Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 50 dela Сидни Ричард Перси u našem katalogu
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Loch Coruisk, Isle of Skye (1874) je slika autora Сидни Ричард Перси koja privlači najviše pogleda. Nakon toga, pogled se seli na A Rest On The Roadside i Path to the Bay, Fairlight Cove (1860). Među 50 dela umetnika Сидни Ричард Перси u našem katalogu, ovih 50 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A Masterpiece of Landscape Painting 'CITE>Sidney Richard Percy's Loch Coruisk, Isle of Skye, created in 1874, is a breathtaking oil on canvas painting that captures the essence of nature's grandeur. Measuring 116 x 182 cm, this artwork is a testament to Percy's skill in depicting serene landscapes. The Scene Unfolds The painting presents a majestic scene with a lake in the foreground, surrounded by towering mountains. A herd of cows…
A Rest On The Roadside by Sidney Richard Percy presents a serene landscape scene. The composition centers on a family taking a break along a winding path. This roadside pause occurs alongside a body of water, set against a backdrop of rugged mountains.
Path to the Bay, Fairlight Cove is an artwork by Sidney Richard Percy. Created about 1860, this oil painting captures a specific moment of coastal stillness. The artist, Sidney Richard Percy, was born in London, United Kingdom, and lived from 1821 to 1886.
Kilchum Castle Loch Awe is a landscape painting by Sidney Richard Percy. The work depicts a scene centered on a castle situated on a rocky peninsula at the edge of a body of water. The composition includes a calm expanse of water in the foreground, where livestock graze along the shoreline. In the background, mountains rise toward a sky filled with clouds, while the middle ground contains rolling hills and…
In this tranquil landscape scene, Sidney Richard Percy presents a quiet moment within the rugged expanse of the Scottish Highlands. The work, titled Loch Coruisk, captures a stillness that feels as though the air itself has paused. A group of cattle gathers upon a rocky shoreline, their forms rendered in various shades of brown and black. Some graze peacefully while others rest, their presence grounding the vastness of the wild…
In Snowdonia, Sidney Richard Percy turns his gaze toward the rugged mountain range of North Wales. Created about 1853, this oil painting captures a purely naturalistic scene. The subject matter focuses on the majesty of the Welsh mountains, presenting a landscape of stone and sky. High, craggy peaks rise against a pale blue expanse, their surfaces etched by the passage of light and shadow.
A view of Llyn Dulyn is an oil on canvas painting by Sidney Richard Percy. Created in 1854, the work captures the Black Lake nestled within the rugged mountains of Caernarvonshire, Wales. The landscape focuses on the stillness of the water and the weight of the surrounding stone.
In "The Angler's Corner" by Sidney Richard Percy, the eye begins at a low vantage point near the riverbank, amidst the detailed reeds of the foreground. This perspective pulls the viewer into a tranquil river scene, where the water meets the earth in a quiet, liquid embrace. On the left bank, a lone figure sits fishing, a small presence against the vastness of the landscape. Nearby, grazing cattle are partially…
is an oil painting by Sidney Richard Percy, executed about 1851. The artist, born in London, United Kingdom, in 1821, was a central figure of the Barnes School. His career spanned the mid-to-late Victorian era until his death in 1886.
The rugged peaks of the Welsh landscape emerge from the canvas in Snowdon, a landscape oil painting by Sidney Richard Percy. Created about 1853, this work captures a moment of quietude amidst the craggy terrain. The scene unfolds with a sense of stillness, as if the mountains are holding their breath under a pale, hazy sky. One feels the weight of the stone and the coolness of the air through…
Near Bettwys-y-Coed1869
12
Llyn y Cwn Flynnon, North Wales1871
13
Loch Linne1869
14
Pen-y-Bont, Llanbedr, North Wales1866
15
Mawddach March1877
16
Carn Dearg and Ben Nevis from Achintee1874
17
Llyn-y-Ddinas, North Wales1873
18
Grizedale, Westmorland1883
19
The Shepherdess' Rest
20
Cattle By A Lake
21
The Ponway, Trefew, North Wales
22
Overlooking the Bay
23
Near Trefriw, North Wales
24
The Path Down To The Lake North Wales
25
Glen Falock, Dunbartonshire
26
Harvest Time
27
The Road to Loch Turrett
28
Figures On A Path By A Rocky Stream
29
Rest on the Roadside
30
On the Llugwy North Wales
31
The Wye
32
Llyn y Ddinas North Wales
33
Lyn y Ddinas, North Wales
34
By The Shore
35
Near Llyn Crafnant
36
The Path Down to the Lake, North Wales
37
The Lizard
38
Streatly On Thames
39
Landscape With A Lake, And Mountains Beyond
40
Moel Siabab, North Wales
41
The road across the common
42
Easdale Tarn, Westmoreland
43
Cattle and Drovers on a Path, Styhead Pass, Cumberland
44
Langdale, Westmorland
45
Moel Siabod from Glyn Lledr, with Figures and Cattle on a Riverside Path
46
The Bonnie Moor with Bracken Clad
47
Cattle in a Highland Landscape
48
Williams cattle and sheep in a scottish highland landscape
49
River Landscape Pair Part 2Dordrechts Museum
50
River Landscape Pair Part 1
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Сидни Ричард Перси | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 1 | A view of Llyn Dulyn |
 Dordrechts Museum |
Dordht | 1 | River Landscape Pair Part 2 |
Izaberite deceniju da biste videli original koji je definiše.
