Porträtt av Filippo De Pisis

Filippo De Pisiss målningar: De 60 mest kända, ur ett galleris perspektiv

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 61 verk av Filippo De Pisis i vår katalog

Kortfattat

Ur galleriets perspektiv är Filippo De Pisiss mest kända målning Untitled (839). Untitled (529) och Untitled (788) fullbordar trion som alla känner igen. Av de 61 verk av Filippo De Pisis i vår katalog presenterar galleriet nedan de 60 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.

1896 – 1956, Ferrara Impressionism Flest verk: Galleria d'Arte Moderna Achille Forti

Galleriets 10 främsta målningar av Filippo De Pisis

1
Untitled (839) av Filippo De Pisis

Untitled (839)

Oil On Canvas

In this work, we find ourselves drifting through a quiet, atmospheric moment in Venice, Italy. The Basilica di Santa Maria della Salute dominates the composition, yet it does not demand attention through rigid lines or heavy outlines. Instead, the structure emerges from a haze of cool blues and purples, its domes catching a diffused light that feels as though it might shift at any second. The scene is one of…

2
Untitled (529) av Filippo De Pisis

Untitled (529)

Oil On Canvas

A man in a white shirt and trousers moves through a dream, caught in a dance pose that defies the stillness of the objects around him. He is partially obscured by a rectangular frame, a boundary that separates the viewer from this fleeting gesture. At the center, a vase overflows with flowers, their petals rendered in thick, impasto strokes that catch the light. Below this arrangement, a single red fruit…

3
Untitled (788) av Filippo De Pisis

Untitled (788)

Oil On Canvas

A small village rests under a quiet sky, anchored by the silhouette of a church in the distance. A dirt road cuts through the scene, where a woman walks with a steady, solitary pace. Around her, the world is populated by scattered figures and the slow movement of horses. One horse lingers near the center, while another drifts toward the edge of the frame. The air feels heavy with the…

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Still life with Mushrooms (1934) av Filippo De Pisis

Still life with Mushrooms

In the quiet intimacy of Filippo de Pisis’s Still Life with Mushrooms, we are invited into a world where the mundane is elevated to the level of poetry. Created in 1934, this exquisite composition serves as a masterclass in the art of the fleeting moment. The painting captures a scattered collection of mushrooms, their organic forms resting with a delicate randomness across the canvas. Some lie solitary on the ground,…

Filippo De Pisiss målningar, rankade 11 till 60

Motiven som fångade Filippo De Pisiss blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Filippo De Pisiss originalverk

De 2 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Filippo De Pisis Målningar från denna lista
Galleria d'Arte Moderna Achille Forti, VeronaGalleria d'Arte Moderna Achille Forti Verona 2 Still life with Mushrooms, Strawberries. Still Life
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Flowers

Filippo De Pisis, årets signaturmålningar

Några tio år, från 1930 till 1939, räckte för Filippo De Pisis: galleriet går igenom dem år för år, ett berömt original efter det andra.

Verk per år

Välj ett år för att se originalen.

Filippo De Pisiss målningar: galleriets svar

Vilken av Filippo De Pisiss målningar är den mest kända av alla?Visa svaret

Untitled (839). Därefter följer Untitled (529) och Untitled (788).

Vilka är Filippo De Pisiss 10 främsta målningar?Visa svaret

Untitled (839), Untitled (529), Untitled (788), Flowers, Untitled (620), Untitled (313), Still life with Mushrooms, Untitled (805), Untitled (699) och Untitled (586). Rankingen ovan visar varje verks årtal och museum.

Hur många verk skapade Filippo De Pisis?Visa svaret

Vår katalog innehåller 61 verk av Filippo De Pisis, daterade från 1930 till 1939.

Var hänger Filippo De Pisiss mest kända original?Visa svaret

Främst i Galleria d'Arte Moderna Achille Forti (Verona) och Art Gallery of New South Wales (Sydney). Museitabellen ovan listar alla.

Vilka är Filippo De Pisiss tidigaste och senaste kända verk?Visa svaret

På den här sidan är det tidigaste Still Life with Shell (1930) och det senaste Strawberries. Still Life (1939).

Vilka motiv återkom Filippo De Pisis till mest?Visa svaret

Still life (6), Italian art (6) och Flowers (2), fördelat på 60 verk på denna sida.

