Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 33 verk av Amico Aspertini i vår katalog
Kortfattat
Female Portrait (1502) är den målning av Amico Aspertini som drar till sig flest blickar; originalet finns på Kunsthistorisches Museum, Wien. Därefter dras blicken till Portrait of a Man (1505) och View of the Oratory (1504). Bland de 33 verk av Amico Aspertini i vår katalog är dessa 32 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Portrait of Tommaso Raimondi1500 · Thyssen-Bornemisza-museet
12
Ercole e il cinghiale di ErimantoGalleria degli Uffizi
13
Venere con Amore nella fucina di VulcanoGalleria degli Uffizi
14
Statua di Pan/Leone che azzanna un cavalloGalleria degli Uffizi
15
Nereidi, Tritoni e putti alati sopra delfiniGalleria degli Uffizi
16
San Cristoforo con Gesù BambinoGalleria degli Uffizi
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the ShepherdsGemäldegalerie
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare allGalleria degli Uffizi
25
Fregio con tritoni, cicogne e due coppie di animali mostruosiGalleria degli Uffizi
26
CentauromachiaGalleria degli Uffizi
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeGalleria degli Uffizi
28
Euridice uccisa dal serpente alla presenza di AristeoGalleria degli Uffizi
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )Galleria degli Uffizi
30
Figura maschile nudaGalleria degli Uffizi
31
Incredulità di San TommasoGalleria degli Uffizi
32
St CassianoPinacoteca di Brera
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Amico Aspertini | Målningar från denna lista |
|---|---|---|---|
 Galleria degli Uffizi |
Florens | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 Kunsthistorisches Museum |
Wien | 1 | Female Portrait |
 Städel Museum |
Frankfurt | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 National Gallery of Art |
Washington | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 Thyssen-Bornemisza-museet |
Madrid | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
Välj ett decennium för att se originalverket som definierar det.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Female Portrait (1502), Kunsthistorisches Museum, Wien. Portrait of a Man (1505) och View of the Oratory (1504) följer efter.
27 år gammal: Female Portrait är från 1502, och Amico Aspertini föddes 1475.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus och Adoration. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 33 verk av Amico Aspertini, daterade från 1496 till 1545.
Främst i Galleria degli Uffizi (Florens), Kunsthistorisches Museum (Wien) och Städel Museum (Frankfurt). Museitabellen ovan listar alla.
Under 1500s: 7 av de 32 verk som finns på denna sida skapades då, varav Female Portrait.
På den här sidan är det tidigaste Heroic Head (1496) och det senaste Portrait of Albertus Magnus and Duns Scotus (1545).
Religious (6), Man (3) och Bird (3), fördelat på 32 verk på denna sida.
Acrylic On Canvas, för 4 av de 32 verk som finns på denna sida.
Mannerism och Renaissance, om man dömer efter originalen på denna sida.
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto och Venere con Amore nella fucina di Vulcano: Galleria degli Uffizi, Florens har 14 av verken på denna sida.
