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Iz perspektive galerije, najpoznatije delo umetnika Анселм Фојербах je Orpheus and Eurydike (1869). Portrait of an Older Gentleman (1852) i Kinderständchen (1860) čine triju koju svako oko prepoznaje. Od 128 dela umetnika Анселм Фојербах u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In this 1869 mythological painting, Orpheus and Eurydike appear caught in a moment of profound tension. The artist, Anselm Feuerbach, captures the figures as they navigate the heavy atmosphere of a tragic legend. Orpheus, the legendary musician, stands with his lyre, his presence defined by the weight of the myth that surrounds him. Beside him, Eurydike moves through the scene, her presence tied to the sorrow of her fate. The…
In Portrait of an Older Gentleman by Anselm Feuerbach, the subject is captured in a close-up, bust-length view. He sits centered against a dark, indistinct background that offers no distraction from his presence. The composition relies on a muted and earthy color palette, where deep blacks, browns, and ochres settle into the shadows. This somber arrangement focuses entirely on the weight of the man's character. The style is realistic, prioritizing…
We are looking at Kinderständchen, an oil on canvas painted by Anselm Feuerbach. This work dates to 1860, a period when the artist was refining his specific approach to form and color. It is a substantial piece, measuring 116 x 231 cm, which gives the composition a significant presence when viewed in person.
The salt spray hangs in the air as a woman sits alone upon the earth, her presence a quiet anchor against the rhythmic movement of the sea. She wears a white dress that spills around her, its folds catching the light in a way that suggests the stillness of carved stone. Her hands are clasped tightly against her chest, a gesture of inward focus that pulls the viewer into her…
The oil on canvas titled Self-portrait was painted by the artist Anselm Feuerbach in 1873. This work captures a specific moment in the life of a man born in 1829 and deceased in 1880. The image remains a quiet study of the individual, fixed in time through the medium of paint.
In this intimate oil on canvas, we encounter Self-portrait as a boy, a work painted by Anselm Feuerbach. It is a quiet, early reflection, capturing the artist, Anselm Feuerbach, in his youth. The painting offers a rare glimpse into the subject's own likeness, rendered with a sense of gravity that belies the age of the sitter.
Henriette Feuerbach sits in a three-quarter profile, her presence defined by a somber, steady gaze. The portrait, executed in 1878, captures the subject in her later years, presenting a face of pale, luminous skin against a dark, atmospheric background. Her attire, a heavy black mourning garment, is rendered with meticulous attention to the tactile quality of lace and fabric. The lighting, descending from the upper left, carves deep shadows into…
In the grand tapestry of nineteenth-century art, few works capture the ethereal tension between classical grace and Romantic passion as profoundly as Anselm Feuerbach’s The Judgement of Paris. Created in 1870, this breathtaking oil painting serves as a window into a world where gods and mortals intersect amidst a lush, idyllic landscape. The scene depicts the pivotal moment of mythological destiny: the selection of the most beautiful goddess. As Venus,…
The painting titled Selfportrait is a direct encounter with the artist Anselm Feuerbach. Created in 1878, this work belongs to the genre of self-portraiture. It captures a specific moment of the painter's own existence, rendered in oil on canvas. The image presents a man looking back at the viewer through a steady, unblinking gaze.
