Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 33 dela Michal Trembáč u našem katalogu
Ukratko
Cooperative under Kriváň (1962) je slika autora Michal Trembáč koja privlači najviše pažnje; original se nalazi u muzeju Tatra Gallery, Poprad. Nakon toga, pogled se seli na Bouquet (1962) i Object 9. (1966). Među 33 dela umetnika Michal Trembáč u našem katalogu, ovih 29 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A soft, directional light spills from the upper left, catching the curve of a woman's neck and the delicate lace at her sleeve. She exists in a space of quiet shadow, her form emerging from a dark, indeterminate background that pulls the viewer into her private world. Her gaze is cast downward, heavy with a sense of introspection or perhaps a gentle melancholy. In her hands, or perhaps held close…
Goral Wedding1978 · Tatra Gallery
12
Regrúti1978 · Tatra Gallery
13
Beehive1985 · Východoslovenské Galéria
14
Carnival II1987 · Tatra Gallery
15
Pensive1962 · Tatra Gallery
16
JRD Nová Lesná1965 · Tatra Gallery
17
Houses1962 · Tatra Gallery
18
Old Mill1965 · Tatra Gallery
19
Veľký Slavkov1962 · Tatra Gallery
20
Landscape1962 · Tatra Gallery
21
With the Gardener1965 · Tatra Gallery
22
From a Wedding1975 · Tatra Gallery
23
Construction of an Estacade1982 · Galerija umetnika Spiša
24
Unexpected Storm1982 · Galerija umetnika Spiša
25
After the Rain1985 · Východoslovenské Galéria
26
In the Feast Day1985 · Galerija umetnika Spiša
27
Memories1984 · Galerija umetnika Spiša
28
At the Market1987 · Galerija umetnika Spiša
29
Carnival I1986 · Tatra Gallery
3 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Michal Trembáč | Slike iz ovog spiska |
|---|---|---|---|
 Tatra Gallery |
Poprad | 22 | Cooperative under Kriváň, Bouquet, Object 9. |
 Galerija umetnika Spiša |
Spišská Nová Ves | 5 | Construction of an Estacade, Unexpected Storm, In the Feast Day |
 Východoslovenské Galéria |
Košice | 2 | Beehive, After the Rain |
Izaberite deceniju da biste videli original koji je definiše.
A soft, directional light spills from the upper left, catching the curve of a woman's neck and the delicate lace at her sleeve. She exists in a space of quiet shadow, her form emerging from a dark, indeterminate background that pulls the viewer into her private world. Her gaze is cast downward, heavy with a sense of introspection or perhaps a gentle melancholy. In her hands, or perhaps held close…
Cooperative under Kriváň (1962), Tatra Gallery, Poprad. Slede Bouquet (1962) i Object 9. (1966).
33 godina: Cooperative under Kriváň datira iz 1962, a Michal Trembáč je rođen/a 1929.
Cooperative under Kriváň, Bouquet, Object 9., Meditation, Gardens, Threshing under the Tatras II, Courtyard, Landscape under the Tatras, Harbor i To the Meadows. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 33 dela umetnika Michal Trembáč, datiranih od 1962 do 1987.
Većinom u Tatra Gallery (Poprad), Galerija umetnika Spiša (Spišská Nová Ves) i Východoslovenské Galéria (Košice). Tabela muzeja iznad sadrži njih sve.
U 1960s: 16 od 29 dela na ovoj stranici nastalo je tada, od čega je Cooperative under Kriváň.
Na ovoj stranici, najstarije delo je iz Cooperative under Kriváň (1962), a najnovije iz Carnival II (1987).
Cooperative under Kriváň, Bouquet i Object 9.: Tatra Gallery, Poprad čuva 22 dela sa ove stranice.
Michal Trembáč was a man of many forms, expressing his vision through the mediums of painting, graphic art, and sculpture. Born on September 21, 1929, he spent his life developing a visual language that spanned several decades. His creative output was diverse, moving between the delicate precision of graphic work and the physical presence of sculpture. He remained active in his craft until his passing in 2015.
Throughout his career, Trembáč focused on a variety of genres. He often turned his attention to the landscape, capturing the essence of the natural world. His work also extended into other areas of painting, showing a versatility that allowed him to explore different subjects and textures. This breadth of practice suggests a life spent observing the world from many different angles, whether through the lens of a painter or the hands of a sculptor.
Michal Trembáč often turned his attention to the quiet rhythms of daily life and the natural landscape. In the early 1960s, his work captured many different facets of existence, from the simple beauty of a Kytica (1962) to the more introspective moods found in Zamyslená (1962). He had a way of looking at the world that felt grounded and observant. His 1962 landscape, Krajina, and the depiction of a Dvor from that same year show a focus on the spaces people inhabit and the light that settles upon them. Even in a piece like Svadba (1964), there is a sense of documenting a specific, lived moment.
As his career progressed, his subjects continued to reflect both the external environment and internal states of being. He moved between the physical world and more abstract reflections, such as the 1965 work Meditácia. Later, in 1972, he produced Radar č.5, showing a different side of his creative output. By 1977, his work Behind the Road demonstrated his continued engagement with the landscape, capturing a sense of place that felt deeply connected to the terrain.
The legacy of Michal Trembáč is held within several significant institutions that preserve his visual contributions. His presence is most felt in the Tatra Gallery, Poprad, which maintains a substantial collection of 23 of his works. This concentration of his output provides a deep look into the themes he explored throughout his career. Another important repository is the Gallery of Spis Artists, Spišská Nová Ves, where five of his pieces are kept for public viewing.
Beyond these regional collections, his work has found a place in larger national and specialized galleries. The Východoslovenská galéria (VSG) holds his painting titled Radar č.5. His landscape work, Behind the Road, is part of the collection at the SNG. These placements ensure that his perspective remains accessible to those studying the art of the region.
Tracing the market history of Michal Trembáč reveals a very specific and consistent pattern in how his pieces find new homes. Recent auction data shows a remarkably steady valuation for his work. The average price for a piece has been recorded at 7 298 Kč, a figure that is mirrored by the median item price. This consistency suggests a stable demand for his paintings among collectors who seek his specific perspective.
The data also points to a high level of interest when his works appear for sale. Currently, the sale success rate stands at 100%, based on recorded transactions. This perfect success rate reflects a direct alignment between the value placed on his art and what buyers are willing to pay. Even the highest achieved price recorded in these statistics remains at the 7 298 Kč mark, illustrating a very predictable and focused market for his output.
