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Ukratko
Od svih originala koje je Jožef Ripl-Ronaј ostavio, najpoznatiji je Aristide Maillol (1899), koji se nalazi u kolekciji Musée d'Orsay, Pariz. Odmah za njima slede Girls Getting Dressed (also known as Red furniture and yellow wall) (1912) i A park at night (1892). Naš katalog sadrži 253 dela umetnika Jožef Ripl-Ronaј; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
A Moment Captured in Earth and Light The man sits before us, his presence heavy and grounded within the frame. He wears a wide-brimmed hat that casts soft shadows over his brow, while a dark jacket and light necktie anchor his form against a background of muted blues and oranges. There is a quiet strength in his bearded face, caught in a vertical medium shot that feels intimate, as if…
Two women occupy a domestic space defined by bold color and intimate proximity. One figure stands, partially nude and wearing only a hat, while the other sits in white clothing. They are positioned near chairs and several vases, creating a sense of quiet preparation. A potted plant introduces a singular touch of greenery into the composition. The scene captures a fleeting moment of transition, a private ritual of dressing that…
The night settles over the park, casting the landscape into a world of silver and shadow. Trees rise like dark, skeletal sentinels against a pale sky, their branches reaching out with a delicate, intricate complexity. A single figure stands beneath the canopy of one tree, a solitary presence caught in a moment of stillness. Nearby, other souls wander through the gloom, some drifting near the foreground while others dissolve into…
Woman with a Birdcage is an oil on canvas painting created in 1892 by the Hungarian artist József Rippl-Rónai. The work explores the themes of freedom and confinement through its central subject. This piece was produced during a period when the artist was developing a style characterized by atmospheric and intimate depictions.
A single figure occupies the frame, a woman draped in a red blouse that anchors the composition. The fabric holds a weight of color against a muted, textured background. Her form is elongated, stretching vertically like a shadow cast in the late afternoon sun. There is a stillness in her posture, a quietude that suggests a moment caught between breaths. The light does not strike her; it settles upon her,…
A large black hat dominates the upper frame, casting a soft weight over the woman’s features. She sits in a quiet room, her presence defined by the dark veil that obscures the edges of her identity. The light is diffused, a pale glow that touches her skin without harshness, leaving the background to dissolve into indistinct shapes. A piano rests to the side, a silent witness to the stillness. The…
Embroidering Women is a charcoal drawing created by József Rippl-Rónai in 1894. The artist, a Hungarian painter, was a pioneer of Hungarian Modernism. His hand moved across the paper to capture a singular moment of focus. The work emerged during a period of significant transition in his career.
A somber, intimate scene unfolds within a bedroom, rendered through the expressive lens of late 19th-century Symbolism. The composition relies on heavy diagonal lines—the angle of the headboard and the slumped posture of the seated man—to establish a sense of instability. A man sits in a chair beside a bed where a woman lies, while another woman kneels nearby in a gesture of attendance or grief. The figures are defined…
White Wall, Brown Furniture is an oil on canvas painted by József Rippl-Rónai in 1903. The scene captures a quiet domestic interior, a moment of stillness held within the frame. It is a study of light and shadow resting upon the surfaces of a private room.
Uncle Piacsek with Dolls is a work by József Rippl-Rónai, created in 1905. The artist, born in 1861 in Kaposvár, Hungary, was a central figure in the development of Hungarian modernism. His career spanned several decades until his death in 1927.
