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HMS Black Joke je slika autora Nicholas Matthews Condy koja privlači najviše pogleda. Nakon toga, pogled se seli na HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour (1834) i The Royal Yacht in Plymouth Sound, 30 August 1843 (1843). Među 71 dela umetnika Nicholas Matthews Condy u našem katalogu, ovih 64 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The ocean stretches out in a muted, grayscale expanse, a vast stage for a sudden and violent encounter. Two vessels dominate the center of the frame, their silhouettes cutting through the calm, heavy air. The HMS Black Joke moves with a predatory intent, its presence felt in the intricate web of rigging and the sturdy architecture of its hull. Nearby, another vessel sits in the water, caught in this tense,…
In this oil on canvas from 1834, we find ourselves watching a specific, quiet moment of maritime transition. The focus rests upon the HM Packet Brig 'Sheldrake' as it navigates the waters of Falmouth Harbour. Its sails are lowered, a sign of a vessel settling into its destination after a period of transit. There is a palpable sense of movement here, not of the frantic kind, but the steady, purposeful…
The Royal Yacht in Plymouth Sound, 30 August 1843 is a maritime oil painting by Nicholas Matthews Condy. Executed in 1843, the work captures a specific naval assembly within the waters of Plymouth Sound. The scene focuses on the Royal Yacht alongside its accompanying naval vessels.
In The Capture of the Slaver 'Gabriel' by HMS 'Acorn', 6 July 1841, Nicholas Matthews Condy presents a maritime scene of significant historical weight. The painting depicts the specific moment of the capture of a slaver ship by the HMS 'Acorn'. This event, which took place on July 6, 1841, is rendered with a dramatic and somewhat somber tone that reflects the gravity of the encounter on the open sea.
The oil painting titled HMS 'Powerful' captures a moment of naval presence upon the sea. Created by the British maritime painter Nicholas Matthews Condy, the work focuses on the structural reality of sailing vessels. It was painted about 1840, a period when the precision of ship portraiture held significant weight in the maritime tradition.
The Queen's Barge off Osborne by Nicholas Matthews Condy centers on a large sailing ship with its sails fully unfurled. This vessel, likely a royal barge of significant importance, dominates the foreground, distinguished by the presence of flags and pennants. The scale of the ship establishes a clear hierarchy within the maritime scene, asserting its presence against the surrounding waters.
The scene unfolds upon the deck of a vessel in 1851, as captured in the work titled On Board the Yacht 'Alarm'. This oil on panel painting by Nicholas Matthews Condy brings a specific moment of mid-19th-century maritime life into sharp focus. The air feels heavy with the salt of the sea and the social gravity of the men gathered upon the wood. It is a lively scene, caught in…
Richard, 2nd Earl Of Mount Edgcumbe
12
Fishermen Gossiping As They Work, With A Large Three-decker Beyond
13
The Cobbler
14
SeascapeGovernment Art Collection
15
Mount Edgcumbe Estate Workers In A Kitchen Interior
16
Royal William Victualling Yard, Stonehouse, 1840
17
H. M. Brig Acorn and H. M. Brig Ranger
18
A first rate ship-of-the-line beating up Plymouth Sound and calling for a pilot to take her into the Hamoaze
19
View Of The Exe, Near Topsham, Devon
20
Fish Market, Plymouth
21
Two Ships Near A Lighthouse
22
Portrait Of An Old Fisherman
23
Barbican, Plymouth
24
Inner Harbour, Plymouth
25
Troops On The Shore
26
Brick Works
27
Yacht Xarifa
28
Hms 'thetis' At Mount Wise, Built At Devonport
29
Saltash Passage, Plymouth
30
Fishermen Pulling In Their Lobster Pots
31
Hms 'royal Adelaide'
32
Mount Edgcumbe And Hamoaze
33
Hulks Off DevonportNational Maritime Museum
34
Hms Thisbe
35
Interior Of A Church
36
The Victualling Office, PlymouthYale Center for British Art
37
A French Frigate In A Stiff Breeze Offshore
38
Figures In A Moonlit Market Before An Open Theatre
39
Fishermen Netting Fish Off A Rocky Ledge In A Mountainous Wooded Landscape
40
Interior with Figures
41
Interior Scene
42
Trial In Progress
43
Hms Surinam Struck By Lightning
44
Drunken Sailors In A Wine Cellar, Shaded As A Skull
45
A Packet In The Channel (illustrated); And A Royal Naval Two-decker Running Inshore
46
Discussion In A Barn-tavernAntony House
47
Estate Staff In A Servants' Hall
48
Old Man Smoking
49
HMS 'Warspite' 50 Guns Conveying Lord Ashburton on a Special Mission to the United States, Beating D
50
The Court Dinner At Cotehele
51
Interior, Girl Spinning
52
HMS 'Pike'
53
Interior Study
54
A Cutter Yacht in Plymouth Sound
55
Cleaning The Fish
56
Warships at Devonport ( )
57
HMS 'Britannia'
58
Maritime Scene
59
A Frigate off a Rocky CoastNational Maritime Museum
60
Harbour SceneRoyal Albert Memorial Museum
61
Cottage Interior, a Cobbler
62
The Spinnaker Sail (Cutter with a Spinnaker Set)Royal Albert Memorial Museum
63
A Three DeckerNational Maritime Museum
64
The Battle of the Nile, 1 August 1798National Maritime Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
7 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Nicholas Matthews Condy | Slike iz ovog spiska |
|---|---|---|---|
 National Maritime Museum |
London | 6 | HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour, The Capture of the Slaver 'Gabriel' by HMS 'Acorn', 6 July 1841, Hulks Off Devonport |
 Royal Albert Memorial Museum |
Exeter | 2 | Harbour Scene, The Spinnaker Sail (Cutter with a Spinnaker Set) |
 Royal Collection |
London | 1 | The Royal Yacht in Plymouth Sound, 30 August 1843 |
 The National Trust For Scotland |
Maybole | 1 | The Queen's Barge off Osborne |
 Government Art Collection |
London | 1 | Seascape |
 Yale Center for British Art |
New Haven | 1 | The Victualling Office, Plymouth |
 Antony House |
1 | Discussion In A Barn-tavern |
Izaberite deceniju da biste videli original koji je definiše.