This black and white reproduction of a dramatic, high-contrast painting depicts the biblical scene of Samson and Delilah. The composition is dynamic and crowded, characterized by intense movement and emotional turmoil. The subject matter captures the moment of Samson's betrayal or capture, with a central muscular male figure (Samson) being restrained or attacked by several men, while a woman (Delilah) watches from a seated position on the left. The perspective…
Allegorie1847
12
Bacchuszug1847
13
Diana, Emerging from her Bath, Surrounded by Nymphs1854 · Bavarske državne slikopisne kolekcije
14
Gypsy with Tambourine*1854 · Staatliche Kunsthalle Karlsruhe
15
Youthful Self-Portrait1852 · Staatliche Kunsthalle Karlsruhe
16
Portrait (of the author?)1854
17
Flower girl1854 · Staatliche Kunsthalle Karlsruhe
18
Drei weibliche Gestalten an einem kleinen See1855
19
Zigeuner1854
20
Rokokodamen am Wasser1854
21
Landschaft mit Wasserfall1855
22
Landschaft mit badenden Frauen1854
23
Blumenmädchen1854
24
Damenbildnis1854
25
Tänzerin (dekoratives Panneau)1854
26
Bildnis des Geheimrats Prof. Umbreit1853
27
Der Tod des Pietro Aretino1854
28
Bildnis des Prof. C. Cannstatt1850
29
Mädchen, um einen toten Vogel trauernd1854
30
Untitled (AQR3R6)1854
31
Versuchung des heiligen Antonius1854
32
Hafis in der Schenke1852
33
Pietà1854
34
The Golden Age1857 · Bavarske državne slikopisne kolekcije
35
Portrait of the Photographer Reitmayer1860
36
Musical Poetry1856 · Staatliche Kunsthalle Karlsruhe
37
Nanna1861 · Alte Nationalgalerie
38
Iphigenie1862 · Hessisches Landesmuseum
39
Pietà1863 · Bavarske državne slikopisne kolekcije
40
Madonna1863 · Bavarske državne slikopisne kolekcije
41
Portrait of a Roman Woman (Nanna)1862 · Schackgalerie
42
Nanna1862
43
Portrait of Nanna Risi1861 · Staatliche Kunsthalle Karlsruhe
44
Kinder am Wasser1859
45
Bildnis Allgeyers1857 · Bavarske državne slikopisne kolekcije
46
Kinder am Springbrunnen1859
47
Dantes Tod1858
48
Maria mit dem Kind1860
49
Der Herbst (Balgende Buben mit Früchten)1860
50
Die Schauspielszene aus Hamlet1858
51
Dante mit Virgil in der Unterwelt1857 · Bavarske državne slikopisne kolekcije
52
Children Making Music1864 · Alte Nationalgalerie
53
Laura in the Church1865 · Bavarske državne slikopisne kolekcije
54
Henriette Feuerbach, the Stepmother of the Artist1871
55
Lucrezia Borgia; Portrait of a Roman woman in white tunic and red robe1864 · Städel Museum
56
Two ladies in a landscape1867 · Alte Nationalgalerie
57
Musizierende Kinder, von einer Nymphe belauscht1864 · Bavarske državne slikopisne kolekcije
58
Self-portrait with cigarette1871
59
The Symposium1871 · Alte Nationalgalerie
60
Sleeping Nymph1870 · Germanisches Nationalmuseum
61
Spring Scene1868 · Alte Nationalgalerie
62
Mutter mit Kind1867
63
Lesbia mit dem Vogel1868
64
Ricordo di Tivoli1867
65
Das Urteil des Paris1870
66
Untitled (AQR3NQ)1864 · Bavarske državne slikopisne kolekcije
67
Orpheus1869
68
Bildnis der Stiefmutter des Künstlers1867
69
Im Frühling. (Sechs Damen im Freien.)1868
70
Self-Portrait with Cigarette1875
71
Self-Portrait1878 · Staatliche Kunsthalle Karlsruhe
72
Sturz der Titanen1874
73
Landschaft mit Ziegen1873
74
Deutsch Zigeunertanz1853 · Hamburger Kunsthalle
75
Untitled (AQR3NN)1852 · Kunsthalle Mannheim
76
German Titanensturz
77
The Judgment of Paris1870 · Hamburger Kunsthalle
78
Mythologische Szene (Siegfrieds Tod )1846
79
Rock cleft with cows1855 · Alte Nationalgalerie
80
girls bathing in the evening1854
81
Untitled (AQR3QJ)1854
82
Untitled (AQR3P4)1851
83
Männlicher Halbakt1851
84
Young witch who is led to the stake1851 · Germanisches Nationalmuseum
85
Hafis vor der Schenke1852 · Kunsthalle Mannheim
86
Heroic landscape1856 · Alte Nationalgalerie
87
Untitled (AQR3SW)1856
88
Deutsch Garten des Ariost1863 · Schackgalerie
89
Landscape with Waterfall1865 · Bavarske državne slikopisne kolekcije
90
