Felice Riccio Unesite
atmosfera ne
jedna galerija.
Izaberite raspoloženje i sama prostorija vam odgovara — svetlost postaje hladnija ili toplija, ritam vazduha se menja, a iz tame iskaču samo ona dela koja nose taj osećaj. Sve ostalo povlači se u senku.
Felice Riccio
A Veronese Hand Born in Verona in 1542, Felice Riccio entered a world defined by the heavy traditions of his father, Domenico Riccio. Known to many by the pseudonym Il Brusasorci, he did not merely inherit a profession but a specific way of seeing. His early years were spent absorbing the Mannerist language of his lineage, yet there was a distinct softness in his approach that set him apart from the sharper edges of his contemporaries.
He moved through the late-Renaissance period with a quiet technical authority, eventually finding his way to Florence, where his presence was noted as late as 1597. His work often sought a delicate balance between light and form. In pieces such as the Annunciation on the organ shutters of the church of the Madonna di Campagna, one finds a painterly, gentle version of Mannerism. He possessed a particular skill for working on touchston…