In this oil on canvas from 1834, we find ourselves watching a specific, quiet moment of maritime transition. The focus rests upon the HM Packet Brig 'Sheldrake' as it navigates the waters of Falmouth Harbour. Its sails are lowered, a sign of a vessel settling into its destination after a period of transit. There is a palpable sense of movement here, not of the frantic kind, but the steady, purposeful…
The Royal Yacht in Plymouth Sound, 30 August 1843 is a maritime oil painting by Nicholas Matthews Condy. Executed in 1843, the work captures a specific naval assembly within the waters of Plymouth Sound. The scene focuses on the Royal Yacht alongside its accompanying naval vessels.
The scene unfolds upon the deck of a vessel in 1851, as captured in the work titled On Board the Yacht 'Alarm'. This oil on panel painting by Nicholas Matthews Condy brings a specific moment of mid-19th-century maritime life into sharp focus. The air feels heavy with the salt of the sea and the social gravity of the men gathered upon the wood. It is a lively scene, caught in…
HMS Black Joke. Slede HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour (1834) i The Royal Yacht in Plymouth Sound, 30 August 1843 (1843).
HMS Black Joke, HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour, The Royal Yacht in Plymouth Sound, 30 August 1843, The Capture of the Slaver 'Gabriel' by HMS 'Acorn', 6 July 1841, HMS 'Powerful', The Queen's Barge off Osborne, On Board the Yacht 'Alarm', Plymouth Hoe And Drake's Island From Cremyll Point, Coast Scene With Fishing Boats i Arrival Of Fishing Boats, Teignmouth. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 71 dela umetnika Nicholas Matthews Condy, datiranih od 1834 do 1851.
Većinom u National Maritime Museum (London), Royal Albert Memorial Museum (Exeter) i Royal Collection (London). Tabela muzeja iznad sadrži njih sve.
U 1840s: 4 od 64 dela na ovoj stranici nastalo je tada, od čega je The Royal Yacht in Plymouth Sound, 30 August 1843.
Na ovoj stranici, najstarije delo je iz HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour (1834), a najnovije iz On Board the Yacht 'Alarm' (1851).
Sailing ships (5), Interior (5) i Rigging (4), kroz svih 64 dela na ovoj stranici.
Oil, za 3 od 64 dela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
HM Packet Brig 'Sheldrake', Lieutenant Passingham Entering Falmouth Harbour, The Capture of the Slaver 'Gabriel' by HMS 'Acorn', 6 July 1841 i Hulks Off Devonport: National Maritime Museum, London čuva 6 dela sa ove stranice.
Nicholas Matthew Condy, often recognized as Nicholas Condy the Younger or Junior, was a British maritime painter whose life and work were deeply intertwined with the salt air and bustling naval energy of his native Devon. Born in 1816, he was the son of the landscape artist Nicholas Condy, and while the two are frequently conflated by historians, the younger Condy carved out a distinct and specialized niche within the realm of marine art. His early years were shaped by the maritime traditions of Plymouth, where he developed an intimate, almost visceral understanding of the vessels that frequented the local waters. Though he initially intended to pursue a career in the Navy or the military, his true calling emerged through the brush, as he transitioned from a potential soldier to a professional marine painter and professor of painting.
His artistic development was marked by a profound technical precision that set him apart from his contemporaries. Condy possessed an extraordinary ability to render the complex architecture of sailing ships, particularly the intricate web of rigging and the structural integrity of masts and hulls. This meticulous attention to detail meant that his works were often regarded more as accurate ship portraits than mere creative landscapes. His deep knowledge of naval vessels, acquired through his life in a great port city, allowed him to capture the essence of maritime life with an authenticity that commanded respect from both peers and patrons alike.
The significance of Condy’s career is highlighted by the high-profile recognition he received during his relatively brief lifetime. His talent caught the eye of the Earl of Egremont, a notable patron of J.M.W. Turner, which provided him with essential visibility within the upper echelons of the British art world. Between 1842 and 1845, Condy successfully exhibited several of his maritime pieces at the Royal Academy, an achievement that signaled his arrival as a distinguished figure in the genre. His work was not merely local in scope; many of his most important paintings found their way into prestigious collections, including the National Maritime Museum in London and Greenwich.
Beyond the technical mastery of ship portraits, Condy’s oeuvre captured the atmospheric beauty of the Devon coastline. His paintings often featured iconic locations such as Plymouth Sound, Mount Edgcumbe, and Falmouth, blending the rigid geometry of man-made vessels with the fluid, impressionistic light of the sea and sky. Through his eyes, viewers could witness:
Tragically, Condy’s artistic journey was cut short by his sudden and premature death in Plymouth in 1851. At only thirty-two or thirty-three years of age, he left behind a body of work that remains a vital historical record of the golden age of sail. His ability to marry the scientific accuracy of maritime engineering with the romantic spirit of the sea ensures that his name continues to be sought after by collectors and historians of naval art today.
