Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 371 verk av George Luks i vår katalog
Kortfattat
Av alla originalverk som George Luks lämnade efter sig är det mest kända Holiday on the Hudson, i samlingen hos Cleveland Museum of Art, Cleveland. Tätt efter följer Hester Street (1905) och Sulky Boy (1908). Vår katalog innehåller 371 verk av George Luks; galleriet har bevarat de 100 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
George Luks painted Holiday on the Hudson around 1912. This oil on canvas work captures a moment of leisure at a harbor, focusing on the interaction between the water, the pier, and the figures gathered there. The piece reflects the artist's mature period, a time when his engagement with the realities of American life was firmly established.
George Benjamin Luks's "Hester Street," painted in 1905, is a remarkable example of American realism, capturing the vibrant energy and everyday life of New York City’s Lower East Side. This oil on canvas piece, now residing at the Brooklyn Museum, offers viewers a window into a bustling marketplace teeming with people from diverse backgrounds. The painting isn't merely a depiction; it's an immersive experience that transports us to a pivotal…
In the quiet intimacy of George Benjamin Luks’s 1908 masterpiece, Sulky Boy, we are invited into a private, domestic sanctuary where time seems to decelerate. The painting presents a poignant portrait of a young boy, seated at a table, his expression heavy with the unmistakable, brooding weight of childhood melancholy. This is not a staged, formal portrait intended for grandeur, but rather a tender observation of a fleeting emotional state.…
The sitter emerges from a deep, ink-like darkness, his presence defined by a single source of light from the upper left. This light brushes against the high ridge of a forehead and the curve of a cheek, leaving the rest of the face to settle into soft, quiet shadow. He wears the formal attire of the early 20th century: a dark suit, a crisp white high-collared shirt, and a dark…
In "The Wrestler" by George Luks, the composition is structured around a tense, nocturnal struggle. The scene is dominated by deep shadows and a strong chiaroscuro effect, where a single, unseen light source illuminates a specific portion of the action against an expansive dark background. From a slightly elevated perspective, the viewer looks down upon the central conflict. In the center-left, a man dressed in dark formal attire leans forward…
“Knitting for the Soldiers, High Bridge Park,” painted by George Benjamin Luks in 1918, stands as a poignant testament to resilience and compassion during the tumultuous years of World War I. This evocative scene captures a seemingly simple act – knitting – undertaken by a group of women in Central Park, New York City, offering solace and support to those serving overseas.
George Luks captured the pulse of the city in his 1920 painting, Fifth Avenue, New York. This cityscape presents a slice of Manhattan, where the verticality of tall buildings forms a backdrop to the movement below. The canvas holds a moment of urban life, frozen in the transition of a changing era.
In Morning Shadows, George Luks presents a scene of quiet industry set against a natural backdrop. The composition centers on a boat resting upon the water, its presence marked by the steady plumes of smoke rising from its stacks. This steamboat serves as a focal point, anchoring the viewer amidst the movement of the landscape. In the distance, the silhouettes of mountains rise to meet a sky punctuated by soft…
In this 1914 work, George Luks presents us with Telling Fortunes, a dark and intimate study of a gypsy fortuneteller. The subject is drawn from the gritty streets of New York’s Lower East Side, a place Luks knew with profound familiarity. There is a quiet, heavy atmosphere here, focusing on a single figure caught in a moment of private occupation.
George Luks captures a fleeting moment of urban existence in his painting, Street scene. Created about 1900, the work presents a close-up view of figures navigating a city environment. The composition centers on the profiles of two women, their presence felt through the textures of their fashionable attire and the decorative elements of their hats. They exist side-by-side, yet their gazes drift in different directions, caught in a transient intersection…
Man and Child with Guitar (also known as Portrait of the Artist's Brother with His Son)1908
12
Upper Manhattan1915
13
The Trapper's Daughter1920 · Buffalo AKG Art Museum
14
Boy with Violin1922 · Metropolitan Museum of Art
15
Flyweight Champion of Jumel Place1920
16
Trout Fishing1921
17
Polish Dancer1927 · Pennsylvania Academy of Fine Arts
18
Landscape, Upstate1928
19
The Clown1928
20
Pam1929 · New Britain Museum of American Art
21
Self-Portrait with Pince-Nez1930 · New York Historical Society
22
New Year's Shooter1917 · Smithsonian American Art Museum
23
The Dominican1912 · The Phillips Collection
24
The L Street Brownies1922
25
Child with a Toy1919
26
Woman and Macaws1907 · Detroit Institute of Arts
27
PedroLos Angeles County Museum of Art
28
Winter - High Bridge Park1912 · High Museum of Art
29
Old Gristmill, The Berkshires1925 · Metropolitan Museum of Art
30
