Portret Sōtarō Yasui

4 najpoznatijih slika umetnika Sōtarō Yasui, svaka potpuno jedinstvena

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 4 dela Sōtarō Yasui u našem katalogu

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Portrait of a F. (1939) je slika autora Sōtarō Yasui koja privlači najviše pogleda. Nakon toga, pogled se seli na Lama Shrine at Chengteh (1938) i Flowers (1927). Među 4 dela umetnika Sōtarō Yasui u našem katalogu, ovih 4 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.

1888 – 1955, Nakagyō Ward Najviše dela: Aichi Prefectural Museum of Art

Top 10 slika umetnika Sōtarō Yasui, iz ugla galerije

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Lama Shrine at Chengteh (1938) čiji je Sōtarō Yasui

Lama Shrine at Chengteh

1938 · Oil · Aichi Prefectural Museum of Art, Nagoya

In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…

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Flowers (1927) čiji je Sōtarō Yasui

Flowers

1927 · Marubeni Gallery, Tokyo

安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。

Muzeji u kojima se čuvaju originalna dela umetnika Sōtarō Yasui

2 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Sōtarō Yasui Slike iz ovog spiska
Aichi Prefectural Museum of Art, NagoyaAichi Prefectural Museum of Art Nagoya 1 Lama Shrine at Chengteh
Marubeni Gallery, TokyoMarubeni Gallery Tokyo 1 Flowers

Sōtarō Yasui kroz godine: jedinstveni originali svakog dela

13 godina razmaka između prvog i poslednjeg datiranog originala umetnika Sōtarō Yasui prikazanog ovde, 1927 i 1939: svaka godina ima svoje mesto u nastavku.

Radovi po godinama

Izaberite godinu da biste videli originalna dela.

Slike umetnika Sōtarō Yasui: pitanja za galeriju

Koje je najpoznatije delo umetnika Sōtarō Yasui?Otkrij odgovor

Portrait of a F. (1939). Slede Lama Shrine at Chengteh (1938) i Flowers (1927).

U kojoj je godini Sōtarō Yasui stvorio/la Portrait of a F.?Otkrij odgovor

51 godina: Portrait of a F. datira iz 1939, a Sōtarō Yasui je rođen/a 1888.

Koliko je poznatih dela umetnika Sōtarō Yasui?Otkrij odgovor

Naš katalog sadrži 4 dela umetnika Sōtarō Yasui, datiranih od 1927 do 1939.

Gde se mogu videti najpoznatiji originali umetnika Sōtarō Yasui?Otkrij odgovor

Većinom u Aichi Prefectural Museum of Art (Nagoya) i Marubeni Gallery (Tokyo). Tabela muzeja iznad sadrži njih sve.

Ko je najraniji, a koje je najkasnije čuveno delo umetnika Sōtarō Yasui?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Flowers (1927), a najnovije iz Portrait of a F. (1939).

Sōtarō Yasui: portret umetnika

Yasui Sōtarō: A Pioneer of Modern Japanese Painting

Early Life and Training

Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.

Years in France and Artistic Influences

In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.

Artistic Style and Development

Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.

Notable Works and Achievements

Some of Yasui Sōtarō’s most celebrated works include:
  • Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
  • View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
  • Black-haired Woman (1924)
  • Portrait of a Woman (1930)
  • Chin-Jung (1934)
In 1935, he was nominated for membership in the prestigious Imperial Fine Arts Academy, solidifying his position within the Japanese art world. He also co-founded the Issui-kai in 1936 with Ikuma Arishima as a rival organization to the Nikakai.

Historical Significance and Legacy

Yasui Sōtarō’s innovative approach revolutionized Japanese portraiture and landscape painting in the 20th century. He played a crucial role in the development of Yōga (Western-style) painting in Japan, successfully integrating Western techniques with Japanese artistic traditions. His work continues to inspire artists today, and his paintings are held in prominent collections such as those at the Art Institute of Chicago and the Hiroshima Museum of Art. He received the Order of Culture from the Japanese government in 1952, recognizing his significant contributions to the nation’s cultural heritage. Yasui Sōtarō passed away on December 14, 1955, leaving behind a legacy as one of Japan's most important modern painters.