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Portrait of a F. (1939) je slika autora Sōtarō Yasui koja privlači najviše pogleda. Nakon toga, pogled se seli na Lama Shrine at Chengteh (1938) i Flowers (1927). Među 4 dela umetnika Sōtarō Yasui u našem katalogu, ovih 4 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
Top 10 slika umetnika Sōtarō Yasui, iz ugla galerije
Lama Shrine at Chengteh
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
Flowers
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
Muzeji u kojima se čuvaju originalna dela umetnika Sōtarō Yasui
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Sōtarō Yasui | Slike iz ovog spiska |
|---|---|---|---|
| Nagoya | 1 | Lama Shrine at Chengteh | |
| Tokyo | 1 | Flowers |
Sōtarō Yasui kroz godine: jedinstveni originali svakog dela
13 godina razmaka između prvog i poslednjeg datiranog originala umetnika Sōtarō Yasui prikazanog ovde, 1927 i 1939: svaka godina ima svoje mesto u nastavku.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Flowers
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
Lama Shrine at Chengteh
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
Slike umetnika Sōtarō Yasui: pitanja za galeriju
Koje je najpoznatije delo umetnika Sōtarō Yasui?Otkrij odgovor
Portrait of a F. (1939). Slede Lama Shrine at Chengteh (1938) i Flowers (1927).
U kojoj je godini Sōtarō Yasui stvorio/la Portrait of a F.?Otkrij odgovor
51 godina: Portrait of a F. datira iz 1939, a Sōtarō Yasui je rođen/a 1888.
Koliko je poznatih dela umetnika Sōtarō Yasui?Otkrij odgovor
Naš katalog sadrži 4 dela umetnika Sōtarō Yasui, datiranih od 1927 do 1939.
Gde se mogu videti najpoznatiji originali umetnika Sōtarō Yasui?Otkrij odgovor
Većinom u Aichi Prefectural Museum of Art (Nagoya) i Marubeni Gallery (Tokyo). Tabela muzeja iznad sadrži njih sve.
Ko je najraniji, a koje je najkasnije čuveno delo umetnika Sōtarō Yasui?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Flowers (1927), a najnovije iz Portrait of a F. (1939).
Sōtarō Yasui: portret umetnika
Yasui Sōtarō: A Pioneer of Modern Japanese Painting
Early Life and Training
Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.Years in France and Artistic Influences
In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.Artistic Style and Development
Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.Notable Works and Achievements
Some of Yasui Sōtarō’s most celebrated works include:- Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
- View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
- Black-haired Woman (1924)
- Portrait of a Woman (1930)
- Chin-Jung (1934)