Portret Robert Smithson

Slike umetnika Robert Smithson: Najpoznatijih 4 kroz oči galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 6 dela Robert Smithson u našem katalogu

Ukratko

Za ljubitelje galerije, najpoznatije delo umetnika Robert Smithson je Non Site - Site Uncertain, čiji se original nalazi u muzeju Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) i Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) čine triju koju svako oko prepoznaje. Od 6 dela umetnika Robert Smithson u našem katalogu, galerija u nastavku predstavlja 4 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1938 – 1973, Passaic Najviše dela: Detroit Institute of Arts
Non Site - Site Uncertain čiji je Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) čiji je Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) čiji je Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

Top 10 slika umetnika Robert Smithson u galeriji

Muzeji u kojima se čuvaju originalna dela umetnika Robert Smithson

2 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Robert Smithson Slike iz ovog spiska
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, najprepoznatljivija dela svake godine

5 godina, od 1966 do 1970, prikazuje čitavu datiranu karijeru umetnika Robert Smithson na ovoj stranici: kratku, prikazanu ovde godinu po godinu kroz njegova najpoznatija originalna dela.

Radovi po godinama

Izaberite godinu da biste videli originalna dela.

Slike umetnika Robert Smithson: odgovori galerije

Koja je najpoznatija slika umetnika Robert Smithson?Otkrij odgovor

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Slede Three-Sided Vortex (1966) i Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koliko je dela stvorio/la Robert Smithson?Otkrij odgovor

Naš katalog sadrži 6 dela umetnika Robert Smithson, datiranih od 1966 do 1970.

Gde se nalaze najpoznatiji originali umetnika Robert Smithson?Otkrij odgovor

Većinom u Detroit Institute of Arts (Detroit) i Chrysler Museum of Art (Norfolk). Tabela muzeja iznad sadrži njih sve.

Koja su najranija i najkasnija poznata dela umetnika Robert Smithson?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Three-Sided Vortex (1966), a najnovije iz Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: umetnik

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
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