The Child of the Cook Always Cries1905
12
Old Shepherd1901
13
When One Lives on Memories1904
14
Vase1898 · Museum of Applied Arts
15
My Brother Ödön1906
16
Old Man with a Pipe by Window1914 · Slovačka nacionalna galerija
17
Ms. László Vágó in a Black Dress1916
18
Woman with a Chinese Cup1920
19
Lili Darvas Playing Lonti (also known as Heavenly and Earthly Love)1922
20
Woman with Three Girls1909 · Brooklyn Museum
21
Woman with a Bird Cage1892
22
French soldiers marching1914 · Musée d'Orsay
23
Slender Woman with Vase1894 · Art Institute of Chicago
24
Portrait of James Pitcairn Knowles1892
25
Portrait of Mlle Dutile1892
26
My Grandmother1894 · Mađarska nacionalna galerija
27
Woman Dressed in Polka Dots Robe1889
28
Portrait of a Woman1891 · Nationalmuseum
29
In the Studio1888
30
Skittle-players1892
31
Girl in the Armchair1888
32
Nude with Yellow Daffodil1891
33
Portrait of Margit Piátsek1892
34
Inn at Pont-Aven1889
35
Sitting Nude with Red Hair1891
36
Female Portrait1889
37
Lady in bed1891 · Mađarska nacionalna galerija
38
Portrait of Mrs Pataki1892
39
Sitting Child with Basket1890
40
Red-haired Parisian Girl1891
41
Cemetery in the Great Plain1894
42
Woman with a Rose (study)1898
43
Portrait of Pierre Bonnard1897
44
Countess Tivadar Andrássy1896
45
Young Paris female worker1895
46
Les Vierges1895
47
Women in a Garden1898
48
The Old Guard and the Cock1898
49
Ladies in the Interior1894
50
My Father and My Mother1896
51
Old Woman with Violet1895
52
Pierre Bonnard1897
53
Girl in Red with Flowers1895
54
Under the Hollyhocks1895
55
The Large Glass1893
56
Twilight in an Intimate Room1894
57
Woman Dressed in White1896
58
Les Vierges1895
59
Pensive Woman with Vase of Flowers1896
60
Woman in the Garden (also known as Walking Woman)1895
61
Self-Portrait in Younger Age1896
62
Parisian Woman with Hat1893
63
Moulin Rouge1897
64
Rákóczi Ceremony in Kassa1903
65
Flox and Filox1903
66
Portrait of Pierre Bonnard1899
67
Portrait of Mrs. Miksa Feny.1905
68
Cléo de Merode's Kin1901
69
Woman in a Pink Hat1900
70
Maillol's House in the vicinity of Banyuls1899
71
Woman in Blue Dress1901
72
Paving the Main Street of Kaposvár1905
73
Two Children1902
74
Portrait of József Nyitrai1899
75
Cherry tree blooms1903
76
Casino at Herkulesfürd.1901
77
Woman with Red Hair1905
78
Engraving Woman in the Window1905
79
Portrait of Count Andor Somssich1902
80
Port of Fiume1903
81
The old man and a woman playing the mandolin1905
82
The Kunffy Child1904
83
View to the Buda Castle1902
84
Woman at Riga1904
85
T.keberes Castle at Night1900
86
Woman with Blue Pearl Necklace1900
87
Houses, Clouds, End of Summer
88
untitled (195)
89
untitled (2904)
90
untitled (4275)
91
untitled (6991)
92
Nude on a Balcony1909
93
Painting for the Schiffer Villa1911 · Mađarska nacionalna galerija
94
Portrait of a Blonde Lady
95
Castle in Körtvelyes1907
96
Lazarine and Anella in the Park1910 · Mađarska nacionalna galerija
97
Woman with Dumpy1910
98
Portrait of Mrs. Kunffy wth Flowered Hat1907
99
Pál Szinyei Merse1911
100
Parc Monceau1910
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
7 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jožef Ripl-Ronaј | Slike iz ovog spiska |
|---|---|---|---|
 Mađarska nacionalna galerija |
Budimpešta | 11 | Girls Getting Dressed (also known as Red furniture and yellow wall), Woman with a Birdcage, My Grandmother |
 Musée d'Orsay |
Pariz | 2 | Aristide Maillol, French soldiers marching |
 Museum of Applied Arts |
Budimpešta | 2 | Vase |
 Slovačka nacionalna galerija |
Bratislava | 1 | Old Man with a Pipe by Window |
 Brooklyn Museum |
New York City | 1 | Woman with Three Girls |
 Art Institute of Chicago |
Čikago | 1 | Slender Woman with Vase |
 Nationalmuseum |
Стокхолм | 1 | Portrait of a Woman |
Izaberite deceniju da biste videli original koji je definiše.
