Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 353 verk av Ando Hiroshige i vår katalog
Kortfattat
Ur galleriets perspektiv är Ando Hiroshiges mest kända målning Early Department from a Daimyo, vars original hänger på Nakagawa-machi Bato Hiroshige Museum of Art i Nagasaki. The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) och Hakone (1834) fullbordar trion som alla känner igen. Av de 353 verk av Ando Hiroshige i vår katalog presenterar galleriet nedan de 100 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
Fushimi Station #51 – En Poetisk Ögonblicksbild av Edo Japans Första Hälft Utagawa Hiroshige är en namn som väcker upp känslan av japansk konsthistoria och särskilt inom *ukiyo-e*, eller ”bilder från den flytande världen”. Detta mästerverk från 1842 är inte bara ett fantastiskt landskap utan också ett perfekt exempel på Hiroshiges förmåga att fånga essensen av sin tid – en period präglad av både stabilitet och förändring, vilket manifesteras i…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
Påpel och vinrankor1800 · Indianapolis konstmuseum
12
The Pine Woods of Miho in Suruga Province (Suruga Miho no matsubara)1858 · Indianapolis konstmuseum
13
62 (55) Komakata Hall and Azuma Bridge1857 · Brooklyn Museum
14
Evening Snow at Kanbara1834 · Los Angeles County Museum of Art
15
Dawn in the licensed quarters1857 · Art Gallery of New South Wales
16
Night View of Saruwakacho
17
Station 28, Fukuroi1855 · Indianapolis konstmuseum
18
Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo1800 · Hill-Stead Museum
19
Keishi (Kyoto), Capital1834 · Indianapolis konstmuseum
20
Hara: View of Ashitakayama and Fuji1855 · Indianapolis konstmuseum
21
Yokkaichi (Station #44)1834 · Indianapolis konstmuseum
22
Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
23
Noge and Yokohama in Musashi Province (Musashi, Noge, Yokohama)1858 · Indianapolis konstmuseum
24
Wild sea breaking on the rocks1856
25
Shirasuga, Shiomi-zaka zu (Vy av Shioma Slutt)1833 · Indianapolis konstmuseum
26
Mt.Fuji on the Left, Yoshiwara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
27
Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)1858 · Indianapolis konstmuseum
28
Kawachi1853 · Indianapolis konstmuseum
29
The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
30
View of Shiomi Slope, Shirasuka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
31
Entrance to Enoshima in Sagami Province (Sagami Enoshima iriguchi)1858 · Indianapolis konstmuseum
32
Morning Mist, Mishima, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )Nakagawa-machi Bato Hiroshige Museum of Art
33
The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
34
Sukiya Riverbank in the Eastern Capital (Tōto sukiya kaigan)1858 · Indianapolis konstmuseum
35
Satta Pass, Yui, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
36
True View of Imagire, Maisaka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
37
Clear Winter Morning, Kameyama, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
38
The Tenryu River, Mitsuke, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
39
The Seven-ri Ferry Crossing, Kuwana, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
40
Aronia and Bullfinch
41
Änder som återvänder till Katata1834 · Indianapolis konstmuseum
42
Yugyoji Temple, Fujisawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
43
Travellers and Soliciting Women, Goyu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
44
The Totoumi Bank of the Oi River, Kanaya, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
45
The Suruga Bank of the Oi River, Shimada, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
46
Kyoka Tokaido Series, Kanagawa (Yokohama)Indianapolis konstmuseum
47
Distant View of Miho, Ejiri, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
48
Mt. Fuji in the Morning, Hara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
49
A Horse Fair, Chiriu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
50
Wakasa1853 · Indianapolis konstmuseum
51
Distant View of Mt.Akiba, Kakegawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
52
The Ichiri-Han Sea Ferry, Arai, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
53
Gateway Entrance to the Atsuta Shrine on the Beach, Miya, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
54
Akasaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
55
The Sakawa River, Odawara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
56
A Footpath between Ricefield, Hiratsuka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
57
Awa Province: Whirlpool at Naruto1853
58
73 The City Flourishing, the Tanabata Festival1857
59
Sarugababa Plain, Futagawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
60
