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3 najpoznatijih slika umetnika Pasquale Ottini, svaka potpuno jedinstvena
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 3 dela Pasquale Ottini u našem katalogu
Ukratko
Mary Magdalen (1600) je slika autora Pasquale Ottini koja privlači najviše pažnje; original se nalazi u muzeju Minneapolis Institute of Art, Minneapolis. Nakon toga, pogled se seli na The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) i Saint Lucy. Među 3 dela umetnika Pasquale Ottini u našem katalogu, ovih 3 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
1578 – 1630, Verona
Najviše dela: Minneapolis Institute of Art
Top 10 slika umetnika Pasquale Ottini, iz ugla galerije
Muzeji u kojima se čuvaju originalna dela umetnika Pasquale Ottini
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Pasquale Ottini | Slike iz ovog spiska |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 1 | Mary Magdalen |
 Dulwich Picture Gallery |
London | 1 | The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman |
Pasquale Ottini kroz godine: jedinstveni originali svakog dela
Dugovečna karijera od 31 godina, od 1600 do 1630: najpoznatiji originali umetnika Pasquale Ottini, prikazani godinu po godinu.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
1630
The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman
Godine: 52
1 dela ove godine
Slike umetnika Pasquale Ottini: pitanja za galeriju
Koje je najpoznatije delo umetnika Pasquale Ottini?Otkrij odgovor
Mary Magdalen (1600), Minneapolis Institute of Art, Minneapolis. Slede The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) i Saint Lucy.
U kojoj je godini Pasquale Ottini stvorio/la Mary Magdalen?Otkrij odgovor
22 godina: Mary Magdalen datira iz 1600, a Pasquale Ottini je rođen/a 1578.
Koliko je poznatih dela umetnika Pasquale Ottini?Otkrij odgovor
Naš katalog sadrži 3 dela umetnika Pasquale Ottini, datiranih od 1600 do 1630.
Gde se mogu videti najpoznatiji originali umetnika Pasquale Ottini?Otkrij odgovor
Većinom u Minneapolis Institute of Art (Minneapolis) i Dulwich Picture Gallery (London). Tabela muzeja iznad sadrži njih sve.
Ko je najraniji, a koje je najkasnije čuveno delo umetnika Pasquale Ottini?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Mary Magdalen (1600), a najnovije iz The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630).
Pasquale Ottini: portret umetnika
The Studio of Brusasorci
In the quiet workshops of Verona, a young man named Pasquale Ottini began to find his voice under the watchful eye of Felice Brusasorci. He was not alone in this pursuit of craft; alongside him, Alessandro Turchi shared the same lessons and the same air. These early years were defined by the discipline of the studio, where the brush was guided by the traditions of a master. When Brusasorci passed away in 1605, the weight of unfinished business fell upon the young pupils. Ottini and Turchi stepped forward to complete a large canvas of the Fall of Manna for the church of San Giorgio in Braida, ensuring their teacher's vision reached its conclusion.
The early works of this period reveal a hand steeped in the Mannerist style. There is a certain tension in those first compositions, a lingering influence of the complex forms and stylized grace that characterized the era. While his path was largely centered in his hometown, whispers of a journey to Rome around 1615 suggest a life that reached beyond the borders of Verona. Whether he traveled with Turchi and Marcantonio Bassetti or remained close to the familiar streets of his birth, his presence in the artistic landscape of the seventeenth century remained steady.
A Life in Verona
Ottini’s career was marked by a devotion to the sacred spaces of his city. His hands worked upon many subjects that sought to bring the divine into the physical realm of the viewer. He left his mark upon the churches of San Stefano and San Giorgio, painting scenes such as the Massacre of the Innocents and San Niccolo. His ability to handle various media and subjects allowed him to move between the grand scale of church altarpieces and more intimate works, such as the Deposition completed for the church of San Francesco di Paola.
The shadows of history eventually caught up to the painter. In 1630, as the plague swept through Verona, Ottini’s own life reached its end. He died in the same city where he had learned his trade, leaving behind a body of work that reflected the shifting tastes of his time. His legacy survives through the paintings he left in the hands of the faithful and the collections that hold his depictions of the Assumption of the Virgin and the Lamentation of Christ.