsten Antwerpen
37
The Temple Tax1602 · Koninklijk Museum voor Schone Kunsten Antwerpen
38
Then give to Caesar what is Caesar's1602 · Koninklijk Museum voor Schone Kunsten Antwerpen
39
Crucifixion1600 · Koninklijk Museum voor Schone Kunsten Antwerpen
40
The Tribunal of the Brabant Mint in Antwerp1594 · Rockox House
41
The Marriage at Cana1596 · Onze
42
Saint Luke Appears in the Church of Our Lady of Tripoli1620 · Koninklijk Museum voor Schone Kunsten Antwerpen
43
Riverlandscape with cattle herders1616 · Museo del Prado
44
Mountain Landscape with a Castle (Christ on the Road to Emmaus)1616 · Nationalmuseum
45
Landscape with a Farm1627 · Ermitaget
46
Moses Showing the Tablets of the Law to the Israelites, with Portraits of Members of the Panhuys Family, their Relatives and Friends1575 · Mauritshuis
47
Portrait of Antonius Anselmus at the Age of Forty-Six, with a Spaniel1571 · Israel Museum
48
The Ephesians burn the exorcists' books in public Acts 19:19)1568 · Kungliga museerna för sköna konster i Belgien
49
Portrait of an unicorn1572 · Staatliches Museum Schwerin
50
Portrait of an Old Woman1569 · National Gallery of Art
51
St Paul Bitten by a Viper on the Island of Malta1567 · Louvre
52
Saint Luke Giving three Pilgrims Alms1588 · Koninklijk Museum voor Schone Kunsten Antwerpen
53
Allegory of the Choleric Temperament1583 · Cantor Arts Center at Stanford University
54
The Temptation of St Antony1591 · Koninklijk Museum voor Schone Kunsten
55
The Family of St Anne (detail)1585 · Museum voor Schone Kunsten
56
The Family of Saint Anne1585 · Museum of Fine Arts Ghent (MSK)
57
Scene from the Life of the Virgin1600 · Cathedral of Our Lady
58
The Emperor's Toil1601 · Koninklijk Museum voor Schone Kunsten Antwerpen
59
Landscape with a Lake1616 · Ermitaget
60
Mining Operations along a River1620 · Walters Art Museum
61
Landscape with travellers1616 · Museum der bildenden Künste
62
Landscape with Satyrs1626 · National Gallery
63
Landscape with Windmill and Wayside Chapel1628 · Harvard Art Museums
64
The Last SupperThe National Museum of Western Art
65
St Luke Painting the Virgin Mary1602 · Koninklijk Museum voor Schone Kunsten
66
Triumph of DavidMusée des Beaux-Arts
67
The airMuseo del Prado
68
The earthMuseo del Prado
69
Landscape with Pan and Syrinx, after Paul BrilFitzwilliam Museum
70
Dijon St Benigne cathedral, The Annunciation by Martin de Vos
71
Saint Didacus Helps with a Difficult BirthKoninklijk Museum voor Schone Kunsten Antwerpen
72
The Spanish Crown Prince Don Carlos Heals After Touching the Corpse of Saint DidacusKoninklijk Museum voor Schone Kunsten Antwerpen
73
Death of Saint DidacusKoninklijk Museum voor Schone Kunsten Antwerpen
74
Saint Didacus Heals the SickKoninklijk Museum voor Schone Kunsten Antwerpen
75
Saint Didacus Saves a Boy From the OvenKoninklijk Museum voor Schone Kunsten Antwerpen
76
The Story of Saint Didacus of AlcalàKoninklijk Museum voor Schone Kunsten Antwerpen
77
Saint Francis of Assisi and Saint Didacus of AlcaláKoninklijk Museum voor Schone Kunsten Antwerpen
78
Portrait of Gillis Hooftman, Shipowner, and his Wife Margaretha van Nispen (Gilles van Eichelenberg, called Hoffman), Maerten de Vos, 15701570 · Rijksmuseum
79
Return from the Flight to Egypt
80
FeelingHammer Museum
81
Altarpiece of the Guild of the Old Arbalest1590 · Koninklijk Museum voor Schone Kunsten Antwerpen
82
Saint George and the dragon1590
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Maerten De Vos | Målningar från denna lista |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 35 | Incredulity of Saint Thomas, Saint Stephen, The Beheading of Saint John-Baptist |
 Bavarian State Painting Collections |
München | 3 | Christ on the Cross, Raising of Lazarus, Gathering of manna |
 Museo del Prado |
Madrid | 3 | Riverlandscape with cattle herders, The air, The earth |
 Statens Museum for Kunst |
Köpenhamn | 2 | The Soldiers Fighting over Christ's Cloak, The Adoration of the Kings |
 Nationalmuseum |
Stockholm | 2 | The Parable of the Labourers in the Vineyard, Mountain Landscape with a Castle (Christ on the Road to Emmaus) |
 Ermitaget |
Sankt Petersburg | 2 | Landscape with a Farm, Landscape with a Lake |
 Koninklijk Museum voor Schone Kunsten |
Antwerpen | 2 | The Temptation of St Antony, St Luke Painting the Virgin Mary |
 Onze-Lieve Vrouwekathedraal |
Antwerpen | 1 | Nativity |
Välj ett decennium för att se originalverket som definierar det.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The painting titled Saint Luke Appearing at the Curch of Our Lady in Tripoli is a work by the artist Maerten De Vos. This specific piece dates to 1588. The composition focuses on a religious apparition within an architectural setting, depicting a miraculous event involving Saint Luke and a group of onlookers.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this work, titled Abraham in Hebron, Maerten De Vos explores a significant narrative from the Book of Genesis. The painting, which dates to about 1602, captures a moment of profound hospitality and divine encounter. It focuses on the patriarch Abraham as he receives visitors, a scene rooted in the ancient traditions of the Levant.
Allegory of the Seven Liberal Arts (1590). Därefter följer Nativity (1577) och The Rapture of Europe (1590).
58 år gammal: Allegory of the Seven Liberal Arts är från 1590, och Maerten De Vos föddes 1532.
Allegory of the Seven Liberal Arts, Nativity, The Rapture of Europe, The Resurrection of Christ, Scene of the legend of S. Benedict (building of a church), Christ on the Cross, Raising of Lazarus, The death of Adonis, Gathering of manna och Incredulity of Saint Thomas. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 85 verk av Maerten De Vos, daterade från 1557 till 1602.
Främst i Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen), Bavarian State Painting Collections (München) och Museo del Prado (Madrid). Museitabellen ovan listar alla.
Under 1590s: 19 av de 82 verk som finns på denna sida skapades då, varav Allegory of the Seven Liberal Arts.
På den här sidan är det tidigaste Scene of the legend of S. Benedict (building of a church) (1557) och det senaste Abraham in Hebron (1602).
People (17), Man (16) och Drapery (16), fördelat på 82 verk på denna sida.
Oil, för 29 av de 82 verk som finns på denna sida.
Mannerism, om man dömer efter originalen på denna sida.
Incredulity of Saint Thomas, Saint Stephen och The Beheading of Saint John-Baptist: Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen har 35 av verken på denna sida.