Vilket medium arbetade Filippo De Pisis främst med?Visa svaret

Oil On Canvas, för 3 av de 60 verk som finns på denna sida.

Vilken konstinriktning förknippas Filippo De Pisis med?Visa svaret

Impressionism och Post-impressionism, om man dömer efter originalen på denna sida.

Vilka original av Filippo De Pisis finns i Galleria d'Arte Moderna Achille Fortis samlingar?Visa svaret

Still life with Mushrooms och Strawberries. Still Life: Galleria d'Arte Moderna Achille Forti, Verona har 2 av verken på denna sida.

Filippo De Pisis: konstnären

The Poet of the Fleeting Moment

Born Luigi Filippo Tibertelli in the historic Italian city of Ferrara, Filippo De Pisis was an artist who refused to be confined by a single medium. To understand his canvas, one must first understand his soul as a poet; he viewed the world through a lens of literary sensitivity, where every shadow and light flicker held a narrative weight. His early years in Italy were marked by a profound intellectual curiosity, studying literature and philosophy in Bologna. It was here that he encountered the haunting, dreamlike visions of Giorgio De Chirico, an encounter that would plant the seeds of Metaphysical influence within his burgeoning style. This duality—the precision of a scholar and the wandering eye of a flâneur—defined his approach to art, allowing him to capture not just the physical reality of a subject, but its emotional resonance.

His journey was one of constant movement across the great cultural capitals of Europe. Moving to Rome in 1919 and later settling in Paris in 1925, De Pisis immersed himself in the vibrant, avant-garde pulse of the interwar period. In Paris, his brushwork began to shed its more rigid, metaphysical origins, absorbing the light and movement of French Impressionism. He moved within the same circles as Georges Braque and André Derain, and his style evolved into something uniquely his own: a technique often described as pittura a zancapi mosca—a "fly-wing" style of painting characterized by rapid, fragmented, and nervous brushstrokes. This method allowed him to achieve an airy, almost mirage-like quality, where objects seemed to vibrate with life before dissolving back into the atmosphere.

A Symphony of Light and Melancholy

The heart of De Pisis’s oeuvre lies in his ability to find the eternal within the ephemeral. He possessed a singular talent for elevating the mundane—a simple arrangement of mushrooms, a bowl of strawberries, or a vase of foxgloves—into profound meditations on existence. His still lifes are never merely static arrangements; they are imbued with what he called "pathetic pleasure-pain," a bittersweet recognition of beauty's fleeting nature. Through muted pastel hues and a masterful command of Venetian light, he created compositions where the boundaries between objects and their surroundings blur, suggesting a deep, spiritual interconnectedness between all things.

His fascination with Venice provided much of his most luminous subject matter. The city’s architectural grandeur and its misty, maritime atmosphere served as the perfect stage for his expressive explorations. Whether depicting the rhythmic movement of a seascape or the quiet intimacy of a street scene, De Pisis utilized a broken brushstroke technique that captured the very essence of light hitting water or stone. This period of his work represents a pinnacle of Italian Post-Impressionism, where the artist’s technical skill met an almost obsessive devotion to capturing the "secret spirit" of the moment.

Legacy of the Cosmopolitan Visionary

Despite the disruptions of World War II and his eventual return to Italy, De Pisis never lost the cosmopolitan spirit that had defined his youth. His life was famously eccentric, marked by a dandyish lifestyle and an insatiable appetite for the beauty found in the smallest details—even claiming that a discarded feather on a street could spark a masterpiece. This radical openness to the world ensured that his work remained perpetually fresh, avoiding the stagnation that often plagues established masters.

Today, the significance of Filippo De Pisis rests in his unique position as a bridge between the structured metaphysical movements of the early 20th century and the more spontaneous, emotive expressions of later decades. His legacy is found in:

  • The fusion of poetry and painting: Proving that visual art can be as lyrical and metaphorically rich as the written word.
  • Mastery of atmosphere: Redefining how light and texture can convey complex psychological states like nostalgia and longing.
  • The elevation of the everyday: Transforming simple still lifes into profound explorations of beauty, decay, and the passage of time.

He remains a celebrated figure in the annals of Italian art, remembered not just as a painter of scenes, but as a chronicler of the ephemeral soul.