In Snowdonia, Sidney Richard Percy turns his gaze toward the rugged mountain range of North Wales. Created about 1853, this oil painting captures a purely naturalistic scene. The subject matter focuses on the majesty of the Welsh mountains, presenting a landscape of stone and sky. High, craggy peaks rise against a pale blue expanse, their surfaces etched by the passage of light and shadow.
Path to the Bay, Fairlight Cove is an artwork by Sidney Richard Percy. Created about 1860, this oil painting captures a specific moment of coastal stillness. The artist, Sidney Richard Percy, was born in London, United Kingdom, and lived from 1821 to 1886.
A Masterpiece of Landscape Painting 'CITE>Sidney Richard Percy's Loch Coruisk, Isle of Skye, created in 1874, is a breathtaking oil on canvas painting that captures the essence of nature's grandeur. Measuring 116 x 182 cm, this artwork is a testament to Percy's skill in depicting serene landscapes. The Scene Unfolds The painting presents a majestic scene with a lake in the foreground, surrounded by towering mountains. A herd of cows…
Loch Coruisk, Isle of Skye (1874). Slede A Rest On The Roadside i Path to the Bay, Fairlight Cove (1860).
53 godina: Loch Coruisk, Isle of Skye datira iz 1874, a Сидни Ричард Перси je rođen/a 1821.
Loch Coruisk, Isle of Skye, A Rest On The Roadside, Path to the Bay, Fairlight Cove, Kilchum Castle Loch Awe, Lock Coruisk, In Snowdonia, A view of Llyn Dulyn, The Angler's Corner, Homeward Bound i Snowdon. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 50 dela umetnika Сидни Ричард Перси, datiranih od 1851 do 1883.
Većinom u Royal Collection (London) i Dordrechts Museum (Dordht). Tabela muzeja iznad sadrži njih sve.
U 1850s: 5 od 50 dela na ovoj stranici nastalo je tada, od čega je In Snowdonia.
Na ovoj stranici, najstarije delo je iz The Angler's Corner (1851), a najnovije iz Grizedale, Westmorland (1883).
Sky (14), Mountains (11) i Water (10), kroz svih 50 dela na ovoj stranici.
Oil On Canvas, za 15 od 50 dela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
Sidney Richard Percy (1821–1886) stands as a cornerstone of the Barnes School, an artistic movement that flourished in London’s southwest during the Victorian era. Born into a family steeped in artistic tradition—his father, Edward Williams, was himself a celebrated painter—Percy inherited not only talent but also a profound connection to the rural landscapes of Britain. This familial lineage shaped his oeuvre with meticulous observation and a distinctive aesthetic that would eventually define much of the 19th-century English landscape tradition.
His upbringing within the Williams family fostered an environment where artistic pursuits were deeply valued. The siblings—including Henry John Boddington and Arthur Gilbert—all pursued careers as artists, establishing a remarkable familial tradition. While Percy’s development was largely self-directed, his apprenticeship under Thomas Hilliard, a respected gilder and engraver in Carnaby Street, provided him with invaluable technical insights. This early exposure to the precision of engraving profoundly influenced his approach to composition, allowing him to master the delicate interplay of light and shadow that characterizes his most celebrated works.
The relocation to Barnes, a tranquil village bordering the Thames River, marked a pivotal moment in Percy’s artistic life. Surrounded by marshes, farms, and rolling hills, this landscape provided an unparalleled source of inspiration. Embracing the Romantic tradition championed by masters such as James Ward and George Moront, Percy prioritized atmospheric perspective to capture the sublime beauty of the British countryside. His work often transcends mere documentation, instead evoking a sense of nostalgia and peace through the use of soft, luminous light and earthy tones.
Percy’s technical mastery is most evident in his ability to render diverse terrains with emotional depth:
Throughout his career, Percy achieved significant recognition within the British art establishment. Debuting at the Royal Academy in 1842, he quickly established himself as a professional force, launching his career with vigor during the 1840s. His ability to blend the realism of the landscape with the emotional resonance of Luminism allowed his work to resonate with both contemporary Victorian audiences and modern collectors alike.
The historical significance of Sidney Richard Percy lies in his role as a chronicler of a vanishing era. As the Industrial Revolution began to reshape the British landscape, Percy’s paintings preserved the memory of an untouched, pastoral England. Through his detailed depictions of grazing cattle, winding paths, and misty valleys, he created a timeless visual record of the sublime. Today, his work remains a testament to the enduring beauty of the natural world and a definitive contribution to the legacy of English landscape painting.