Coast near Porto d'Anzio1866 · Staatliche Kunsthalle Karlsruhe
91
Landschaft1871
92
Untitled (AQR3R4)1864 · Schackgalerie
93
Medea1870
94
Untitled (AQR3S8)1866 · Schackgalerie
95
Kinder am Strande1867 · Museum Georg Schäfer
96
Italiano Paolo e Francesca1864 · Schackgalerie
97
Francesca da Rimini1864 · Bavarske državne slikopisne kolekcije
98
Musizierende Kinder1864 · Kunstmuseum Moritzburg
99
Gastmahl des Plato1869 · Staatliche Kunsthalle Karlsruhe
100
German Pfingstrosen (Päonien) Peonies1871 · Neue Pinakothek
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Анселм Фојербах | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 12 | Diana, Emerging from her Bath, Surrounded by Nymphs, The Golden Age, Pietà |
 Alte Nationalgalerie |
Berlin | 10 | Self-portrait, Self-portrait as a boy, The Artist's Step-mother, Henriette Feuerbach |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 10 | Portrait of an Older Gentleman, Gypsy with Tambourine*, Youthful Self-Portrait |
 Schackgalerie |
Minhen | 15 | Portrait of a Roman Woman (Nanna), Deutsch Garten des Ariost, Untitled (AQR3R4) |
 Hamburger Kunsthalle |
Hamburg | 3 | English The Judgement of Paris Deutsch Das Urteil des Paris Русский Суд Париса, Deutsch Zigeunertanz, The Judgment of Paris |
 Germanisches Nationalmuseum |
Nurenberg | 2 | Sleeping Nymph, Young witch who is led to the stake |
 Nizozemski državni muzej Hannover |
Hannover | 3 | Kinderständchen |
 Staatsgalerie Stuttgart |
Štutgart | 1 | Iphigenie II |
Izaberite deceniju da biste videli original koji je definiše.
In this intimate oil on canvas, we encounter Self-portrait as a boy, a work painted by Anselm Feuerbach. It is a quiet, early reflection, capturing the artist, Anselm Feuerbach, in his youth. The painting offers a rare glimpse into the subject's own likeness, rendered with a sense of gravity that belies the age of the sitter.
In Portrait of an Older Gentleman by Anselm Feuerbach, the subject is captured in a close-up, bust-length view. He sits centered against a dark, indistinct background that offers no distraction from his presence. The composition relies on a muted and earthy color palette, where deep blacks, browns, and ochres settle into the shadows. This somber arrangement focuses entirely on the weight of the man's character. The style is realistic, prioritizing…
In this 1869 mythological painting, Orpheus and Eurydike appear caught in a moment of profound tension. The artist, Anselm Feuerbach, captures the figures as they navigate the heavy atmosphere of a tragic legend. Orpheus, the legendary musician, stands with his lyre, his presence defined by the weight of the myth that surrounds him. Beside him, Eurydike moves through the scene, her presence tied to the sorrow of her fate. The…
The salt spray hangs in the air as a woman sits alone upon the earth, her presence a quiet anchor against the rhythmic movement of the sea. She wears a white dress that spills around her, its folds catching the light in a way that suggests the stillness of carved stone. Her hands are clasped tightly against her chest, a gesture of inward focus that pulls the viewer into her…
Orpheus and Eurydike (1869). Slede Portrait of an Older Gentleman (1852) i Kinderständchen (1860).
40 godina: Orpheus and Eurydike datira iz 1869, a Анселм Фојербах je rođen/a 1829.
Orpheus and Eurydike, Portrait of an Older Gentleman, Kinderständchen, Iphigenie II, Self-portrait, Self-portrait as a boy, The Artist's Step-mother, Henriette Feuerbach, English The Judgement of Paris Deutsch Das Urteil des Paris Русский Суд Париса, Selfportrait i Samson and Delila (Copy after Rubens). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 128 dela umetnika Анселм Фојербах, datiranih od 1845 do 1878.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Alte Nationalgalerie (Berlin) i Staatliche Kunsthalle Karlsruhe (Karlsrue). Tabela muzeja iznad sadrži njih sve.
