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14 najpoznatijih slika umetnika Rienk Keijert, izbor iz galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 14 dela Rienk Keijert u našem katalogu
Ukratko
Od svih originala koje je Rienk Keijert ostavio, najpoznatiji je Allegory on the City of Leeuwarden (1742), koji se nalazi u kolekciji Fries Museum, Lievarden. Odmah za njima slede Portrait of an Unknown Man (1737) i Portrait of Antonia Cornelisdr. Schrevelius (1750). Naš katalog sadrži 14 dela umetnika Rienk Keijert; galerija je čuvala 14 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
1709 – 1775, Leeuwarden
Najviše dela: Fries Museum
Top 10 slika umetnika Rienk Keijert: izbor galerije
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Izbor umetnika Rienk Keijert se nastavlja, od 11 do 14
Muzeji u kojima se čuvaju originalna dela umetnika Rienk Keijert
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Rienk Keijert | Slike iz ovog spiska |
|---|---|---|---|
 Fries Museum |
Lievarden | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius |
 Nacionalni muzej u Varšavi |
Varšava | 1 | Athena and Odysseus |
Rienk Keijert deceniju po deceniju: original koji definiše svaku od njih
Radovi po decenijama
Izaberite deceniju da biste videli original koji je definiše.
Pitanja kolekcionara o slikama umetnika Rienk Keijert
Po kojem delu je Rienk Keijert najpoznatiji/a?Otkrij odgovor
Allegory on the City of Leeuwarden (1742), Fries Museum, Lievarden. Slede Portrait of an Unknown Man (1737) i Portrait of Antonia Cornelisdr. Schrevelius (1750).
Koliko je godina imao/la Rienk Keijert kada je nastalo delo Allegory on the City of Leeuwarden?Otkrij odgovor
33 godina: Allegory on the City of Leeuwarden datira iz 1742, a Rienk Keijert je rođen/a 1709.
Koja su deset najpoznatijih slika umetnika Rienk Keijert?Otkrij odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus i Solomon Worshipping the False Gods. Gornji rang pokazuje godinu i muzej za svako od njih.
Koliko je slika ostavio Rienk Keijert?Otkrij odgovor
Naš katalog sadrži 14 dela umetnika Rienk Keijert, datiranih od 1737 do 1773.
U kojim muzejima se nalaze remek-dela umetnika Rienk Keijert?Otkrij odgovor
Većinom u Fries Museum (Lievarden) i Nacionalni muzej u Varšavi (Varšava). Tabela muzeja iznad sadrži njih sve.
U kojim godinama je Rienk Keijert naslikao svoja najpoznatija dela?Otkrij odgovor
U 1750s: 6 od 14 dela na ovoj stranici nastalo je tada, od čega je Portrait of Antonia Cornelisdr. Schrevelius.
Koja su prva i poslednja čuvena originalna dela umetnika Rienk Keijert?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Portrait of an Unknown Man (1737), a najnovije iz Portrait of Adolf IJpey (1773).
Čija se dela umetnika Rienk Keijert nalaze u Fries Museum?Otkrij odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man i Portrait of Antonia Cornelisdr. Schrevelius: Fries Museum, Lievarden čuva 13 dela sa ove stranice.
Rienk Keijert: život i delo
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.