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Za ljubitelje galerije, najpoznatije delo umetnika Viljam Blejk Ričmond je Andrew Lang, 1844 - 1912. Poet and writer (1885), čiji se original nalazi u muzeju Scottish National Portrait Gallery, Edinburg. William Holman Hunt (1900) i Queen Alexandra (1844-1925) when Princess of Wales (1872) čine triju koju svako oko prepoznaje. Od 14 dela umetnika Viljam Blejk Ričmond u našem katalogu, galerija u nastavku predstavlja 14 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
An Audience in Athens During Agamemnon by Aeschylus is a large-scale oil on canvas painted by William Blake Richmond about 1884. The work captures a vast assembly of figures gathered within the tiered stone architecture of an ancient Greek amphitheater. Sunlight washes over the semi-circular rows, illuminating the textures of draped fabric and the pale skin of the spectators. In the distance, the silhouette of an Acropolis-like structure rests against…
In the portrait Rachel Henty, Mrs E. Gleadowe Marshall by William Blake Richmond, the subject is presented in a three-quarter length view. She is positioned slightly off-center within the frame, facing toward the viewer's right. Despite this lateral orientation, her gaze is directed forward to meet the observer. Her greyish-white hair is styled upwards, emerging from the dark tones of her attire. The subject's hands are clasped in front of…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
In "The Slave" by William Blake Richmond, painted about 1886, we find ourselves in an intimate, dimly lit space. The composition is vertically oriented, drawing the eye upward toward the central figures. A woman occupies the primary focus, her form draped in a heavy dark cloak that rests over a light-colored gown. She gazes upward, her expression one of quiet longing or deep contemplation. Beside her, a nude toddler clings…
In "The Bath Of Venus" by William Blake Richmond, the scene unfolds within a lush, Mediterranean-style landscape. The composition centers upon a standing nude female figure, likely Venus, who is flanked by three attendants. They occupy the midground of a shallow perspective, their forms anchored against a backdrop of vertical, cypress-like trees. In the foreground, a basin of deep blue water provides a cool weight to the base of the…
We are looking at Hera in the House of Hephaistos, an oil on canvas created by the British artist William Blake Richmond. This particular work dates to 1902, a period when Richmond was already an established figure within the Royal Academy. The painting captures a quiet, mythological moment, rendered with a precision that speaks to his deep familiarity with the Old Masters he studied during his travels in Italy.
The oil portrait depicts an elderly woman, Lady Harriet Sarah Wantage, positioned in a three-quarter view. She gazes slightly away from the viewer, her expression remaining serene and serious. The subject's pale skin on her face and hands provides a sharp contrast to the deep blacks and dark browns of her garments. A white lace cuff is visible at her wrist, and she wears a pearl necklace alongside matching earrings.…
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Viljam Blejk Ričmond | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | William Holman Hunt, William Holman Hunt, William Morris |
 Scottish National Portrait Gallery |
Edinburg | 1 | Andrew Lang, 1844 - 1912. Poet and writer |
 Royal Collection |
London | 1 | Queen Alexandra (1844-1925) when Princess of Wales |
 Birmingham Museum and Art Gallery |
Birmingem | 1 | An Audience in Athens During Agamemnon by Aeschylus |
 Ickworth |
Suffolk County | 1 | Rachel Henty, Mrs E. Gleadowe Marshall |
 Tyntesfield |
1 | Eustace Lyle Gibbs (1885 -1915) | |
 Indianapolis Museum of Art |
Indijanapolis | 1 | Hera in the House of Hephaistos |
 Te Whare O Rehua Sarjeant Gallery |
1 | A Greek Water Carrier in Egypt |
Izaberite deceniju da biste videli original koji je definiše.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
Andrew Lang, 1844 - 1912. Poet and writer (1885), Scottish National Portrait Gallery, Edinburg. Slede William Holman Hunt (1900) i Queen Alexandra (1844-1925) when Princess of Wales (1872).
43 godina: Andrew Lang, 1844 - 1912. Poet and writer datira iz 1885, a Viljam Blejk Ričmond je rođen/a 1842.
Andrew Lang, 1844 - 1912. Poet and writer, William Holman Hunt, Queen Alexandra (1844-1925) when Princess of Wales, An Audience in Athens During Agamemnon by Aeschylus, Rachel Henty, Mrs E. Gleadowe Marshall, Eustace Lyle Gibbs (1885 -1915), The Slave, The Bath Of Venus, Hera in the House of Hephaistos i Portrait of Lady Harriet Sarah Wantage (1837–1920). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 14 dela umetnika Viljam Blejk Ričmond, datiranih od 1872 do 1909.
Većinom u National Portrait Gallery (London), Scottish National Portrait Gallery (Edinburg) i Royal Collection (London). Tabela muzeja iznad sadrži njih sve.
U 1880s: 5 od 14 dela na ovoj stranici nastalo je tada, od čega je Andrew Lang, 1844 - 1912. Poet and writer.
Na ovoj stranici, najstarije delo je iz Queen Alexandra (1844-1925) when Princess of Wales (1872), a najnovije iz Portrait of Lady Harriet Sarah Wantage (1837–1920) (1909).
Woman (6), Man (5) i Beard (3), kroz svih 14 dela na ovoj stranici.
Oil On Canvas, za 8 od 14 dela na ovoj stranici.
William Holman Hunt, William Holman Hunt i William Morris: National Portrait Gallery, London čuva 3 dela sa ove stranice.
Viljam Blejk Ričmond bio je britanski slikar, skulptor i dizajner vitraja i mozaika. Rođen u Londonu, u Ujedinjenom Kraljevstvu, bio je sin portretista Džordža Ričmonda i Julije Tatam. Njegovo umetničko putovanje započelo je privatnim časovima kod kuće, nakon čega je usledilo trogodišnje usavršavanje u crtežu i slikarstvu u Kraljevskoj akademiji umetnosti, od čega je počelo 1858. godine. Ključni period njegovog razvoja desio se tokom šestnedeljnog putovanja Italijom, gde je proučavao dela starih majstora kao što su Mikelanđelo, Tintoreto i Đoto.
Ričmond je rano stekao slavu kao portretista, izlažući svoje prvo veliko delo u Kraljevskoj akademiji 1861. godine. Njegov talenat doveo je do izbora za pridruženu članicu Kraljevske akademije 1888. godine, a potom i za punopravnog akademika 1895. godine. Pored portretiranja, bio je i plodni dizajner monumentalnih dekoracija, od kojih su najznačajnije mozaici u kleru i apsidi Sive katedrale Svetog Pavla u Londonu.
Njegov rad u dizajnu mozaika odlikovan je živopisnim pristupom koji je koristio nazubljeno, nepravilno staklo postavljeno pod uglom kako bi se uhvatila svetlost. Ova tehnika, pod uticajem vizantijskog i ranohrišćanskog stila, uključivala je saradnju sa staklarijama James Powell and Sons radi razvoja novih boja i materijala. Ove inovacije proširile su paletu dostupnu umetnicima unutar pokreta Arts and Crafts. Njegovi dizajni vitraja, kao što su oni u crkvi Svete Marije u Strettonu, koristili su debelo, prugasto staklo kako bi oponašali blistave efekte njegovih mozaika.
Pored vizuelnih umetnosti, Ričmond je bio i skulptor i zagovornik zaštite životne sredine. Njegova značajna skulptorska dela uključuju:
Štaviše, bio je rani zagovornik čistog vazduha u Londonu, osnivajući Društvo za suzbijanje ugljenog dima 1898. godine kako bi se borio protiv tame uzrokovane dimom iz uglja.