Local Specialty Teahouse, Mariko, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
61
SakanoshitaIndianapolis konstmuseum
62
Station 23, FujiedaIndianapolis konstmuseum
63
Marsh Grasses and Mandarin Ducks
64
50th station, Minakuchi
65
Sakanoshita: the Throwing Away the Brush Peak1834 · Brooklyn Museum
66
Shibaura Bay of Musashi Province801 · Metropolitan Museum of Art
67
Koyurugi Beach of Sagami Province801 · Metropolitan Museum of Art
68
Honmoku Bay of Musashi Province801 · Metropolitan Museum of Art
69
Untitled (Two Rabbits, Pampas Grass, and Full Moon)1851
70
11. Kiyomizu Hall and Shinobazu Pond at Ueno1857
71
85. Kinokuni Hill and Distant View of Akasaka and the Tameike Pond1857
72
76 Bamboo Quay by Kyōbashi Bridge1857
73
58 (52) Sudden Shower over Shin-Ōhashi bridge and Atake1857 · Tokyo Fuji Art Museum
74
103. Senju Great Bridge1857
75
18. The Ōji Inari Shrine1857
76
113. Aoi Slope Outside Toranomon Gate1857
77
114. Bikuni Bridge in Snow1857
78
70 (60) The Mouth of the Nakagawa River1857
79
2. Kasumigaseki1857
80
15. Suwa Bluff in Nippori1857
81
63 (69) The Ayase River and Kanegafuchi1857
82
115. The Takata Riding Grounds1857
83
86. Naitō Shinjuku in Yotsuya1857
84
16. Flower Park and Dangozaka Slope in Sendagi1857
85
68 (59) Open Garden at the Hachiman Shrine in Fukagawa1857
86
10. Sunrise at Kanda Myōjin Shrine1857
87
Peach and Long-tailed Bird
88
Golden Pheasant in Bracken
89
The Imado Bridge at the Foot of Mount Matsuchi801 · Metropolitan Museum of Art
90
Dog1858 · Indianapolis konstmuseum
91
118. Kitsunebi on New Year's Night Under the Enoki Tree near Ōji1857
92
109. Minami Shinagawa and Samezu Coast1857
93
Night View of Matsuchiyama and the San1857 · Los Angeles County Museum of Art
94
AkasakaIndianapolis konstmuseum
95
Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)1858 · Indianapolis konstmuseum
96
YoshiwaraIndianapolis konstmuseum
97
Fuchu, No. 20Indianapolis konstmuseum
98
Woman Walking in the Snow1850 · Metropolitan Museum of Art
99
82. Moon Viewing1857
100
Station 27, Kakegawa1855 · Indianapolis konstmuseum
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Ando Hiroshige | Målningar från denna lista |
|---|---|---|---|
 Nakagawa-machi Bato Hiroshige Museum of Art |
Nagasaki | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 Indianapolis konstmuseum |
Indianapolis | 35 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi Station #51 |
 Metropolitan Museum of Art |
New York | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 Brooklyn Museum |
Brooklyn | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
Farmington | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 Los Angeles County Museum of Art |
Los Angeles | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 Van Gogh-museet |
Amsterdam | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 Art Gallery of New South Wales |
Sydney | 1 | Dawn in the licensed quarters |
Välj ett decennium för att se originalverket som definierar det.
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
Fushimi Station #51 – En Poetisk Ögonblicksbild av Edo Japans Första Hälft Utagawa Hiroshige är en namn som väcker upp känslan av japansk konsthistoria och särskilt inom *ukiyo-e*, eller ”bilder från den flytande världen”. Detta mästerverk från 1842 är inte bara ett fantastiskt landskap utan också ett perfekt exempel på Hiroshiges förmåga att fånga essensen av sin tid – en period präglad av både stabilitet och förändring, vilket manifesteras i…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) och Hakone (1834) följer efter.
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi Station #51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province och Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 353 verk av Ando Hiroshige, daterade från 1833 till 1858.
Främst i Nakagawa-machi Bato Hiroshige Museum of Art (Nagasaki), Indianapolis konstmuseum (Indianapolis) och Metropolitan Museum of Art (New York). Museitabellen ovan listar alla.
Under 1850s: 44 av de 100 verk som finns på denna sida skapades då, varav The maple leaves of Mama, Tekona shrine and Tsugi bridge.
På den här sidan är det tidigaste Shirasuga, Shiomi-zaka zu (Vy av Shioma Slutt) (1833) och det senaste Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).
Edo period (32), Ukiyo-e (23) och Woodblock print (20), fördelat på 100 verk på denna sida.
Woodblock Print, för 62 av de 100 verk som finns på denna sida.
Japanese landscape painting, om man dömer efter originalen på denna sida.
Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) och Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition): Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki har 29 av verken på denna sida.
