Porträtt av Grace Cossington Smith

Grace Cossington Smiths målningar: De 5 mest kända, ur ett galleris perspektiv

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 5 verk av Grace Cossington Smith i vår katalog

Kortfattat

Ur galleriets perspektiv är Grace Cossington Smiths mest kända målning Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929), vars original hänger på National Gallery of Australia i Canberra. Bush at evening (1947) och Drapery and wattle (1952) fullbordar trion som alla känner igen. Av de 5 verk av Grace Cossington Smith i vår katalog presenterar galleriet nedan de 5 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.

1892 – 1984, Neutral Bay (del av en befolkad plats) Flest verk: Art Gallery of New South Wales

Galleriets 10 främsta målningar av Grace Cossington Smith

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Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929) av Grace Cossington Smith

Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully

1929 · Painting · National Gallery of Australia, Canberra

In the vast tapestry of Australian Modernism, few works capture the rhythmic pulse of nature as intimately as Grace Cossington Smith’s "Four Panels for a Screen: Loquat Tree, Gum and Wattle Trees, Waterfall, Picnic in a Gully." Created in 1929, this monumental work is not merely a painting but an immersive environmental experience. Spanning an extraordinary width, the four panels act as windows into a curated botanical dreamscape, where the…

Museerna som förvarar Grace Cossington Smiths originalverk

De 3 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Grace Cossington Smith Målningar från denna lista
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 3 Bush at evening, Drapery and wattle, Gum blossoms
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 1 Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 The Bridge in Curve

Grace Cossington Smith, ett signaturverk per decennium

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Grace Cossington Smiths målningar: galleriets svar

Vilken av Grace Cossington Smiths målningar är den mest kända av alla?Visa svaret

Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929), National Gallery of Australia, Canberra. Bush at evening (1947) och Drapery and wattle (1952) följer efter.

Hur gammal var Grace Cossington Smith när Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully färdigställdes?Visa svaret

37 år gammal: Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully är från 1929, och Grace Cossington Smith föddes 1892.

Hur många verk skapade Grace Cossington Smith?Visa svaret

Vår katalog innehåller 5 verk av Grace Cossington Smith, daterade från 1929 till 1952.

Var hänger Grace Cossington Smiths mest kända original?Visa svaret

Främst i Art Gallery of New South Wales (Sydney), National Gallery of Australia (Canberra) och National Gallery of Victoria (Melbourne). Museitabellen ovan listar alla.

Vilka är Grace Cossington Smiths tidigaste och senaste kända verk?Visa svaret

På den här sidan är det tidigaste Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929) och det senaste Drapery and wattle (1952).

Vilka original av Grace Cossington Smith finns i Art Gallery of New South Waless samlingar?Visa svaret

Bush at evening, Drapery and wattle och Gum blossoms: Art Gallery of New South Wales, Sydney har 3 av verken på denna sida.

Grace Cossington Smith: konstnären

**early life and artistic beginnings**

grace cossington smith, a pivotal figure in the history of australian modernist painting, was born on april 20, 1892, in neutral bay, sydney. she was the second of five children to london-born solicitor ernest smith and his wife grace, née fisher, daughter of the rector of cossington in leicestershire.

**artistic education and influences**

from 1910 to 1911, smith studied drawing with antonio dattilo rubbo, a foundational influence on her early work. her subsequent travels to england (1912-1914) exposed her to the works of watteau in berlin and further solidified her interest in modernist theories upon her return to sydney.

**pioneering post-impressionism in australia**

smith's the sock knitter (1915), arguably australia's first post-impressionist painting, marked a significant milestone in her career. adopting the middle name "cossington" in 1920, she continued to innovate with her characteristic square brush strokes and bright unblended colors.

**notable works and exhibitions**

**legacy and late-acclaimed recognition** smith's work was greatly respected by fellow artists roland wakelin and roy de maistre. a major retrospective exhibition of her work, touring australia in 1973, solidified her place in australian art history.

**explore more with OriginalUniqueArt.com**

**conclusion**

grace cossington smith's trailblazing career not only introduced post-impressionism to australia but also left an indelible mark on the country's modernist landscape. her legacy, now accessible through various platforms, including OriginalUniqueArt.com, continues to inspire and educate art enthusiasts worldwide.