The Spielers1905 · Addison Gallery of American Art
31
Mining Village No. 31923
32
The Little Madonna1907 · Addison Gallery of American Art
33
Little Lore with Her Hat1904
34
Copley Square1904
35
The Sand Artist1905
36
Man with Hands Folded
37
The Park
38
Seated Woman and Poodle
39
Dorothy
40
Mine-Mule
41
Street Scene
42
Self-Portrait - Caricature
43
Meeting at the Church
44
Two Seated Figures
45
Street, East Side, New York
46
Self-Portrait
47
Man and Woman Dancing
48
Fruit Stand
49
Two men- Nose to Nose
50
Wagon in Alleyway
51
Fisherman
52
Drawing On Back Of Envelope
53
Portrait of Herman Muller
54
Man Who Writes Lyrics
55
David Parrish. Interior of a Tavern
56
Rue Royal, Paris
57
Marie-Jeanne...Listened and Waited
58
Inside Looking Out
59
Study for ''Bulfinch Houses, Beacon Hill''
60
Studies of Polo Players
61
On The 3rd Ave. El
62
Man Reading
63
City Scene
64
Man on Park Bench Figure Study
65
John's House
66
Seated Man with Hat Figure Study
67
Landscape
68
Tom
69
Pony Ride
70
Picnic
71
Unloading Shaft
72
The Black Hat
73
Landscape with Red House
74
Peaceful Woods
75
Portrait of A Child
76
The Dancers
77
Boy With Suspenders
78
The Miner
79
Portrait Of A Young Girl
80
Child In Grey
81
Tea Party
82
Drawing Of Eliza Doolittle
83
Concierge
84
View of Beacon street from Boston common
85
The Wedding Cake
86
The Harmonica Player
87
The Rag Picker
88
Breaker Boy of Shenandoah
89
Studies of Men's and Boy's Heads
90
Railroad Crossing, The BerkshiresMetropolitan Museum of Art
91
Portrait of an Actor
92
Man with a Monocle
93
Winter, High Bridge Park
94
The North River, New York1910
95
Lily Williams1909
96
The Little Madonna1907 · Addison Gallery of American Art
97
The Breaker Boys
98
Madison Square1915
99
Hitch Team1916
100
The Green Tie (also known as Portrait of Edward H. Smith)1915
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av George Luks | Målningar från denna lista |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 6 | Boy with Violin, Old Gristmill, The Berkshires, Railroad Crossing, The Berkshires |
 The Phillips Collection |
Washington, D.C. | 4 | Sulky Boy, Telling Fortunes, The Dominican |
 Addison Gallery of American Art |
Massachusetts | 2 | The Spielers, The Little Madonna |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | New Year's Shooter |
 Detroit Institute of Arts |
Detroit | 3 | Woman and Macaws |
 New Britain Museum of American Art |
New Britain | 2 | Pam |
 Los Angeles County Museum of Art |
Los Angeles | 2 | Pedro |
 Cleveland Museum of Art |
Cleveland | 1 | Holiday on the Hudson |
Välj ett decennium för att se originalverket som definierar det.
George Benjamin Luks's "Hester Street," painted in 1905, is a remarkable example of American realism, capturing the vibrant energy and everyday life of New York City’s Lower East Side. This oil on canvas piece, now residing at the Brooklyn Museum, offers viewers a window into a bustling marketplace teeming with people from diverse backgrounds. The painting isn't merely a depiction; it's an immersive experience that transports us to a pivotal…
“Knitting for the Soldiers, High Bridge Park,” painted by George Benjamin Luks in 1918, stands as a poignant testament to resilience and compassion during the tumultuous years of World War I. This evocative scene captures a seemingly simple act – knitting – undertaken by a group of women in Central Park, New York City, offering solace and support to those serving overseas.
George Luks captured the pulse of the city in his 1920 painting, Fifth Avenue, New York. This cityscape presents a slice of Manhattan, where the verticality of tall buildings forms a backdrop to the movement below. The canvas holds a moment of urban life, frozen in the transition of a changing era.
In George Luks's Self-Portrait with Pince-Nez, the artist presents a medium close-up that captures the subject from the chest up. He is positioned slightly off-center to the right, creating a subtle tension within the frame. A pair of pince-nez rests upon his face, framing a gaze that looks directly at the viewer with a stoic expression. To the left, a shadowy, indistinct figure lingers in the background, a quiet presence…
Holiday on the Hudson, Cleveland Museum of Art, Cleveland. Hester Street (1905) och Sulky Boy (1908) följer efter.
Holiday on the Hudson, Hester Street, Sulky Boy, John Quinn, The Wrestler, Knitting for the Soldiers High Bridge Park, Fifth Avenue, New York, Morning Shadows, Telling Fortunes och Street scene. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 371 verk av George Luks, daterade från 1900 till 1930.
Främst i Metropolitan Museum of Art (New York), The Phillips Collection (Washington, D.C.) och Addison Gallery of American Art (Massachusetts). Museitabellen ovan listar alla.
Under 1900s: 14 av de 100 verk som finns på denna sida skapades då, varav Hester Street.
På den här sidan är det tidigaste Street scene (1900) och det senaste Self-Portrait with Pince-Nez (1930).
Urban life (16), American art (15) och Portrait (14), fördelat på 100 verk på denna sida.
Oil On Canvas, för 18 av de 100 verk som finns på denna sida.
Ashcan school, om man dömer efter originalen på denna sida.
Boy with Violin, Old Gristmill, The Berkshires och Railroad Crossing, The Berkshires: Metropolitan Museum of Art, New York har 3 av verken på denna sida.