A Moment Captured in Earth and Light The man sits before us, his presence heavy and grounded within the frame. He wears a wide-brimmed hat that casts soft shadows over his brow, while a dark jacket and light necktie anchor his form against a background of muted blues and oranges. There is a quiet strength in his bearded face, caught in a vertical medium shot that feels intimate, as if…
A somber, intimate scene unfolds within a bedroom, rendered through the expressive lens of late 19th-century Symbolism. The composition relies on heavy diagonal lines—the angle of the headboard and the slumped posture of the seated man—to establish a sense of instability. A man sits in a chair beside a bed where a woman lies, while another woman kneels nearby in a gesture of attendance or grief. The figures are defined…
Two women occupy a domestic space defined by bold color and intimate proximity. One figure stands, partially nude and wearing only a hat, while the other sits in white clothing. They are positioned near chairs and several vases, creating a sense of quiet preparation. A potted plant introduces a singular touch of greenery into the composition. The scene captures a fleeting moment of transition, a private ritual of dressing that…
In Woman with a Chinese Cup by József Rippl-Rónai, the composition draws the eye inward, centering the viewer's attention on the woman's face and upper body. A dark hat and a soft shawl partially obscure her form, creating a sense of layered depth. She holds a small glass object in her hand, a detail that introduces a quiet element of mystery to the arrangement. The background remains indistinct and dark,…
Aristide Maillol (1899), Musée d'Orsay, Pariz. Slede Girls Getting Dressed (also known as Red furniture and yellow wall) (1912) i A park at night (1892).
38 godina: Aristide Maillol datira iz 1899, a Jožef Ripl-Ronaј je rođen/a 1861.
Aristide Maillol, Girls Getting Dressed (also known as Red furniture and yellow wall), A park at night, Woman with a Birdcage, Woman in the Red Blouse, Lady with Black Veil, Embroidering Women, Untitled, White Wall, Brown Furniture i Uncle Piacsek with Dolls. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 253 dela umetnika Jožef Ripl-Ronaј, datiranih od 1888 do 1922.
Većinom u Mađarska nacionalna galerija (Budimpešta), Musée d'Orsay (Pariz) i Museum of Applied Arts (Budimpešta). Tabela muzeja iznad sadrži njih sve.
U 1890s: 47 od 100 dela na ovoj stranici nastalo je tada, od čega je Aristide Maillol.
Na ovoj stranici, najstarije delo je iz In the Studio (1888), a najnovije iz Lili Darvas Playing Lonti (also known as Heavenly and Earthly Love) (1922).
Women (22), Hungarian art (11) i Woman (9), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 12 od 100 dela na ovoj stranici.
Post-impressionism, sudeći po originalima na ovoj stranici.
Girls Getting Dressed (also known as Red furniture and yellow wall), Woman with a Birdcage i My Grandmother: Mađarska nacionalna galerija, Budimpešta čuva 6 dela sa ove stranice.
József Rippl-Rónai bio je ključna figura u uvođenju i razvoju modernističkih umetničkih pokreta unutar mađarske umetničke scene. Rođen 1861. godine u gradu Kapošvaru, njegov umetnički put vodio ga je kroz rigorozno obrazovanje i susret sa raznovrsnim uticajima koji su oblikovali njegov jedinstveni stil.
Formalno umetničko obrazovanje Rippl-Rónai je započeo na Minhenskoj akademiji lepih umetnosti, pre nego što je nastavio studije u pariskoj Académie Julian. Njegova rana dela pokazivala su živopisnu upotrebu boje, odvažne poteze četkicom i inovativne kompozicije, odražavajući njegov angažman prema impresionizmu, postimpresionizmu i simbolizmu. Jedno značajno rano delo, The Inn at Pont-Aven, utvrdilo je njegovu sposobnost da prenese atmosferu kroz nijansirane palete boja i ekspresivne tehnike. Na njega je uticao Mihály Munkácsy, dok je kasnije prihvatio filozofije grupe Les Nabis.
Njegov umetnički stil se vremenom razvijao, karakterisan progresijom od tamnijih, atmosferskih dela ka svetlijim, fragmentisanim kompozicijama koje se često nazivaju „zrno kukuruza”, gde zasebne mrlje boje stvaraju teksturiran vizuelni efekat.
Doprinosi Józsefa Rippl-Rónaija mađarskoj modernoj umetnosti su neosporni. Njegov inovativni pristup boji, kompoziciji i tematici učvrstio je njegovo mesto ključne figure u razvoju mađarskog umetničkog identiteta tokom perioda značajnih promena.