U 1850s: 41 od 100 dela na ovoj stranici nastalo je tada, od čega je Portrait of an Older Gentleman.
Na ovoj stranici, najstarije delo je iz Self-portrait as a boy (1845), a najnovije iz The Artist's Step-mother, Henriette Feuerbach (1878).
Woman (35), Man (18) i Drapery (14), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 49 od 100 dela na ovoj stranici.
Romanticism i Neoclassicism, sudeći po originalima na ovoj stranici.
Diana, Emerging from her Bath, Surrounded by Nymphs, The Golden Age i Pietà: Bavarske državne slikopisne kolekcije, Minhen čuva 11 dela sa ove stranice.
Анселм Фојербах (1829–1880) predstavlja monumentalnu figuru u tapiseriji nemačkog romantizma i neoklasicizma, olikavajući retku i harmoničnu fuziju ova dva moćna umetnička pravca. Rođen u Špajeru u intelektualno dubokom poreklu — njegov otac, Joseph Anselm Ritter von Feuerbach, bio je čuveni arheolog — Фојербах je bio predodređen za život uronjen u proučavanje antike. Ova ancestralna povezanost sa klasičnim svetom duboko je oblikovala njegovu umetničku senzibilnost od najranijih godina. Njegovo formalno obrazovanje započelo je u akademiji u Diseldorfu između 1845. i 1848. godine, gde je pod strogim mentorstvom majstora kao što su Johann Wilhelm Schirmer i Wilhelm von Schadow stekao temeljno razumevanje klasične estetike i pedantnu preciznost skulpturalnog umeća.
Trag njegovog razvoja obeležila je nemirna potraga za vizuelnim jezikom koji bi mogao da premosti jaz između emocionalne dubine romantizma i strukturne čistote neoklasicizma. Nakon što je usavršio svoje veštine na Minhenskoj akademiji, Фојербах je tražio inspiraciju izvan nemačkih granica, nastanivši se u Antverpenu kako bi pod vođstvom Gustava Vapersa savladao vibrantni venecijanski kolorizam. Njegovo putovanje kroz Pariz 1851. godine pružilo je ključni trenutak umetničkog proboja; upravo je tamo stvorio remek-delo Hafiz na fontani (1852). Ovo zadihlayuće delo, koje je proželo arapsku poeziju klasičnim idealizmom, poslužilo je kao dokaz njegove jedinstvene sposobnosti da sintetizuje različite kulturne uticaje u jednu, transcendentnu viziju.
Vođen necrpnom fascinacijom prema italijanskoj renesansi, Фојербах je započeo duhovno i umetničko hodočašće u Italiju. Njegov boravak u Veneciji omogućio mu je da upije ekspresivni dinamizam i bogatu paletu venecijanskih majstora, dok su njegovo vreme u Firenci i Rimu učvrstili njegovu posvećenost humanističkim idealima. Tokom dugog boravka u Rimu, koji je trajao sve do 1873. godine, postao je centralna figura među Deutschrömer — grupom nemačkih umetnika živećih u Italiji, koja je uključivala svetlose Arnold Böcklin i Hans von Marées. Ovaj period karakterisao je intenzivan fokus na dostojanstvo ljudske figure i evokativnu moć mitoloških tema.
Njegova tehnika bila je sofisticirana mešavina nekoliko ključnih elemenata:
Rad Anselma Фојербаха ostaje duboka meditacija o neprolaznoj lepoti klasične prošlosti. On nije samo imitirao antiku; naprotiv, on je reinterpretirao njen duh za modernu eru, stvarajući kompozicije koje deluju istovremeno vanvremenski i duboko lično. Njegina slika, često karakterisane elegantnim kompozicijama figura i osećajem melanholične tišine, nastavljaju da očaravaju publiku svojom tihom intenzitetnošću. Tkanjem strukturne rigoroznosti neoklasicizma sa duševnim lirizmom romantizma, Фојербах je osigurao svoje mesto kao jedan od najznačajnijih slikara 19. veka, ostavljajući za sobom nasleđe koje slavi večni dijalog između čovečanstva i mita.
