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1 najpoznatijih slika umetnika Wilhelm Haller, izbor iz galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela Wilhelm Haller u našem katalogu
Ukratko
Od svih originala koje je Wilhelm Haller ostavio, najpoznatiji je Mother with Child (1913), koji se nalazi u kolekciji Augustiner Museum, Frajburg. Naš katalog sadrži 1 dela umetnika Wilhelm Haller; galerija je čuvala 1 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
1873 – 1950, Freiburg im Breisgau
Najviše dela: Augustiner Museum
Top 10 slika umetnika Wilhelm Haller: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika Wilhelm Haller
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Wilhelm Haller | Slike iz ovog spiska |
|---|---|---|---|
 Augustiner Museum |
Frajburg | 1 | Mother with Child |
Wilhelm Haller iz godine u godinu: originalna dela koja definišu svaku od njih
1913 je godina svakog datiranog dela umetnika Wilhelm Haller u ovom odabiru: evo ih, rangiranih prema popularnosti.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Pitanja kolekcionara o slikama umetnika Wilhelm Haller
Po kojem delu je Wilhelm Haller najpoznatiji/a?Otkrij odgovor
Mother with Child (1913)
Koliko je godina imao/la Wilhelm Haller kada je nastalo delo Mother with Child?Otkrij odgovor
40 godina: Mother with Child datira iz 1913, a Wilhelm Haller je rođen/a 1873.
Koliko je slika ostavio Wilhelm Haller?Otkrij odgovor
Naš katalog sadrži 1 dela umetnika Wilhelm Haller.
U kojim muzejima se nalaze remek-dela umetnika Wilhelm Haller?Otkrij odgovor
Većinom u Augustiner Museum (Frajburg). Tabela muzeja iznad sadrži njih sve.
Wilhelm Haller: život i delo
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.